The Adventures of Ferdinand Count Fathom — Complete — Page 7
To one whose idea of Smollett's genius is formed entirely by Random and Pickle and Humphry Clinker, Ferdinand Count Fathom will offer many surprises.
スモレットの才能についての考えが、もっぱら『ランダム』と『ピクル』と『ハンフリー・クリンカー』によって形成された人にとって、『フェルディナンド・ファゾム伯爵』は多くの驚きをもたらすことだろう。
The first of these is the comparative lifelessness of the book.
そのうちの第一は、この本の相対的な生気のなさである。
True, here again are action and incident galore, but generally unaccompanied by that rough Georgian hurly-burly, common in Smollett, which is so interesting to contemplate from a comfortable distance, and which goes so far towards making his fiction seem real.
確かに、ここにもまた行動と出来事が豊富にあるが、概して、スモレットに特有の、あの荒々しいジョージア朝風の喧騒が伴っていない。その喧騒は、心地よい距離から眺めるとじつに興味深く、彼の小説をいかにもリアルに見せることに大いに貢献するものなのだが。
Nor are the characters, for the most part, life-like enough to be interesting.
また登場人物たちも、大部分において、興味を引くほどに生き生きとしてはいない。
There is an apparent exception, to be sure, in the hero's mother, already mentioned, the hardened camp-follower, whom we confidently expect to become vitalised after the savage fashion of Smollett's characters.
確かに、一見例外と思われるものがある。それはすでに言及した主人公の母親、すなわち心の荒んだ野営地の女であり、スモレットの登場人物らしい野蛮な形で生き生きとしてくるに違いないと、私たちは自信を持って期待するのだが。
But, alas! we have no chance to learn the lady's style of conversation, for the few words that come from her lips are but partially characteristic; we have only too little chance to learn her manners and customs.
しかし、残念なことに!その女性の会話の様子を知る機会は私たちにはない。というのも、彼女の口から出るわずかな言葉は、その人物らしさを部分的にしか示していないからだ。彼女の振る舞いや習慣を知る機会も、あまりにも少ない。
In the fourth chapter, while she is making sure with her dagger that all those on the field of battle whom she wishes to rifle are really dead, an officer of the hussars, who has been watching her lucrative progress, unfeelingly puts a brace of bullets into the lady's brain, just as she raises her hand to smite him to the heart.
第四章において、彼女が略奪しようとしている戦場の者たちが本当に死んでいるかどうかを短剣で確かめている最中に、彼女の実入りの良い行進を見守っていた軽騎兵の将校が、彼女が自分の胸を打ち抜こうと手を上げたその瞬間に、無情にも二発の銃弾をその女性の頭に撃ち込む。
Perhaps it is as well that she is thus removed before our disappointment at the non-fulfilment of her promise becomes poignant.
おそらく、彼女が示した期待が果たされぬことへの私たちの失望が痛切なものとなる前に、彼女がこのように退場させられるのは、かえって良いことなのかもしれない。
Vocabulary
- の
- no — Possessive or linking particle connecting nouns.
- 才能
- sainō — Talent, ability, or natural gift someone possesses.
- について
- ni tsuite — Regarding, about, or concerning a topic.
- 考え
- kangae — Thought, idea, or opinion one holds.
- が
- ga — Subject marker particle indicating the grammatical subject.
- もっぱら
- moppara — Exclusively, solely, or entirely devoted to something.
- と
- to — Particle meaning 'and' or 'with' linking items.
- に
- ni — Particle indicating direction, location, or means.
- よって
- yotte — By means of, by, or due to something.
- 形成
- keisei — Formation or shaping of something over time.
- さ
- sa — Suffix nominalizing adjectives or part of passive form.
- れ
- re — Passive auxiliary verb stem indicating being acted upon.
- た
- ta — Past tense auxiliary indicating completed action.
- 人
- hito — Person, human being, or individual.
- とって
- totte — For, from the perspective of someone.
- 伯爵
- hakushaku — Count or earl, a European aristocratic title.
- は
- wa — Topic marker particle highlighting the sentence topic.
- 多く
- ōku — Many, much, or a large number of things.
- 驚き
- odoroki — Surprise, astonishment, or amazement at something.
- を
- wo — Object marker particle indicating the direct object.
- もたらす
- motarasu — To bring about, cause, or produce a result.
- こと
- koto — Thing, fact, or nominalizer turning verbs into nouns.
- だろう
- darō — Probably, likely, or expressing conjecture about something.
- その
- sono — That, those; demonstrative adjective referring to something nearby.
- うち
- uchi — Among, within, or inside a group or period.
- 第一
- daiichi — First, number one, or the foremost among things.
- この
- kono — This; demonstrative adjective indicating something close to speaker.
- 本
- hon — Book or volume of written or printed work.
- 相対的
- sōtaiteki — Relative, comparative, as opposed to absolute.
- な
- na — Adjectival particle linking na-adjectives to nouns.
- 生気
- seiki — Vitality, liveliness, or life force within something.
