← The Adventures of Ferdinand Count Fathom — Complete

The Adventures of Ferdinand Count Fathom — Complete — Page 12

English → Japanese Preface Level 8/10

The clock struck twelve, the owl screeched from the ruined battlement, the door was opened by the sexton, who, by the light of a glimmering taper, conducted the despairing lover to a dreary aisle, and stamped upon the ground with his foot, saying, 'Here the young lady lies interred.'"

時計が十二時を打ち、梟が崩れた城壁の上で鋭く鳴き、扉は堂守によって開かれた。堂守はかすかに揺れる蝋燭の光で、絶望した恋人を陰鬱な側廊へと導き、足で地面を踏み鳴らしながら、『ここにその若い女性が埋葬されております』と言った。

We have here such an amount of the usual romantic machinery of the "grave-yard" school of poets—that school of which Professor W. L. Phelps calls Young, in his Night Thoughts, the most "conspicuous exemplar"—that one is at first inclined to think Smollett poking fun at it.

ここには「墓地」派の詩人たちが常用するロマンティックな装置がふんだんに盛り込まれている。この流派については、W・L・フェルプス教授がヤングを『夜の思索』において最も「顕著な典型」と呼んでいるが、読者は最初、スモレットがそれを茶化しているのだと思いがちである。

The context, however, seems to prove that he was perfectly serious.

しかし文脈を見ると、彼はまったく真剣であったことが証明されるようである。

It is interesting, then, as well as surprising, to find traces of the romantic spirit in his fiction over ten years before Walpole's Castle of Otranto.

そうなると、ウォルポールの『オトラント城』より十年以上も前に書かれた彼の小説の中にロマンティックな精神の痕跡を見出すことは、驚くべきことであると同時に興味深いことでもある。

It is also interesting to find so much melodramatic feeling in him, because it makes stronger the connection between him and his nineteenth-century disciple, Dickens.

また、彼の作品にこれほど多くのメロドラマ的な感情が見られることも興味深い。なぜなら、それによって彼と十九世紀の弟子であるディケンズとの結びつきがより強固なものになるからである。

From all that I have said, it must not be thought that the usual Smollett is always, or almost always, absent from Count Fathom.

以上述べてきたことから、通常のスモレットが『ファゾム伯爵』において常に、あるいはほとんど常に不在であると考えてはならない。

I have spoken of the dedication and of the opening chapters as what we might expect from his pen.

私は献辞と冒頭の章について、彼の筆から期待されるものとして論じてきた。

There are, besides, true Smollett strokes in the scenes in the prison from which Melvil rescues Fathom, and there is a good deal of the satirical Smollett fun in the description of Fathom's ups and downs, first as the petted beau, and then as the fashionable doctor.

さらに、メルヴィルがファゾムを救い出す監獄の場面には真のスモレット的な筆致があり、ファゾムの浮き沈みの描写、すなわちまず寵愛される伊達男として、次に流行の医師としての姿には、スモレット的な風刺的おかしみが多分に含まれている。

