← Pride and Prejudice

Pride and Prejudice — Page 3

English → Japanese Preface Level 7/10

_It is the larger, the more varied, the more popular; the author had by the time of its composition seen rather more of the world, and had improved her general, though not her most peculiar and characteristic dialogue; such figures as Miss Bates, as the Eltons, cannot but unite the suffrages of everybody.

それはより大きく、より多様で、より人気がある。作者はその執筆時までに世間をかなり広く見聞きしており、全体的な対話術は向上していたが、最も独特で特徴的な対話術についてはそうとも言えない。ミス・ベイツやエルトン夫妻のような人物は、誰もの賛同を得ずにはおかない。

On the other hand, I, for my part, declare for_ Pride and Prejudice _unhesitatingly.

一方、私自身は、ためらうことなく『高慢と偏見』を支持することを宣言する。

It seems to me the most perfect, the most characteristic, the most eminently quintessential of its author's works; and for this contention in such narrow space as is permitted to me, I propose here to show cause._

それは私には、作者の作品の中で最も完璧で、最も特徴的で、最も真髄を体現したものと思われる。そして、この主張について、許される限りの狭いスペースの中で、ここにその理由を示すことを提案する。

_In the first place, the book (it may be barely necessary to remind the reader) was in its first shape written very early, somewhere about 1796, when Miss Austen was barely twenty-one; though it was revised and finished at Chawton some fifteen years later, and was not published till 1813, only four years before her death.

まず第一に、この本(読者に改めてお伝えする必要はほとんどないかもしれないが)は、最初の形においては非常に早い時期、すなわちオースティン嬢がかろうじて二十一歳であった1796年頃に書かれた。もっとも、それは約十五年後にチョートンで改訂・完成され、彼女の死のわずか四年前である1813年まで出版されなかった。

I do not know whether, in this combination of the fresh and vigorous projection of youth, and the critical revision of middle life, there may be traced the distinct superiority in point of construction, which, as it seems to me, it possesses over all the others.

若さの新鮮で力強い投影と、中年期の批判的な改訂との組み合わせの中に、私が思うに、この作品が他のすべての作品に対して持つ構成上の明確な優越性を見出すことができるかどうか、私にはわからない。

The plot, though not elaborate, is almost regular enough for Fielding; hardly a character, hardly an incident could be retrenched without loss to the story.

筋書きは精巧ではないものの、フィールディングに匹敵するほどほぼ整然としており、登場人物も出来事も、物語に損失を与えることなく削ることができるものはほとんどない。

The elopement of Lydia and Wickham is not, like that of Crawford and Mrs.

