The King in Yellow — Page 7
No definite principles had been violated in those wicked pages, no doctrine promulgated, no convictions outraged.
あの邪悪なページには、明確な原則が侵されているわけでも、教義が広められているわけでも、信念が踏みにじられているわけでもなかった。
It could not be judged by any known standard, yet, although it was acknowledged that the supreme note of art had been struck in _The King in Yellow_, all felt that human nature could not bear the strain, nor thrive on words in which the essence of purest poison lurked.
それはいかなる既知の基準によっても判断できなかった。しかし、『黄衣の王』において芸術の最高峰が打ち立てられたことは認められながらも、人間の本性はその重圧に耐えられず、最も純粋な毒の本質が潜む言葉の中では生きていけないと、誰もが感じていた。
The very banality and innocence of the first act only allowed the blow to fall afterward with more awful effect.
第一幕のまさにその平凡さと無邪気さが、後に続く打撃をいっそう恐ろしい効果をもって降りかからせることになったのだ。
It was, I remember, the 13th day of April, 1920, that the first Government Lethal Chamber was established on the south side of Washington Square, between Wooster Street and South Fifth Avenue.
私の記憶では、1920年4月13日に、ウースター街と南五番街の間、ワシントン広場の南側に、最初の政府安楽死施設が設置された。
The block which had formerly consisted of a lot of shabby old buildings, used as cafés and restaurants for foreigners, had been acquired by the Government in the winter of 1898.
かつては外国人向けのカフェやレストランとして使われていた古びた建物が立ち並んでいたその一区画は、1898年の冬に政府によって取得されていた。
The French and Italian cafés and restaurants were torn down; the whole block was enclosed by a gilded iron railing, and converted into a lovely garden with lawns, flowers and fountains.
フランスとイタリアのカフェやレストランは取り壊され、一区画全体が金箔を施した鉄柵で囲まれ、芝生と花と噴水を備えた美しい庭園へと生まれ変わった。
In the centre of the garden stood a small, white building, severely classical in architecture, and surrounded by thickets of flowers.
庭園の中央には、厳格な古典様式の建築による小さな白い建物が立ち、花の茂みに囲まれていた。
Six Ionic columns supported the roof, and the single door was of bronze.
六本のイオニア式の柱が屋根を支え、唯一の扉はブロンズ製であった。
A splendid marble group of the "Fates" stood before the door, the work of a young American sculptor, Boris Yvain, who had died in Paris when only twenty-three years old.
扉の前には「運命の三女神」を表した見事な大理石の群像が立っており、それはまだ二十三歳でパリにて亡くなった若きアメリカ人彫刻家、ボリス・イヴァンの作品であった。
Vocabulary
- あの
- ano — That (thing or person over there).
- 邪悪
- jaaku — Evil, wicked, malicious in nature.
- な
- na — Adjectival or sentence-ending particle.
- ページ
- pēji — Page, as in a book or document.
- に
- ni — Particle indicating direction, time, or location.
- は
- wa — Topic-marking particle in Japanese sentences.
- 明確
- meikaku — Clear, definite, explicit in meaning or form.
- 原則
- gensoku — Principle, fundamental rule or standard.
- が
- ga — Subject-marking particle in Japanese grammar.
- 侵さ
- okasa — To violate, infringe, or encroach upon something.
- れ
- re — Passive or potential verb auxiliary suffix.
- て
- te — Conjunctive particle connecting verb phrases.
- いる
- iru — To exist, be present (animate subjects).
- わけ
- wake — Reason, meaning, or logical conclusion.
- で
- de — Particle indicating means, location of action.
- も
- mo — Particle meaning also, too, or even.
- 教義
- kyōgi — Doctrine, dogma, or religious teaching.
- 広め
- hirome — To spread, disseminate, or propagate widely.
- られ
- rare — Passive or potential auxiliary verb suffix.
- 信念
- shinnen — Belief, conviction, or deeply held faith.
- 踏みにじら
- fuminiijira — To trample upon, violate, or crush underfoot.
- なかっ
- nakatta — Past negative auxiliary, did not occur.
- た
- ta — Past tense verb ending particle.
- それ
- sore — That (thing near the listener).
