Pride and Prejudice — Page 15

English → Korean Preface Level 7/10

I sometimes wish that the exigencies of the story had permitted Miss Austen to unite these personages, and thus at once achieve a notable mating and soothe poor Mrs. Bennet's anguish over the entail._

나는 때때로 이야기의 필요성이 오스틴 양으로 하여금 이 인물들을 결합시키는 것을 허락했더라면, 그리하여 한 번에 주목할 만한 결합을 이루고 불쌍한 베넷 부인의 한정 상속에 대한 고통을 달래주었더라면 하고 바란다.

_The Bingleys and the Gardiners and the Lucases, Miss Darcy and Miss de Bourgh, Jane, Wickham, and the rest, must pass without special comment, further than the remark that Charlotte Lucas (her egregious papa, though delightful, is just a little on the thither side of the line between comedy and farce) is a wonderfully clever study in drab of one kind, and that Wickham (though something of Miss Austen's hesitation of touch in dealing with young men appears) is a not much less notable sketch in drab of another.

빙리 일가와 가디너 일가와 루카스 일가, 다아시 양과 드 버그 양, 제인, 위컴, 그리고 나머지 인물들은 특별한 언급 없이 지나쳐야 하는데, 다만 샬럿 루카스(그녀의 터무니없는 아버지는 유쾌하기는 하지만 희극과 소극 사이의 경계선에서 저쪽 편으로 약간 넘어가 있다)가 한 종류의 단조로움에 대한 놀랍도록 영리한 연구이며, 위컴(오스틴 양이 젊은 남성을 다루는 데 있어 다소 머뭇거리는 필치가 나타나기는 하지만)은 또 다른 종류의 단조로움에 대한 그에 못지않게 주목할 만한 스케치라는 점은 언급할 수 있다.

Only genius could have made Charlotte what she is, yet not disagreeable; Wickham what he is, without investing him either with a cheap Don Juanish attractiveness or a disgusting rascality.

오직 천재만이 샬럿을 지금의 그녀처럼, 그러나 불쾌하지 않게 만들 수 있었을 것이며; 위컴을 지금의 그처럼, 그에게 값싼 돈후안식 매력이나 역겨운 악당 기질을 부여하지 않고 만들 수 있었을 것이다.

But the hero and the heroine are not tints to be dismissed._

하지만 남자 주인공과 여자 주인공은 가볍게 넘길 수 있는 색조가 아니다.

_Darcy has always seemed to me by far the best and most interesting of Miss Austen's heroes; the only possible competitor being Henry Tilney, whose part is so slight and simple that it hardly enters into comparison.

다아시는 내게 항상 오스틴 양의 남자 주인공들 중 단연 가장 훌륭하고 흥미로운 인물로 여겨져 왔다; 유일한 경쟁자가 될 수 있는 헨리 틸니는 그 역할이 너무 가볍고 단순하여 거의 비교의 대상이 되지 않는다.

It has sometimes, I believe, been urged that his pride is unnatural at first in its expression and later in its yielding, while his falling in love at all is not extremely probable.

때때로, 내가 믿기로는, 그의 자존심이 처음에는 그 표현 방식에 있어서 부자연스럽고 나중에는 그것이 굴복하는 방식에 있어서도 부자연스러우며, 그가 사랑에 빠지는 것 자체도 그다지 개연성이 없다는 주장이 제기되어 왔다.

Here again I cannot go with the objectors.

이 점에서도 나는 반대론자들의 의견에 동의할 수 없다.

