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The Picture of Dorian Gray — Page 2

English → It CHAPTER I. Level 7/10

In the centre of the room, clamped to an upright easel, stood the full-length portrait of a young man of extraordinary personal beauty, and in front of it, some little distance away, was sitting the artist himself, Basil Hallward, whose sudden disappearance some years ago caused, at the time, such public excitement and gave rise to so many strange conjectures.

Al centro della stanza, fissato a un cavalletto verticale, stava il ritratto a figura intera di un giovane di straordinaria bellezza personale, e davanti ad esso, a una certa distanza, sedeva l'artista stesso, Basil Hallward, la cui improvvisa scomparsa alcuni anni fa aveva provocato, all'epoca, una tale eccitazione pubblica e aveva dato luogo a così tante strane congetture.

As the painter looked at the gracious and comely form he had so skilfully mirrored in his art, a smile of pleasure passed across his face, and seemed about to linger there.

Mentre il pittore guardava la forma aggraziata e avvenente che aveva così abilmente rispecchiato nella sua arte, un sorriso di piacere gli passò sul viso e sembrò volersi attardare lì.

But he suddenly started up, and closing his eyes, placed his fingers upon the lids, as though he sought to imprison within his brain some curious dream from which he feared he might awake.

Ma si alzò di scatto all'improvviso, e chiudendo gli occhi, posò le dita sulle palpebre, come se cercasse di imprigionare nella sua mente qualche strano sogno dal quale temeva di potersi svegliare.

"It is your best work, Basil, the best thing you have ever done," said Lord Henry languidly.

«È il tuo lavoro migliore, Basil, la cosa migliore che tu abbia mai fatto», disse Lord Henry con languore.

"You must certainly send it next year to the Grosvenor.

«Devi assolutamente mandarlo l'anno prossimo al Grosvenor.

The Academy is too large and too vulgar.

L'Accademia è troppo grande e troppo volgare.

Whenever I have gone there, there have been either so many people that I have not been able to see the pictures, which was dreadful, or so many pictures that I have not been able to see the people, which was worse.

Ogni volta che ci sono andato, c'erano o così tante persone che non riuscivo a vedere i quadri, il che era terribile, o così tanti quadri che non riuscivo a vedere le persone, il che era peggio.

The Grosvenor is really the only place."

Il Grosvenor è davvero l'unico posto.»

"I don't think I shall send it anywhere," he answered, tossing his head back in that odd way that used to make his friends laugh at him at Oxford.

«Non credo che lo manderò da nessuna parte», rispose, gettando la testa all'indietro in quel modo strano che faceva ridere di lui i suoi amici a Oxford.

"No, I won't send it anywhere.

«No, non lo manderò da nessuna parte.