- いかなる
- ikanaru — Any kind of, whatever, no matter what.
- 既知
- kichi — Already known, previously established knowledge.
- の
- no — Possessive or nominalizing particle.
- 基準
- kijun — Standard, criterion, or benchmark for judgment.
- よっ
- yotte — By means of, based on, depending on.
- 判断
- handan — Judgment, decision, or assessment of something.
- でき
- deki — To be able to, can do something.
- しかし
- shikashi — However, but, yet — a contrasting conjunction.
- おい
- oi — In, at, or within a certain context.
- 芸術
- geijutsu — Art, fine arts, or artistic expression.
- 最高峰
- saikōhō — The pinnacle, highest peak of achievement.
- 打ち立て
- uchitate — To establish, found, or set up firmly.
- こと
- koto — Thing, fact, or nominalizing abstract concepts.
- 認め
- mitome — To acknowledge, recognize, or admit something.
- ながら
- nagara — While doing, although, even as.
- 人間
- ningen — Human being, humanity, mankind.
- 本性
- honshō — True nature, innate character of something.
- その
- sono — That (attributive, near listener) demonstrative.
- 重圧
- jūatsu — Heavy pressure, burden, or oppressive weight.
- 耐え
- tae — To endure, withstand, or bear hardship.
- ず
- zu — Negative verb suffix meaning without doing.
- 最も
- mottomo — Most, extremely, the greatest degree.
- 純粋
- junsui — Pure, genuine, unadulterated in quality.
- 毒
- doku — Poison, venom, or toxic substance.
- 本質
- honshitsu — Essence, true nature, or fundamental quality.
- 潜む
- hisomu — To lurk, hide, or lie concealed within.
- 言葉
- kotoba — Words, language, or expression in speech.
- 中
- naka — Inside, within, or among something.
- 生き
- iki — To live, be alive, exist vitally.
- いけ
- ike — Must not, cannot (negative obligation form).
- ない
- nai — Negative auxiliary meaning not, does not exist.
- と
- to — Particle meaning and, with, or quotation marker.
- 誰も
- daremo — Everyone, anyone, or nobody (context dependent).
- 感じ
- kanji — To feel, sense, or perceive something.
- い
- i — Verb stem of iru, to be or exist.
- 第一幕
- dai ichi maku — Act One, the first act of a play.
- まさに
- masani — Exactly, precisely, truly, indeed.
- 平凡
- heibon — Ordinary, commonplace, unremarkable in character.
- さ
- sa — Nominalizing suffix turning adjectives into nouns.
- 無邪気
- mujaki — Innocent, naive, or childlike without guile.
- 後
- ato / go — After, later, or behind in sequence.
- 続く
- tsuzuku — To continue, follow, or persist onward.
- 打撃
- dageki — A blow, strike, or devastating impact.
- を
- wo — Object-marking particle in Japanese sentences.
- いっそう
- issō — Even more, all the more, further.
- 恐ろしい
- osoroshii — Frightening, terrible, dreadful in nature.
- 効果
- kōka — Effect, result, or impact of an action.
- もっ
- motte — With, by means of, carrying or holding.
- 降りかから
- furikakara — To befall, come down upon someone suddenly.
- せる
- seru — Causative auxiliary making someone do something.
- なっ
- natte — To become, turn into something (te-form).
- だ
- da — Copula meaning is, are, or am.
- 私
- watashi — I, me, first-person singular pronoun.
- 記憶
- kioku — Memory, recollection, or remembrance of events.
- 年
- nen — Year, counter for years in time.
- 月
- tsuki / gatsu — Month or moon.
- 日
- nichi / hi — Day, sun, or date counter.
- 街
- machi — Town, city, or urban neighborhood area.
- 南
- minami — South, the southern direction or location.
- 間
- aida / ma — Between, among, or interval of space or time.
- 広場
- hiroba — Plaza, public square, or open space.
- 南側
- minamigawa — South side, the southern face or area.
- 最初
- saisho — First, the beginning or earliest instance.
- 政府
- seifu — Government, the ruling administrative authority.
- 安楽死
- anrakushi — Euthanasia, mercy killing, painless death.
- 施設
- shisetsu — Facility, institution, or establishment.