Vocabulary

나는: naneun — I (subject marker); or to bite
때때로: ttaettaero — Sometimes; occasionally; from time to time
이야기의: iyagieui — Of the story; story's (possessive marker)
필요성이: piryoseong-i — Necessity (subject marker); need or requirement
양으로: yang-euro — As; in the capacity of; manner marker
하여금: hayeogeum — Causative particle; to cause someone to do
인물들을: inmuldeul-eul — Characters (plural object marker); people
결합시키는: gyeolhap-sikiineun — Combining; uniting; bringing together
것을: geoseul — Thing (object marker); matter or fact
허락했더라면: heorak-haessdeoramyeon — If had allowed; conditional past permission
그리하여: geuri-hayeo — Thus; accordingly; in that way; thereby
번에: beon-e — Time; occasion; turn (locative marker)
주목할: jumok-hal — To notice; to pay attention to
만한: man-han — Worthy of; deserving; sufficient to warrant
결합을: gyeolhab-eul — Combination (object marker); union or merger
이루고: iru-go — To achieve; to accomplish; to form
불쌍한: bulssang-han — Poor; pitiful; miserable; unfortunate
부인의: buin-ui — Of Mrs.; wife's (possessive marker)
한정: hanjjeong — Limitation; restriction; entailment (legal term)
상속에: sangsog-e — To inheritance; inheritance (locative marker)
대한: dae-han — Toward; against; concerning; about
고통을: gotong-eul — Suffering (object marker); pain or distress
달래주었더라면: dallae-jueossdeoramyeon — If had comforted; conditional past consolation
하고: ha-go — And; doing; conjunctive particle
바란다: bara-nda — To wish; to hope; to desire
일가와: ilga-wa — Family and; clan and (conjunctive marker)
일가: ilga — Family; household; clan or kinship group
양과: yang-gwa — Gentleman and; Mr. and (conjunctive)
그리고: geurigo — And; furthermore; in addition; moreover
나머지: nameoji — Remaining; rest; the others or remainder
인물들은: inmuldeul-eun — Characters (topic marker); the people or cast
특별한: teugbyeol-han — Special; particular; exceptional; distinctive
언급: eongeup — Mention; reference; allusion or comment
없이: eobsi — Without; lacking; in the absence of
지나쳐야: jinachyeoya — Must pass; should overlook; ought to skip
하는데: haneunde — Doing; -ing; but; however (contextual)
다만: daman — Only; merely; except; but just
그녀의: geunyeo-ui — Her; her (possessive marker); she
터무니없는: teomuni-eobneun — Absurd; ridiculous; unreasonable; nonsensical
아버지는: abeoji-neun — Father (topic marker); the father
유쾌하기는: yukkwae-hagineun — Amusing is; cheerful though; pleasant but
하지만: hajiman — But; however; yet; nevertheless; still
희극과: huigeuk-gwa — Comedy and; humor and (conjunctive)
소극: sogeuk — Farce; comedy; light entertainment; slapstick
사이의: sai-ui — Between; of the space between
경계선에서: gyeonggyeeseon-eseo — At the boundary; on the line between
저쪽: jeojjok — That side; the other side; that direction
편으로: pyeon-euro — Toward; to the side of; in direction
약간: yakgan — Slightly; a little; somewhat; somewhat
넘어가: neom-eoga — To go beyond; to overstep; to exceed
있다: itda — To be; to exist; to have; to stay
종류의: jongryu-ui — Of the type; of the kind; of sort
단조로움에: danjo-roum-e — At monotony; to monotony; in dullness
놀랍도록: nollapddorok — Remarkably; surprisingly; astonishingly; strikingly
영리한: yeongri-han — Clever; smart; shrewd; intelligent; acute
연구이며: yeongu-imyeo — Is a study; is a research; namely
양이: yang-i — Gentleman (subject marker); Mr. (nominative)
젊은: jeolmeun — Young; youthful; juvenile; new or fresh
남성을: namseong-eul — Man (object marker); male or gentleman
다루는: dareuneun — Handling; dealing with; treating or managing
있어: isseo — Has; exists; there is; being in state
다소: daso — Somewhat; rather; fairly; to some degree
머뭇거리는: meomut-georiineun — Hesitant; faltering; wavering; uncertain touch
필치가: pilchi-ga — Brushwork (subject marker); pen stroke or style
나타나기는: natanagi-neun — Appears; shows; manifests; comes forth
다른: dareun — Different; other; another; different kind
그에: geue — To him; him; to that; that direction
못지않게: motjinanhge — Not inferior to; equally as; no less
스케치라는: seukechi-raneun — Called sketch; so-called sketch; the sketch
점은: jeom-eun — Point (topic marker); aspect or respect

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