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Pride and Prejudice — Page 3

English → Pt Preface Level 7/10

_It is the larger, the more varied, the more popular; the author had by the time of its composition seen rather more of the world, and had improved her general, though not her most peculiar and characteristic dialogue; such figures as Miss Bates, as the Eltons, cannot but unite the suffrages of everybody.

_É o maior, o mais variado, o mais popular; a autora, à época de sua composição, havia visto um pouco mais do mundo, e havia aprimorado seu diálogo geral, embora não o seu mais peculiar e característico; figuras como a Srta. Bates, como os Eltons, não podem deixar de reunir os sufrágios de todos.

On the other hand, I, for my part, declare for_ Pride and Prejudice _unhesitatingly.

Por outro lado, eu, por minha parte, declaro-me a favor de_ Orgulho e Preconceito _sem hesitar.

It seems to me the most perfect, the most characteristic, the most eminently quintessential of its author's works; and for this contention in such narrow space as is permitted to me, I propose here to show cause._

Parece-me a mais perfeita, a mais característica, a mais eminentemente quintessencial das obras de sua autora; e para sustentar esta afirmação no exíguo espaço que me é permitido, proponho-me aqui a demonstrá-la._

_In the first place, the book (it may be barely necessary to remind the reader) was in its first shape written very early, somewhere about 1796, when Miss Austen was barely twenty-one; though it was revised and finished at Chawton some fifteen years later, and was not published till 1813, only four years before her death.

_Em primeiro lugar, o livro (pode ser apenas necessário lembrar ao leitor) foi, em sua forma original, escrito muito cedo, por volta de 1796, quando a Srta. Austen mal havia completado vinte e um anos; embora tenha sido revisado e concluído em Chawton cerca de quinze anos depois, e não tenha sido publicado até 1813, apenas quatro anos antes de sua morte.

I do not know whether, in this combination of the fresh and vigorous projection of youth, and the critical revision of middle life, there may be traced the distinct superiority in point of construction, which, as it seems to me, it possesses over all the others.

Não sei se, nessa combinação da projeção fresca e vigorosa da juventude com a revisão crítica da meia-idade, pode-se rastrear a distinta superioridade em termos de construção, que, ao que me parece, ela possui sobre todas as outras.

The plot, though not elaborate, is almost regular enough for Fielding; hardly a character, hardly an incident could be retrenched without loss to the story.

O enredo, embora não seja elaborado, é quase regular o suficiente para Fielding; dificilmente um personagem, dificilmente um incidente poderia ser suprimido sem prejuízo para a história.

The elopement of Lydia and Wickham is not, like that of Crawford and Mrs.

A fuga de Lydia e Wickham não é, como a de Crawford e a Sra.