ライディアとウィッカムの駆け落ちは、クロフォードとミセス・

Vocabulary

それ
sore — That; referring to something near the listener.
wa — Topic marker particle indicating the sentence topic.
より
yori — Than; from; comparative or starting-point particle.
大きく
ōkiku — Greatly; largely; adverbial form of big.
多様
tayō — Diverse; varied; having many different forms.
de — Particle indicating means, location of action, or cause.
人気
ninki — Popularity; public favor; being well-liked.
ga — Subject marker particle identifying the grammatical subject.
ある
aru — To exist; to be; used for inanimate things.
作者
sakusha — Author; creator; writer of a work.
その
sono — That (attributive); the; referring to previously mentioned thing.
執筆
shippitsu — Writing; authorship; the act of writing a work.
toki — Time; moment; when; occasion.
まで
made — Until; up to; as far as; by (a time).
ni — Particle indicating direction, time, location, or purpose.
世間
seken — The world; society; the public; people in general.
wo — Object marker particle indicating the direct object.
かなり
kanari — Considerably; fairly; quite; to a notable degree.
広く
hiroku — Widely; broadly; adverbial form of wide.
見聞き
mikiki — Seeing and hearing; gaining experience of the world.
shi — Conjunctive form of する; and; also (listing reasons).
te — Te-form connective particle linking sequential actions.
おり
ori — Humble or plain form of いる; being; existing.
全体
zentai — The whole; entirety; overall; in general.
teki — Suffix meaning -ic, -al, or -like; making nouns adjectival.
na — Adjectival particle linking na-adjectives to nouns.
対話
taiwa — Dialogue; conversation; exchange between two parties.
jutsu — Art; skill; technique; method or craft.
向上
kōjō — Improvement; advancement; betterment of a skill or quality.
i — Stem of いる or adjective ending; being (animate).
ta — Past tense auxiliary indicating completed action.
最も
mottomo — Most; the most; superlative degree marker.
独特
dokutoku — Unique; distinctive; characteristic only to one thing.
特徴
tokuchō — Feature; characteristic; distinguishing trait or quality.
つい
tsui — Unintentionally; inadvertently; just; only recently.
そう
sō — So; that way; it seems; expressing agreement or appearance.
とも
tomo — Even; both; also; at least (emphatic particle).
言え
ie — Potential or conditional form of 言う; can say.
ない
nai — Negative auxiliary; not; does not exist.
ミス
misu — Miss; title for an unmarried woman (loanword).
ya — And; listing particle implying non-exhaustive list.
夫妻
fūsai — Husband and wife; a married couple.
no — Possessive or nominalizing particle; of; belonging to.
よう
yō — Like; similar to; it seems; appearance or manner.
人物
jinbutsu — Person; character; individual; personage in a work.
誰も
daremo — Nobody; everyone (with negative or positive verbs).
賛同
sandō — Agreement; approval; endorsing someone's opinion or plan.
e — To obtain; to get; potential suffix meaning can do.
zu — Negative connective form; without doing; not doing.
一方
ippō — On the other hand; one side; meanwhile.
watashi — I; me; first-person singular pronoun.
自身
jishin — Oneself; myself; himself; reflexive pronoun suffix.
ためらう
tamerau — To hesitate; to waver; to be reluctant to act.
こと
koto — Thing; fact; matter; nominalizer for verb phrases.
なく
naku — Without; not having; adverbial negative form of ない.
高慢
kōman — Pride; arrogance; haughtiness; thinking too highly of oneself.
to — And; with; quotation particle; conditional if.
偏見
henken — Prejudice; bias; preconceived unfavorable opinion.
支持
shiji — Support; backing; endorsement of a person or idea.
する
suru — To do; to perform; general-purpose action verb.
宣言
sengen — Declaration; proclamation; announcing something formally.
作品
sakuhin — Work; piece; artistic or literary creation.
naka / chū — Inside; among; in the middle of something.
完璧
kanpeki — Perfect; flawless; without any defect or error.
真髄
shinzui — Essence; quintessence; the true core of something.
体現
taigen — Embodiment; personification; representing in physical form.
もの
mono — Thing; object; one that does; nominalizer for actions.
思わ
omowa — Passive or negative stem of 思う; to think; consider.
れる
reru — Passive or potential auxiliary; is done; can do.
そし
soshi — Truncated form of そして; and then; and so.
この
kono — This (attributive); indicating something near the speaker.
主張
shuchō — Claim; assertion; argument; insisting on a point.
許さ
yurusa — Stem of 許す; to permit; to allow; to forgive.
限り
kagiri — As long as; to the extent that; limit; boundary.
狭い
semai — Narrow; small; cramped; limited in space or scope.
スペース
supēsu — Space; room; physical or textual area (loanword).
ここ
koko — Here; this place; indicating the current location.
理由
riyū — Reason; cause; grounds for a claim or action.
示す
shimesu — To show; to indicate; to demonstrate clearly.
