The Picture of Dorian Gray — Page 2
In the centre of the room, clamped to an upright easel, stood the full-length portrait of a young man of extraordinary personal beauty, and in front of it, some little distance away, was sitting the artist himself, Basil Hallward, whose sudden disappearance some years ago caused, at the time, such public excitement and gave rise to so many strange conjectures.
部屋の中央に、直立したイーゼルに固定されて、並外れた美貌を持つある若者の全身肖像画が立てかけられており、その前に少し離れた場所に、画家本人であるバジル・ホールワードが座っていた。彼が数年前に突然姿を消したことは、当時、世間を大いに騒がせ、多くの奇妙な憶測を生んだのであった。
As the painter looked at the gracious and comely form he had so skilfully mirrored in his art, a smile of pleasure passed across his face, and seemed about to linger there.
画家が、自らの芸術の中に巧みに映し出した優美で端正な姿を眺めていると、満足の微笑みが彼の顔をよぎり、そのままそこに留まりそうに見えた。
But he suddenly started up, and closing his eyes, placed his fingers upon the lids, as though he sought to imprison within his brain some curious dream from which he feared he might awake.
しかし彼は突然身を起こし、目を閉じると、まぶたの上に指を当てた。まるで、目が覚めてしまうことを恐れている不思議な夢を、自分の脳裏に閉じ込めようとするかのように。
"It is your best work, Basil, the best thing you have ever done," said Lord Henry languidly.
「これはあなたの最高傑作だよ、バジル、君がこれまでに手がけた中で最も優れたものだ」とヘンリー卿はものうげに言った。
"You must certainly send it next year to the Grosvenor.
「来年は必ずグローブナーに出品しなければいけない。
The Academy is too large and too vulgar.
アカデミーはあまりにも大きすぎて、俗すぎる。
Whenever I have gone there, there have been either so many people that I have not been able to see the pictures, which was dreadful, or so many pictures that I have not been able to see the people, which was worse.
あそこに行くたびに、人が多すぎて絵が見られないか――それはひどいことだが――あるいは絵が多すぎて人が見られないかのどちらかだった。後者の方がさらにまずい。
The Grosvenor is really the only place."
グローブナーこそが本当に唯一の場所なんだ。」
"I don't think I shall send it anywhere," he answered, tossing his head back in that odd way that used to make his friends laugh at him at Oxford.
「どこにも出品するつもりはないよ」と彼は答えた。オックスフォード時代に友人たちを笑わせたあの奇妙な仕草で、頭を後ろに反らせながら。
"No, I won't send it anywhere.
「いや、どこにも送らない。
Vocabulary
- 部屋
- heya — Room or chamber inside a building.
- の
- no — Possessive or linking particle connecting nouns.
- 中央
- chūō — Center or middle of a space or area.
- に
- ni — Particle indicating location, direction, or time.
- 直立
- chokuritsu — Standing upright or perfectly erect.
- し
- shi — Conjunctive form of the verb suru (to do).
- た
- ta — Past tense auxiliary verb in Japanese.
- イーゼル
- īzeru — An easel; a stand for holding a painting.
- 固定
- kotei — Fixing or securing something firmly in place.
- さ
- sa — Suffix turning adjective into noun; also casual particle.
- れ
- re — Passive or potential auxiliary verb form.
- て
- te — Conjunctive particle connecting sequential actions.
- 並外れ
- namihazure — Extraordinary or far beyond the ordinary level.
- 美貌
- bibō — Beautiful appearance or remarkably attractive looks.
- を
- wo — Object marker particle indicating the direct object.
- 持つ
- motsu — To have, hold, or possess something.
- ある
- aru — To exist; also an attributive meaning 'a certain.'
- 若者
- wakamono — A young person or young adult.
- 全身
- zenshin — The whole body from head to toe.
- 肖像画
- shōzōga — A portrait painting depicting a specific person.
- が
- ga — Subject marker particle identifying the grammatical subject.
- 立てかけ
- tatekake — Leaning something upright against a surface.
- られ
- rare — Passive or potential auxiliary verb ending.
- おり
- ori — Formal progressive form of 'iru' (to be/exist).
- その
- sono — That; a demonstrative adjective indicating something nearby.