- 設置
- secchi — To establish, install, or set up a facility.
- かつて
- katsute — Once, formerly, in the past.
- 外国人
- gaikokujin — Foreigner, person from another country.
- 向け
- muke — Aimed at, intended for, directed toward.
- カフェ
- kafe — Café, a coffee shop or small restaurant.
- や
- ya — Particle listing examples: and, or, etc.
- レストラン
- resutoran — Restaurant, a place for dining out.
- し
- shi — Conjunctive form listing reasons or actions.
- 使わ
- tsukawa — To use, employ, or make use of.
- 古びた
- furubita — Aged, worn-out, or antiquated in appearance.
- 建物
- tatemono — Building, structure, or architectural construction.
- 立ち並ん
- tachinaran — Standing in a row, lined up together.
- 一区画
- hito kukaku — One block, a single section of land.
- 冬
- fuyu — Winter, the coldest season of the year.
- 取得
- shutoku — Acquisition, obtaining or gaining possession.
- 取り壊さ
- torikowa sa — To demolish, tear down, or dismantle a building.
- 全体
- zentai — Whole, entire, overall totality of something.
- 金箔
- kinpaku — Gold leaf, thin sheets of hammered gold.
- 施し
- hodokoshi — To apply, bestow, or give generously.
- 鉄柵
- tessaku — Iron fence, metal railing or barrier.
- 囲ま
- kakoma — To surround, enclose, or encircle something.
- 芝生
- shibafu — Lawn, grass turf or grassy ground area.
- 花
- hana — Flower, blossom, or floral decoration.
- 噴水
- funsui — Fountain, a decorative water feature.
- 備え
- sonae — To prepare, equip, or provide with something.
- 美しい
- utsukushii — Beautiful, lovely, aesthetically pleasing.
- 庭園
- teien — Garden, a cultivated ornamental outdoor space.
- へ
- e — Directional particle meaning toward or to.
- 生まれ変わっ
- umarekawatte — To be reborn, transformed, or completely renewed.
- 中央
- chūō — Center, the middle or central area.
- 厳格
- genkaku — Strict, rigorous, severe in discipline or style.
- 古典
- koten — Classic, classical literature or traditional style.
- 様式
- yōshiki — Style, form, or manner of design.
- 建築
- kenchiku — Architecture, construction, or a building structure.
- よる
- yoru — Based on, according to, by means of.
- 小さな
- chiisana — Small, little, tiny in size.
- 白い
- shiroi — White in color or appearance.
- 立ち
- tachi — Standing, upright position or rising up.
- 茂み
- shigemi — Thicket, bush, or dense cluster of plants.
- 六本
- roppon — Six long cylindrical objects (counter).
- 柱
- hashira — Pillar, column, or supporting post.
- 屋根
- yane — Roof, the covering top of a building.
- 支え
- sasae — To support, hold up, or prop something.
- 唯一
- yuiitsu — Only one, sole, unique and singular.
- 扉
- tobira — Door, gate, or entrance portal.
- ブロンズ
- buronzu — Bronze, an alloy of copper and tin.
- 製
- sei — Made of, manufactured from a material.
- あっ
- atte — To exist, be present (te-form of aru).
- 前
- mae — Before, in front of, or prior to.
- 運命
- unmei — Fate, destiny, or one's predetermined fortune.
- 表し
- arawashi — To represent, express, or depict something.
- 見事
- migoto — Splendid, magnificent, admirably skillful or beautiful.
- 大理石
- dairiseki — Marble, a smooth metamorphic stone material.
- 群像
- gunzō — Group sculpture, a statue of multiple figures.
- 立っ
- tatte — Standing upright (te-form of tatsu).
- おり
- ori — To be present, exist (humble or literary form).
- まだ
- mada — Still, yet, not yet in time.
- 歳
- sai — Age in years, counter for years of age.
- 亡くなっ
- nakunatte — To pass away, die (polite expression of death).
- 若き
- wakaki — Young, youthful (literary or formal form).
- アメリカ人
- Amerikajin — American person, a citizen of the United States.
- 彫刻家
- chōkokuka — Sculptor, an artist who creates sculptural works.
- 作品
- sakuhin — Work of art, creation, or artistic piece.
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