- なさ
- nasa — Lack or absence of a quality, nominalized suffix.
- で
- de — Particle indicating means, location of action, or cause.
- ある
- aru — To be, to exist; copula for inanimate subjects.
- 確か
- tashika — Certainly, surely, or for certain about something.
- ここ
- koko — Here, this place near the speaker.
- も
- mo — Also, too, or even; inclusive particle adding emphasis.
- また
- mata — Also, again, or in addition to something else.
- 行動
- kōdō — Action, behavior, or conduct of a person.
- 出来事
- dekigoto — Event, happening, or occurrence that takes place.
- 豊富
- hōfu — Abundant, plentiful, or rich in quantity or variety.
- 概して
- gaishite — Generally, on the whole, or in most cases.
- 特有
- tokuyū — Peculiar to, characteristic of, or unique to something.
- あの
- ano — That over there; demonstrative adjective for distant things.
- 荒々しい
- aramashii — Rough, wild, or fierce in manner or nature.
- 風
- fū — Style, manner, or characteristic way of doing something.
- 喧騒
- kensō — Noise, commotion, or hustle and bustle of activity.
- 伴っ
- tomonatte — Accompanied by or together with something else.
- て
- te — Te-form conjunctive particle linking sequential actions or clauses.
- い
- i — Stem of いる, indicating ongoing or resultant state.
- ない
- nai — Negative form; not existing or not doing something.
- 心地よい
- kokochiyoi — Comfortable, pleasant, or agreeable to the senses.
- 距離
- kyori — Distance, the space between two points or things.
- から
- kara — From, since, or because; indicates starting point or reason.
- 眺める
- nagameru — To gaze at, look out at, or view something.
- じつに
- jitsu ni — Truly, really, or indeed; emphasizing sincerity or degree.
- 興味深く
- kyōmifukaku — In an interesting manner, deeply interesting or fascinating.
- 彼
- kare — He or him; third-person masculine pronoun.
- 小説
- shōsetsu — Novel or fiction; a long literary narrative work.
- いかにも
- ikanimo — Indeed, truly, or as might be expected; quite convincingly.
- リアル
- riaru — Real or realistic; appearing true to life.
- 見せる
- miseru — To show or make something appear to others.
- 大いに
- ōini — Greatly, largely, or to a great extent.
- 貢献
- kōken — Contribution or service made to a cause or goal.
- する
- suru — To do; general-purpose verb for performing actions.
- もの
- mono — Thing, object, or nominalizer expressing expectation or reason.
- だ
- da — Informal copula meaning 'is' or 'are'.
- 登場
- tōjō — Appearance or entrance, especially of a character in fiction.
- 人物
- jinbutsu — Character, figure, or person of note in a story.
- たち
- tachi — Plural suffix for people or animate beings.
- 大部分
- daibubun — The greater part, majority, or most of something.
- おいて
- oite — In, at, or regarding a place or context.
- 興味
- kyōmi — Interest, curiosity, or fascination in something.
- 引く
- hiku — To pull, attract, or draw attention to something.
- ほど
- hodo — To the extent of, as much as, approximately.
- 生き生き
- ikiiki — Lively, vivid, or full of life and energy.
- し
- shi — Conjunctive form listing reasons or connecting clauses.
- 一見
- ikken — At first glance or upon initial appearance.
- 例外
- reigai — Exception, a case that does not follow the rule.
- 思わ
- omowa — Stem of 思う; to think, feel, or consider.
- れる
- reru — Passive or potential auxiliary verb suffix.
- それ
- sore — That; pronoun referring to something near the listener.
- すでに
- sude ni — Already, by now, or at this point in time.
- 言及
- genkyū — Mention, reference, or allusion to something previously noted.
- 主人公
- shujinkō — Protagonist or main character of a story or novel.
- 母親
- hahaoya — Mother, one's female parent or maternal figure.
- すなわち
- sunawachi — Namely, that is to say, or in other words.
- 心
- kokoro — Heart, mind, or spirit; inner emotional state.
- 荒ん
- sunda (susan) — Desolate, hardened, or spiritually withered and rough.
- 野営地
- yaei-chi — Military camp or campsite where soldiers are stationed.
- 女
- onna — Woman, female person or adult female.
- あり
- ari — Is, exists; classical or formal form of ある.
- らしい
- rashii — Seems like, apparently, or typical of something or someone.
- 野蛮
- yaban — Barbaric, savage, or uncivilized in behavior or nature.
- 形
- katachi — Shape, form, or appearance of something.
- くる
- kuru — To come; auxiliary indicating action toward the speaker.
- 違い
- chigai — Difference, distinction, or discrepancy between things.
- 私
- watashi — I or me; first-person singular pronoun.
- 自信
- jishin — Self-confidence or assurance in one's own abilities.
- 持っ
- motte — Te-form of 持つ; to hold or have something.
- 期待
- kitai — Expectation, hope, or anticipation of something happening.