- 前
- mae — In front of; before in space or time.
- 少し
- sukoshi — A little; a small amount or distance.
- 離れ
- hanare — Separated or distanced from a point.
- 場所
- basho — A place, location, or spot.
- 画家
- gaka — A painter or artist who creates paintings.
- 本人
- honnin — The person themselves; the very individual concerned.
- で
- de — Particle indicating means, location of action, or cause.
- 座っ
- suwat(te) — Sitting down; the act of being seated.
- い
- i — Stem of 'iru,' indicating ongoing state or action.
- 彼
- kare — He; a third-person masculine pronoun.
- 数年前
- sūnen mae — Several years ago; a few years in the past.
- 突然
- totsuzen — Suddenly; without warning or prior notice.
- 姿
- sugata — One's figure, appearance, or visible form.
- 消し
- keshi — Erasing, disappearing, or making vanish.
- こと
- koto — A thing, fact, or nominalizing element.
- は
- wa — Topic marker particle highlighting the sentence topic.
- 当時
- tōji — At that time; in those days.
- 世間
- seken — Society, the public, or the world at large.
- 大いに
- ōini — Greatly; to a large or significant extent.
- 騒がせ
- sawagase — Causing a stir or making a commotion.
- 多く
- ōku — Many; a large number or great quantity.
- 奇妙
- kimyō — Strange, odd, or peculiar in nature.
- な
- na — Adjectival copula linking na-adjectives to nouns.
- 憶測
- okusoku — Speculation or conjecture without solid evidence.
- 生ん
- unda (umu) — To give birth to; to produce or generate.
- だ
- da — Copula expressing assertion or identification.
- あっ
- at(te) (aru) — Being; existing (conjunctive form of aru).
- 自ら
- mizukara — Oneself; by one's own hand or initiative.
- 芸術
- geijutsu — Art; creative expression in various artistic forms.
- 中
- naka — Inside, within, or among something.
- 巧み
- takumi — Skillfully; with dexterity and clever technique.
- 映し出し
- utsushidashi — Projecting or reflecting an image clearly.
- 優美
- yūbi — Graceful and elegant in appearance or movement.
- 端正
- tansei — Neat, well-formed, and regular in features.
- 眺め
- nagame — A view or the act of gazing at something.
- る
- ru — Present tense verb ending for dictionary form.
- と
- to — Particle meaning 'and,' 'with,' or 'when/if.'
- 満足
- manzoku — Satisfaction; a feeling of contentment or fulfillment.
- 微笑み
- hohoemi — A smile; a gentle, pleasant facial expression.
- 顔
- kao — Face; the front part of the head.
- よぎり
- yogiri — Crossing or flitting across one's mind or face.
- まま
- mama — As is; remaining in the same state or condition.
- そこ
- soko — There; that place near the listener.
- 留まり
- todomari — Staying or remaining at a certain place.
- そう
- sō — So, that way; expressing likelihood or appearance.
- 見え
- mie — Appearing or seeming a certain way to others.
- しかし
- shikashi — However; a conjunction introducing a contrasting statement.
- 身
- mi — One's body or oneself as a physical entity.
- 起こし
- okoshi — Raising or lifting up one's body.
- 目
- me — Eye; the organ of sight.
- 閉じ
- toji — Closing eyes or shutting something.
- まぶた
- mabuta — Eyelid; the skin covering the eye.
- 上
- ue — Above, on top of, or upper part.
- 指
- yubi — Finger or toe on the hand or foot.
- 当て
- ate — Pressing or placing against something.
- まるで
- marude — Just like; as if; used for strong comparisons.
- 覚め
- same — Waking up or becoming aware; awakening.
- しまう
- shimau — To end up doing; completion with regret.
- 恐れ
- osore — Fear, dread, or apprehension of something.
- いる
- iru — To be; to exist (for animate beings).
- 不思議
- fushigi — Mysterious, strange, or wonderfully inexplicable.
- 夢
- yume — A dream experienced during sleep or aspirationally.
- 自分
- jibun — Oneself; a reflexive first-person pronoun.
- 脳裏
- nōri — One's mind or the depths of one's consciousness.
- 閉じ込め
- tojikome — Locking or confining something inside.
- よう
- yō — As if; seeming like; expressing resemblance or intention.