Vocabulary

時計
tokei — Clock or watch used to tell time.
ga — Subject marker particle in Japanese grammar.
十二時
juuniji — Twelve o'clock, noon or midnight.
wo — Object marker particle in Japanese grammar.
打ち
uchi — Striking or hitting; chiming of a clock.
崩れ
kuzure — Crumbling or collapsing of a structure.
ta — Past tense auxiliary verb in Japanese.
no — Possessive or linking particle in Japanese.
ue — Above, on top of something.
de — Particle indicating location of action.
鋭く
surudoku — Sharply, keenly, in a piercing manner.
鳴き
naki — Crying or calling sound made by animals.
tobira — Door or gate, often large or heavy.
wa — Topic marker particle in Japanese grammar.
ni — Particle indicating direction, location, or agent.
よっ
yot(te) — By means of; due to (contraction of よって).
te — Conjunctive particle connecting verb phrases.
開か
hira(ka) — To open; passive stem of 開く.
re — Passive auxiliary suffix attached to verbs.
かすか
kasuka — Faint, dim, barely perceptible.
揺れる
yureru — To sway, flicker, or tremble gently.
蝋燭
roosoku — Candle used for lighting in darkness.
hikari — Light, glow, or radiance from a source.
絶望
zetsubou — Despair, hopelessness, complete loss of hope.
shi — Conjunctive form of する; and/moreover.
恋人
koibito — Lover, romantic partner, sweetheart.
na — Adjectival linking particle for na-adjectives.
he — Directional particle indicating movement toward.
to — Particle meaning and, with, or quotation.
導き
michibiki — Guidance, leading someone toward a destination.
ashi — Foot, leg; lower limb of the body.
地面
jimen — Ground surface, floor of the earth.
踏み
fumi — Stepping, treading on a surface.
鳴らし
narashi — Making something produce a sound by striking.
ながら
nagara — While doing; simultaneous action conjunction.
ここ
koko — Here, this place nearby the speaker.
その
sono — That (near listener); demonstrative adjective.
若い
wakai — Young in age, youthful.
女性
josei — Woman, female person.
sa — Nominalizing suffix or sentence-final particle.
おり
ori — Humble form of いる; to be, exist.
ます
masu — Polite verb ending in Japanese.
言っ
it(te) — Said; past/conjunctive form of 言う.
墓地
bochi — Cemetery, graveyard where people are buried.
ha — School, faction, or group sharing ideology.
詩人
shijin — Poet, person who writes poetry.
たち
tachi — Plural suffix for people and animate beings.
常用
jouyou — Regular use, everyday usage of something.
する
suru — To do, to perform an action.
ロマンティック
romanchikku — Romantic, evoking romance or sentiment.
装置
souchi — Device, mechanism, or literary apparatus.
いる
iru — To exist, to be (for animate beings).
この
kono — This (near speaker); demonstrative adjective.
つい
tsui — Unintentionally, inadvertently, just recently.
教授
kyouju — Professor, university-level academic instructor.
yoru — Night, the dark hours after sunset.
おい
oi — Hey (informal call); or within, among (literary).
最も
mottomo — Most, to the greatest degree (superlative).
典型
tenkei — Typical example, archetype, representative model.
呼ん
yon(de) — Called, named; conjunctive form of 呼ぶ.
読者
dokusha — Reader, person who reads a text.
最初
saisho — First, the very beginning or outset.
それ
sore — That, referring to something near the listener.
da — Plain copula meaning is, are (informal).
思い
omoi — Thought, feeling, strong emotional sentiment.
がち
gachi — Tendency to; prone to doing something.
ある
aru — To exist, to be (for inanimate things).
しかし
shikashi — However, but; conjunction showing contrast.
文脈
bunmyaku — Context, flow of meaning within a text.
見る
miru — To see, look at, or examine something.
kare — He, him; third-person masculine pronoun.
まったく
mattaku — Completely, entirely, absolutely, not at all.
真剣
shinken — Serious, earnest, sincere in manner or intent.
あっ
at(te) — Was; conjunctive past form of ある.
こと
koto — Thing, fact, matter (nominalizer).
証明
shoumei — Proof, demonstration, verification of a fact.
れる
reru — Passive or potential auxiliary verb suffix.
よう
you — Seeming like; way of; volitional expression.
そう
sou — So, that way; appearing to be thus.
なる
naru — To become, to turn into something.
shiro — Castle, fortress, large defensive structure.
より
yori — Than, from; comparative or source particle.
十年
juunen — Ten years, a decade.
以上
ijou — More than, at least, above a threshold.
mo — Also, too, even; inclusive particle.
mae — Before, in front of, prior in time.
書か
kaka — Written; stem of 書く in passive/negative forms.
小説
shousetsu — Novel, work of prose fiction literature.
naka — Inside, within, among, middle of something.
精神
seishin — Spirit, mind, mentality, psychological essence.
見出す
midasu — To find, discover, or identify something.
驚く
odoroku — To be surprised, astonished, amazed.
べき
beki — Should, ought to; expressing obligation or expectation.
同時
douji — Simultaneously, at the same time.
興味深い
kyoumibuka-i — Interesting, deeply fascinating, worthy of attention.
また
mata — Also, again, moreover, in addition.
作品
sakuhin — Work, piece of art, literary or creative output.
これほど
korehodo — This much, to this extent or degree.
多く
ooku — Many, much, a large number or amount.
メロドラマ
merodorama — Melodrama, emotionally exaggerated dramatic genre.
teki — Suffix meaning -like, -ish, -related to.
感情
kanjou — Emotion, feeling, sentiment experienced internally.
見ら
mira — Seen; passive stem form of 見る.
なぜなら
nazenara — Because, the reason being; causal conjunction.
十九
juuku — Nineteen, the number 19.
世紀
seiki — Century, a period of one hundred years.
弟子
deshi — Disciple, pupil, apprentice of a master.
結びつき
Connection, bond, link between things or people.
もの
mono — Thing, object; nominalizing or softening expression.
から
kara — From, because of; particle of cause or origin.
述べ
nobe — Stated, described; conjunctive form of 述べる.
通常
tsuujou — Usually, normally, under ordinary circumstances.
常に
tsuneni — Always, constantly, at all times.
ほとんど
hotondo — Almost, mostly, nearly, for the most part.
不在
fuzai — Absence, being away or not present.
考え
kangae — Thought, idea, consideration, way of thinking.
なら
nara — If, in that case; conditional conjunction.
ない
nai — Not, does not exist; negative auxiliary.
watashi — I, me; first-person singular pronoun.
冒頭
boutou — Opening, beginning, very start of a text.
shou — Chapter, section of a book or text.
fude — Brush, pen; writing style or authorship.
期待
kitai — Expectation, anticipation, hope for something.
論じ
ronji — Argued, discussed; conjunctive form of 論じる.
さら
sara — Furthermore, even more, additionally (さらに).
救い出す
sukuidasu — To rescue, save someone from danger or confinement.
監獄
kangoku — Prison, jail, place of confinement.
場面
bamen — Scene, setting, or situation in a narrative.
shin — True, real, genuine, authentic.
あり
ari — Exists, there is; classical form of ある.
描写
byousha — Description, depiction, portrayal in writing or art.
すなわち
sunawachi — That is, namely, in other words.
まず
mazu — First of all, to begin with.
tsugi — Next, following, the one after.
流行
ryuukou — Trend, fashion, something currently popular.
医師
ishi — Medical doctor, physician.
姿
sugata — Figure, appearance, form of a person or thing.
風刺
fuushi — Satire, ironic criticism of society or individuals.
多分
tabun — Probably, perhaps, most likely.
含ま
fukuma — Included, contained; stem of 含む.
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