Vocabulary

centro
chen-tro — Center or middle of a space or area
stanza
stan-tsa — Room, an enclosed space inside a building
fissato
fis-sa-to — Fixed, fastened, or attached firmly to something
cavalletto
ka-val-let-to — Easel, a stand used to support a painting
verticale
ver-ti-ka-le — Vertical, oriented straight up and down
stava
sta-va — Was staying, standing, or remaining in place
ritratto
ri-trat-to — Portrait, a painted or drawn image of a person
figura
fi-gu-ra — Figure, the shape or form of a person
intera
in-te-ra — Entire or whole, not partial or incomplete
giovane
jo-va-ne — Young person or someone of a young age
straordinaria
stra-or-di-na-rja — Extraordinary, exceptional, or remarkably unusual
bellezza
bel-let-tsa — Beauty, the quality of being visually attractive
personale
per-so-na-le — Personal, or relating to one's physical appearance
davanti
da-van-ti — In front of, facing toward something or someone
distanza
dis-tan-tsa — Distance, the space between two points or objects
sedeva
se-de-va — Was sitting, past continuous form of 'sedersi'
artista
ar-tis-ta — Artist, a person who creates works of art
stesso
stes-so — Same, or himself/herself as an emphatic pronoun
improvvisa
im-prov-vi-za — Sudden or unexpected, happening without prior warning
scomparsa
skom-par-sa — Disappearance, the act of vanishing from sight
alcuni
al-ku-ni — Some or a few, an indefinite small quantity
anni
an-ni — Years, plural of 'anno', a unit of time
provocato
pro-vo-ka-to — Provoked or caused a reaction or strong feeling
epoca
e-po-ka — Era or time period, a particular historical moment
eccitazione
et-chi-ta-tsjo-ne — Excitement or agitation, a state of strong emotion
pubblica
pub-bli-ka — Public, relating to the community or general population
dato luogo
da-to lwo-go — Given rise to, caused something to come about
strane
stra-ne — Strange or odd, unusual and hard to explain
congetture
kon-jet-tu-re — Conjectures or speculations, guesses without full evidence
pittore
pit-to-re — Painter, an artist who creates paintings professionally
guardava
gwar-da-va — Was looking at or watching something attentively
forma
for-ma — Form or shape, the visible structure of something
aggraziata
ag-gra-tsja-ta — Graceful, moving or appearing in an elegant way
avvenente
av-ve-nen-te — Attractive or good-looking, pleasing to the eye
abilmente
a-bil-men-te — Skillfully, done with great ability and competence
rispecchiato
ris-pek-kja-to — Reflected or mirrored, faithfully representing something else
sorriso
sor-ri-zo — Smile, a facial expression showing pleasure or happiness
piacere
pja-che-re — Pleasure or enjoyment, a feeling of happiness
passò
pas-so — Passed, moved across or through something briefly
viso
vi-zo — Face, the front part of a person's head
sembrò
sem-bro — Seemed or appeared, gave a particular impression
attardare
at-tar-da-re — To linger or delay, to stay longer than expected
alzò
al-tso — Rose or stood up, moved from sitting to standing
scatto
skat-to — Sudden movement or snap, an abrupt physical action
chiudendo
kjw-den-do — Closing, in the act of shutting something
occhi
ok-ki — Eyes, the organs used for sight and vision
posò
po-zo — Placed or rested, set something gently down
dita
di-ta — Fingers, the digits of the human hand
palpebre
pal-pe-bre — Eyelids, the skin folds covering and protecting the eyes
cercasse
cher-kas-se — Was trying or seeking, imperfect subjunctive of 'cercare'
imprigionare
im-pri-jo-na-re — To imprison or trap, to confine within limits
mente
men-te — Mind, the seat of thought, memory, and imagination
sogno
son-jo — Dream, an experience during sleep or a fantasy
temeva
te-me-va — Was afraid or feared, felt worry about something
svegliare
zvel-ja-re — To wake up or awaken from sleep or dreaming
lavoro
la-vo-ro — Work or job, the product of effort or labor
migliore
mil-jo-re — Better or best, superior in quality or ability
abbia
ab-bja — Has or have, present subjunctive of 'avere'
languore
lan-gwo-re — Languor, a dreamy or pleasantly lazy state of being
assolutamente
as-so-lu-ta-men-te — Absolutely, completely or without any doubt
mandarlo
man-dar-lo — To send it, infinitive plus direct object pronoun
prossimo
pros-si-mo — Next or upcoming, the one immediately following in time
troppo
trop-po — Too much, excessively or beyond a desirable limit
grande
gran-de — Large or great, of considerable size or importance
volgare
vol-ga-re — Vulgar or common, lacking refinement or good taste
volta
vol-ta — Time or occasion, an instance of something occurring
riuscivo
rju-shi-vo — Was able to, managed to do something successfully
quadri
kwa-dri — Paintings or pictures, works of visual art on canvas
terribile
ter-ri-bi-le — Terrible or awful, extremely unpleasant or distressing
tanti
tan-ti — Many or so many, a large number of things
peggio
ped-jo — Worse, comparative form indicating a lower quality
davvero
dav-ve-ro — Really or truly, used to emphasize sincerity or surprise
unico
u-ni-ko — Unique or only, the sole example of something
posto
pos-to — Place or spot, a specific location or position
credo
kre-do — I believe or I think, expressing a personal opinion
manderò
man-de-ro — I will send, future tense of 'mandare'
nessuna
nes-su-na — None or no, indicating the absence of any thing
parte
par-te — Part or place, a section or location of something
rispose
ris-po-ze — Replied or answered, gave a verbal response to someone
gettando
jet-tan-do — Throwing or tossing, casting something in a direction
testa
tes-ta — Head, the uppermost part of the human body
indietro
in-dje-tro — Back or backwards, in a rearward direction
faceva
fa-che-va — Was making or doing, imperfect tense of 'fare'
ridere
ri-de-re — To laugh, to express amusement with sound
amici
a-mi-chi — Friends, people with whom one has a close bond
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