- する
- suru — To do; a general-purpose action verb.
- か
- ka — Question particle placed at end of sentences.
- これ
- kore — This; a demonstrative pronoun for nearby things.
- あなた
- anata — You; a second-person pronoun in Japanese.
- 最高
- saikō — The best; highest quality or supreme achievement.
- 傑作
- kessaku — A masterpiece; a work of outstanding artistic quality.
- よ
- yo — Sentence-final particle conveying assertion or emphasis.
- 君
- kimi — You (informal); also used for a male subordinate.
- まで
- made — Until, up to, or as far as a point.
- 手がけ
- tegake — Working on or handling a project personally.
- 最も
- mottomo — Most; the superlative degree of comparison.
- 優れ
- sugure — Excellent or superior in quality or ability.
- もの
- mono — A thing, object, or nominalizing element.
- 卿
- kyō — Lord; a title of British nobility or honor.
- 言っ
- it(te) (iu) — Said; past conjunctive form of 'to say.'
- 来年
- rainen — Next year; the year following the current one.
- 必ず
- kanarazu — Certainly; without fail or exception.
- 出品
- shuppin — Submitting or exhibiting a work at a show.
- なけれ
- nakere — Negative conditional form meaning 'if there is not.'
- ば
- ba — Conditional particle meaning 'if' or 'when.'
- いけ
- ike — Must; as in 'must do' in negative conditionals.
- ない
- nai — Negative auxiliary; does not, is not.
- アカデミー
- Akademī — Academy; referring to the Royal Academy of Arts.
- あまりに
- amarini — Too much; excessively beyond an acceptable degree.
- も
- mo — Also, too, even; an inclusive or emphatic particle.
- 大き
- ōki — Large, big in size or scale.
- すぎ
- sugi — Too much; excessively doing or being something.
- 俗
- zoku — Vulgar, common, or lacking in refinement.
- すぎる
- sugiru — To be excessively so; going beyond a limit.
- あそこ
- asoko — Over there; a distant place from both speakers.
- 行く
- iku — To go; moving toward a destination.
- たび
- tabi — Each time; whenever a certain event occurs.
- 人
- hito — A person or human being.
- 多
- ō — Many, numerous (used in compounds or abbreviation).
- 絵
- e — A painting, picture, or drawn image.
- 見
- mi — To see or look at; stem form of 'miru.'
- それ
- sore — That; a demonstrative pronoun for things near listener.
- ひどい
- hidoi — Terrible, awful, or extremely bad in quality.
- あるいは
- aruiwa — Or; alternatively; used to present another option.
- どちら
- dochira — Which of two; a polite choice question word.
- だっ
- dat(te) (da) — Past or conjunctive form of copula 'da.'
- 後者
- kōsha — The latter; the second of two mentioned items.
- 方
- hō — Direction, side, or way; used in comparisons.
- さらに
- sara ni — Furthermore, even more, or in addition.
- まずい
- mazui — Bad, awkward, or problematic in taste or situation.
- こそ
- koso — Emphatic particle meaning 'precisely' or 'indeed.'
- 本当
- hontō — True, real, or genuine; the actual truth.
- 唯一
- yuiitsu — The only one; sole and unique without equal.
- ん
- n — Informal contraction of 'no'; also a question softener.
- どこ
- doko — Where; asking about a location or place.
- つもり
- tsumori — Intention or plan to do something.
- 答え
- kotae — An answer or reply to a question.
- 時代
- jidai — Era, period, or age in time.
- 友人
- yūjin — A friend; someone with a close personal relationship.
- たち
- tachi — Plural suffix for people or animate beings.
- 笑わせ
- warawase — Making someone laugh; causing amusement in others.
- あの
- ano — That (over there); a distant demonstrative adjective.
- 仕草
- shigusa — A gesture or mannerism characteristic of a person.
- 頭
- atama — Head; the top part of the human body.
- 後ろ
- ushiro — Behind, back, or the rear direction.
- 反らせ
- sorase — Arching or bending backward in a curve.
- ながら
- nagara — While doing; simultaneous action conjunction.
- いや
- iya — No, or an interjection expressing reluctance or negation.
- 送ら
- okura — Sending or seeing someone off to a place.
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