Vocabulary

É
eh — Third person singular present tense of 'to be'
o
oh — Masculine singular definite article meaning 'the'
maior
my-OR — Greater, larger, or most important in size
mais
mysh — More; used for comparisons and quantity
variado
vah-ree-AH-doo — Varied, diverse, having many different elements
popular
poh-poo-LAR — Widely liked or enjoyed by many people
a
ah — Feminine singular definite article meaning 'the'
autora
ow-TOH-rah — Female author or writer of a work
à
ah — Contraction of preposition 'a' with article 'a'
época
EH-poh-kah — Era, time period, or historical moment
de
deh — Preposition meaning 'of' or 'from'
sua
SOO-ah — Possessive pronoun meaning 'her,' 'his,' or 'your'
composição
kom-poh-zee-SOWNG — Composition; act of writing or creating a work
havia
ah-VEE-ah — Past tense of 'haver,' meaning 'had' or 'there was'
visto
VEES-too — Past participle of 'ver,' meaning 'seen'
um
oong — Masculine indefinite article meaning 'a' or 'one'
pouco
POH-koo — A little, a small amount of something
do
doo — Contraction of 'de' and 'o,' meaning 'of the'
mundo
MOON-doo — World; the earth or human society at large
e
ee — Conjunction meaning 'and,' connecting words or clauses
aprimorado
ah-pree-moh-RAH-doo — Refined, improved, or perfected over time
seu
say-oo — Possessive pronoun meaning 'his,' 'her,' or 'your'
diálogo
dee-AH-loh-goo — Dialogue; conversation between characters in writing
geral
zheh-RAL — General, broad, not specific or specialized
embora
em-BOH-rah — Although, even though; introduces a concessive clause
não
nowng — No, not; primary negation word in Portuguese
peculiar
peh-koo-lee-AR — Peculiar, distinctive, belonging to a specific person
característico
kah-rak-teh-REES-tee-koo — Characteristic, typical feature that identifies something
figuras
fee-GOO-rahs — Figures, characters, or notable persons in a work
como
KOH-moo — As, like, how; used for comparison or example
os
oosh — Masculine plural definite article meaning 'the'
podem
POH-deng — Third person plural of 'poder,' meaning 'can' or 'may'
deixar
day-SHAR — To let, allow, or leave something or someone
reunir
heh-oo-NEER — To gather, unite, or bring together a group
todos
TOH-doos — All, everyone, every one without exception
Por
por — Preposition meaning 'for,' 'by,' or 'through'
outro
OH-troo — Other, another; referring to a different thing
lado
LAH-doo — Side; one part or aspect of something
eu
eh-oo — First person singular pronoun meaning 'I'
por
por — Preposition meaning 'for,' 'by,' 'through,' or 'per'
minha
MEEN-yah — Feminine possessive pronoun meaning 'my'
parte
PAR-chee — Part, portion, or one's role in something
declaro-me
deh-KLAH-roo-meh — I declare myself; reflexive form of 'declarar'
favor
fah-VOR — Favor; in favor of, preferring or supporting something
Orgulho
or-GOOL-yoo — Pride; a sense of dignity or self-respect
Preconceito
preh-kon-SAY-too — Prejudice; preconceived negative opinion about someone
sem
seng — Without; lacking or not having something
hesitar
eh-zee-TAR — To hesitate, pause before deciding or acting
Parece-me
pah-REH-seh-meh — It seems to me; expressing a personal impression
perfeita
per-FAY-tah — Perfect, flawless, without any faults or errors
característica
kah-rak-teh-REES-tee-kah — Characteristic, distinctive feature or quality of something
das
dahs — Contraction of 'de' and 'as,' meaning 'of the'
obras
OH-brahs — Works, literary or artistic creations by an author
para
PAH-rah — For, to, in order to; preposition of purpose
sustentar
soos-ten-TAR — To sustain, support, or maintain an argument or claim
esta
ES-tah — Feminine demonstrative pronoun meaning 'this'
afirmação
ah-feer-mah-SOWNG — Affirmation, assertion, or statement declared as true
no
noo — Contraction of 'em' and 'o,' meaning 'in the'
espaço
es-PAH-soo — Space, room, or available area for something
que
keh — That, which, who; conjunction or relative pronoun
me
meh — First person singular object pronoun meaning 'me'
é
eh — Third person singular present tense of 'ser,' 'is'
permitido
per-mee-CHEE-doo — Permitted, allowed, given permission to do something
proponho-me
proh-PON-yoo-meh — I propose to myself; intend to do something
aqui
ah-KEE — Here, in this place or at this point
demonstrá-la
deh-mon-STRAH-lah — To demonstrate it; prove or show something clearly
Em
eng — In, at; preposition indicating location or time
primeiro
pree-MAY-roo — First; the one before all others in order
lugar
loo-GAR — Place, location, or position in an order
livro
LEE-vroo — Book; a written or printed literary publication
pode
POH-deh — Can, may; third person singular of 'poder'
ser
sair — To be; permanent or essential state of being
apenas
ah-PEH-nahs — Only, just, merely; limiting the scope of something
necessário
neh-seh-SAH-ree-oo — Necessary, required, essential for a purpose
lembrar
lem-BRAR — To remember, remind, or recall something to mind
ao
ow — Contraction of 'a' and 'o,' meaning 'to the'