- しかし
- shikashi — However, but; conjunction indicating contrast or reversal.
- 残念
- zannen — Regrettable, disappointing, or unfortunate situation or outcome.
- 女性
- josei — Woman, female; referring to adult females in general.
- 会話
- kaiwa — Conversation, dialogue, or verbal exchange between people.
- 様子
- yōsu — Appearance, state, or situation as observed from outside.
- 知る
- shiru — To know, learn, or come to understand something.
- 機会
- kikai — Opportunity, chance, or occasion to do something.
- という
- to iu — Called, named, or the fact that something is so.
- 彼女
- kanojo — She, her; third-person feminine pronoun.
- 口
- kuchi — Mouth; also the source of spoken words or speech.
- 出る
- deru — To come out, exit, or emerge from somewhere.
- わずか
- wazuka — Only a little, few, or a mere small amount.
- 言葉
- kotoba — Words, language, or expression used in speech.
- らしさ
- rashisa — Typicality or essence of what something or someone is like.
- 部分的
- bubunteki — Partial, only in part, not complete or whole.
- しか
- shika — Only; used with negatives to mean 'nothing but'.
- 示し
- shimeshi — Stem of 示す; to show, indicate, or demonstrate something.
- 振る舞い
- furumai — Behavior, conduct, or manner of acting toward others.
- や
- ya — And, or; particle listing examples among several things.
- 習慣
- shūkan — Habit, custom, or usual practice of a person.
- あまりに
- amari ni — Too much, excessively, or to an extreme degree.
- 少ない
- sukunai — Few, scarce, or not enough in number or amount.
- 第四
- daishi — Fourth, the ordinal number four in a sequence.
- 章
- shō — Chapter of a book or other written work.
- 略奪
- ryakudatsu — Plunder, looting, or seizing goods by force.
- しよう
- shiyō — Volitional form of する; let's do or intending to do.
- いる
- iru — To be, to exist; used for animate beings.
- 戦場
- senjō — Battlefield, the field or place where battle occurs.
- 者
- mono / sha — Person, one who does something; suffix for a role.
- 本当
- hontō — True, real, or genuine; the actual truth of something.
- 死ん
- shin — Stem of 死ぬ; to die or be dead.
- か
- ka — Question particle or expressing doubt about something.
- どうか
- dō ka — Whether or not; expressing uncertainty or making a request.
- 短剣
- tanken — Dagger or short sword used as a weapon.
- 確かめ
- tashikame — To confirm, verify, or make certain of something.
- 最中
- saichū — In the middle of, during the height of something.
- 実入り
- minori — Profit, gain, or fruitful reward from an activity.
- 良い
- yoi / ii — Good, fine, or favorable in quality or degree.
- 行進
- kōshin — March or procession moving forward in an orderly way.
- 見守っ
- mimamotte — Watching over, keeping a close eye on something.
- 将校
- shōkō — Military officer of commissioned rank in the armed forces.
- 自分
- jibun — Oneself, one's own self; reflexive pronoun.
- 胸
- mune — Chest, breast, or the front of the torso.
- 打ち抜こ
- uchinuko — Volitional of 打ち抜く; to shoot or punch through something.
- う
- u — Volitional suffix expressing intention or suggestion.
- 手
- te — Hand; the part of the body used to grasp.
- 上げ
- age — To raise or lift up; stem of 上げる.
- 瞬間
- shunkan — Moment, instant, or a very brief period of time.
- 無情
- mujō — Merciless, heartless, or without compassion or feeling.
- 二
- ni — Two; the number 2.
- 発
- hatsu — Counter for shots fired or departures; a shot.
- 銃弾
- jūdan — Bullet, a projectile fired from a firearm or gun.
- 頭
- atama — Head, the uppermost part of the human body.
- 撃ち込む
- uchikōmu — To shoot into or fire rounds into a target.
- おそらく
- osoraku — Probably, perhaps, or in all likelihood something is so.
- 果たさ
- hatasa — Stem of 果たす; to accomplish, fulfill, or carry out.
- ぬ
- nu — Classical negative auxiliary; equivalent to modern ない.
- へ
- e — Directional particle indicating movement toward a destination.
- 失望
- shitsubō — Disappointment or disillusionment from unmet hopes or expectations.
- 痛切
- tsūsetsu — Keenly felt, poignant, or acutely painful emotionally.
- なる
- naru — To become; indicating a change of state or condition.
- 前
- mae — Before, in front of, or prior to something in time.
- よう
- yō — Seems like, appears to be; expressing conjecture or resemblance.
- 退場
- taijō — Exit or departure, especially from a scene or stage.
- せ
- se — Causative stem of する or せる; to make someone do.
- られる
- rareru — Passive or potential auxiliary; to be made to do.
- かえって
- kaette — On the contrary, rather, or instead; unexpected reversal.
- かも
- kamo — Might, perhaps; expressing possibility or conjecture.
- しれ
- shire — Stem of しれる in かもしれない; might be or possibly.
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