提案
teian — Proposal; suggestion; putting forward an idea or plan.
まず
mazu — First of all; to begin with; for starters.
第一
daiichi — First; number one; the most important point.
hon — Book; this (prefix); counter for long objects.
読者
dokusha — Reader; person who reads a book or publication.
改めて
aratamete — Again; anew; formally; once more with fresh intention.
お伝え
otsutae — Polite form of to convey; to inform; to tell.
必要
hitsuyō — Necessary; needed; required; essential for a purpose.
ほとんど
hotondo — Almost; mostly; hardly; nearly all or none.
かも
kamo — Perhaps; maybe; might be (uncertainty expression).
しれ
shire — Potential stem of 知れる; used in かもしれない (might be).
最初
saisho — First; the beginning; the earliest point in time.
katachi / kei — Form; shape; appearance; the way something looks.
非常
hijō — Very; extremely; unusually; extraordinary degree.
早い
hayai — Early; fast; quick; occurring sooner than expected.
時期
jiki — Time; period; season; a particular phase or stage.
すなわち
sunawachi — Namely; that is to say; in other words.
jō — Miss; young lady; daughter; unmarried young woman.
かろうじ
karōji — Truncated form of かろうじて; barely; just barely managing.
二十一
nijūichi — Twenty-one; the number 21.
sai — Years old; counter for a person's age.
あっ
a' — Ah; oh; exclamation of realization or surprise.
nen — Year; counter for years; annual.
koro — Around; about; approximately (a time or period).
書か
kaka — Passive/causative stem of 書く; to write.
re — Passive auxiliary れる (stem); was done; is received.
もっとも
mottomo — However; though; that said; introducing a qualification.
yaku — Approximately; about; roughly; used before numbers.
十五
jūgo — Fifteen; the number 15.
go / ato — After; later; subsequent; following in time.
改訂
kaitei — Revision; amendment; updating a text or document.
完成
kansei — Completion; finishing; bringing a work to completion.
sa — Suffix nominalizing adjectives; indicates degree or state.
彼女
kanojo — She; her; girlfriend; third-person female pronoun.
shi — Death; dying; the end of life.
わずか
wazuka — Only; merely; just a small amount or number.
shi / yon — Four; the number 4.
mae — Before; in front of; prior to something in time.
出版
shuppan — Publication; publishing; releasing a book publicly.
なかっ
naka' — Past negative stem of ない; was not; did not have.
若さ
wakasa — Youth; youthfulness; the quality of being young.
新鮮
shinsen — Fresh; novel; new and vivid; not stale or old.
力強い
chikarazuyoi — Powerful; strong; vigorous; full of energy or force.
投影
tōei — Projection; reflection; casting light or an image onto.
中年
chūnen — Middle age; the period of life around 40–60.
ki — Period; phase; season; designated span of time.
批判
hihan — Criticism; critique; judging faults of something.
組み合わせ
kumiawase — Combination; mixture; pairing of two or more things.
思う
omou — To think; to feel; to believe; to consider.
hoka / ta — Other; another; the rest; besides this.
すべて
subete — All; everything; every single thing or person.
対し
taishi — Toward; against; in contrast to; with regard to.
持つ
motsu — To hold; to have; to possess; to carry.
構成
kōsei — Structure; composition; how parts are arranged together.
ue / jō — Above; on top; in terms of; superior position.
明確
meikaku — Clear; definite; explicit; leaving no room for doubt.
優越
yūetsu — Superiority; supremacy; being better than others.
sei / sē — Nature; sex; suffix indicating quality or characteristic.
見出す
midasu — To find; to discover; to identify something within.
できる
dekiru — To be able to; to can do; to be possible.
ka — Question particle; or; whether; expressing uncertainty.
どう
dō — How; in what way; what kind of manner.
わから
wakara — Negative stem of わかる; not knowing; not understanding.
筋書き
sujiGaki — Plot; storyline; scenario; outline of a narrative.
精巧
seikō — Elaborate; intricate; finely crafted; skillfully made.
匹敵
hitteki — To rival; to match; to be equal in ability.
ほど
hodo — To the extent that; about; degree; as much as.
ほぼ
hobo — Almost; nearly; approximately; for the most part.
整然
seizen — Orderly; tidy; systematic; well-arranged and organized.
登場
tōjō — Appearance; entry; a character appearing on stage or scene.
mo — Also; too; even; inclusive addition particle.
出来事
dekigoto — Event; happening; occurrence; something that took place.
物語
monogatari — Story; tale; narrative; a fictional or legendary account.
損失
sonshitsu — Loss; damage; detriment; losing something of value.
与える
ataeru — To give; to provide; to cause; to inflict upon.
削る
kezuru — To shave; to cut down; to reduce; to pare away.
駆け落ち
kakeochi — Elopement; running away together to get married secretly.
ミセス
Misesu — Mrs.; title for a married woman (loanword).
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