leitor
lay-TOR — Reader; person who reads a text or book
foi
foy — Was, went; third person singular simple past of 'ser/ir'
em
eng — In, at; preposition indicating location or time
forma
FOR-mah — Form, shape, or manner in which something exists
original
oh-ree-zhee-NAL — Original, first version before any changes or revisions
escrito
es-KREE-too — Written; past participle of 'escrever,' to write
muito
MWEE-too — Very, much, a lot; intensifier of degree or quantity
cedo
SAY-doo — Early; at an earlier time than expected
volta
VOL-tah — Around, approximately; also means 'return' or 'turn'
quando
KWAHN-doo — When; at the time that something occurred
mal
mahl — Barely, hardly; also means 'badly' or 'poorly'
completado
kom-pleh-TAH-doo — Completed, finished; past participle of 'completar'
vinte
VEEN-chee — Twenty; the number 20 in Portuguese
anos
AH-noos — Years; plural of 'ano,' referring to periods of time
tenha
TEN-yah — Subjunctive form of 'ter,' meaning 'has' or 'have'
sido
SEE-doo — Been; past participle of 'ser,' meaning 'to be'
revisado
heh-vee-ZAH-doo — Revised, reviewed and corrected for improvement
concluído
kon-kloo-EE-doo — Concluded, finished, brought to a final completion
cerca
SER-kah — About, approximately; indicating an estimate of quantity
quinze
KEEN-zeh — Fifteen; the number 15 in Portuguese
depois
deh-POYS — After, later, afterwards; indicating subsequent time
publicado
poo-blee-KAH-doo — Published; made available to the public in print
até
ah-TEH — Until, up to; indicating a limit in time or space
quatro
KWAH-troo — Four; the number 4 in Portuguese
antes
AHN-chees — Before, prior to an event or point in time
morte
MOR-chee — Death; the end of life of a person
Não
nowng — No, not; primary negation word in Portuguese
sei
say — I know; first person singular of 'saber'
se
seh — If, whether; also reflexive pronoun 'oneself'
nessa
NEH-sah — Contraction of 'em' and 'essa,' meaning 'in that'
combinação
kom-bee-nah-SOWNG — Combination, blend, or union of different elements
da
dah — Contraction of 'de' and 'a,' meaning 'of the'
projeção
proh-zheh-SOWNG — Projection, expression, or display of a quality outward
fresca
FRES-kah — Fresh, lively, new and vibrant in quality
vigorosa
vee-goh-ROH-zah — Vigorous, energetic, full of strength and vitality
juventude
zhoo-ven-TOO-deh — Youth; the period of being young and energetic
com
kong — With; preposition indicating accompaniment or inclusion
revisão
heh-vee-ZOWNG — Revision, review, careful correction of written work
crítica
KREE-chee-kah — Critical analysis; evaluation of a work's strengths
meia-idade
MAY-ah-ee-DAH-deh — Middle age; the period roughly between 40 and 60
pode-se
POH-deh-seh — One can, it is possible; impersonal reflexive construction
rastrear
rahs-treh-AR — To trace, track, or detect the source of something
distinta
dees-TEEN-tah — Distinct, clearly different or superior in quality
superioridade
soo-peh-ree-oh-ree-DAH-deh — Superiority; the quality of being higher or better
termos
TER-moos — Terms, aspects; also first person plural of 'ter'
construção
kon-stroo-SOWNG — Construction, structure, or way something is built
parece
pah-REH-seh — It seems, appears; third person of 'parecer'
ela
EH-lah — She, her; third person feminine singular pronoun
possui
poh-ZOO-ee — Possesses, has, owns; third person of 'possuir'
sobre
SOH-breh — About, over, on top of; versatile Portuguese preposition
todas
TOH-dahs — All, every one; feminine plural of 'todo'
as
ahs — Feminine plural definite article meaning 'the'
outras
OH-trahs — Others, the rest; feminine plural of 'outro'
O
oh — Masculine singular definite article meaning 'the'
enredo
en-HEH-doo — Plot; the sequence of events in a narrative work
seja
SAY-zhah — Be; present subjunctive of 'ser,' used in clauses
elaborado
eh-lah-boh-RAH-doo — Elaborate, carefully developed and detailed in structure
quase
KWAH-zeh — Almost, nearly; very close to but not quite
regular
heh-goo-LAR — Regular, orderly, following a consistent pattern or rule
suficiente
soo-fee-see-EN-chee — Sufficient, enough; meeting the required standard or amount
dificilmente
dee-fee-seel-MEN-chee — Hardly, with difficulty; rarely or almost impossibly
personagem
per-so-NAH-zheng — Character, a person in a literary or dramatic work
incidente
een-see-DEN-chee — Incident, event, or occurrence within a narrative
poderia
poh-deh-REE-ah — Could, would be able to; conditional of 'poder'
suprimido
soo-pree-MEE-doo — Suppressed, removed, eliminated from a text or story
prejuízo
preh-zhoo-EE-zoo — Harm, damage, detriment; loss caused by removal or action
história
ees-TOH-ree-ah — Story, history, narrative account of events
A
ah — Feminine singular definite article meaning 'the'
fuga
FOO-gah — Escape, flight, or elopement from a place or person
Sra
seh-NYOH-rah — Abbreviation for 'Senhora,' meaning 'Mrs.' or 'Ms.'
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