← The Adventures of Ferdinand Count Fathom — Complete

The Adventures of Ferdinand Count Fathom — Complete — Page 10

English → Japanese Preface Level 8/10

" The surprise will be greater than ever when the answer is given that, to a large extent, the plot makes Fathom interesting.

「その答えが示されるとき、驚きはこれまで以上に大きくなるだろう。つまり、大部分において、筋書きこそがファゾムを興味深いものにしているのだ。

Yes, Smollett, hitherto indifferent to structure, has here written a story in which the plot itself, often clumsy though it may be, engages a reader's attention.

そう、これまで構成に無頓着であったスモレットは、ここで、しばしば不器用ではあるものの、筋書きそのものが読者の注意を引きつける物語を書いたのだ。

One actually wants to know whether the young Count is ever going to receive consolation for his sorrows and inflict justice on his basely ungrateful pensioner.

読者は実際に、若き伯爵がその悲しみに対する慰めを得られるのか、そして卑しくも恩知らずな年金受給者に正義を下すことができるのかを知りたいと思うのだ。

And when, finally, all turns out as it should, one is amazed to find how many of the people in the book have helped towards the designed conclusion.

そして最終的にすべてがあるべき姿に収まったとき、読者は本の中の登場人物のいかに多くが意図された結末に向けて貢献していたかを知り、驚かされるのだ。

Not all of them, indeed, nor all of the adventures, are indispensable, but it is manifest at the end that much, which, for the time, most readers think irrelevant—such as Don Diego's history—is, after all, essential.

確かに、すべての登場人物もすべての冒険も不可欠というわけではないが、読了後には、その時点では多くの読者が無関係と思うもの——ドン・ディエゴの生い立ちのような——が、結局のところ不可欠であることが明らかになる。

It has already been said that in Count Fathom Smollett appears to some extent as a romanticist, and this is another fact which lends interest to the book.

『ファゾム伯爵』においてスモレットがある程度ロマン主義者として現れているということはすでに述べたが、これもまた本書に興趣を添えるもう一つの事実である。

That he had a powerful imagination is not a surprise.

彼が力強い想像力を持っていたということは驚くべきことではない。

Any one versed in Smollett has already seen it in the remarkable situations which he has put before us in his earlier works.

スモレットに精通した者であれば、彼の初期の作品において提示された注目すべき場面の数々にそれをすでに見ているはずだ。

These do not indicate, however, that Smollett possessed the imagination which could excite romantic interest; for in Roderick Random and in Peregrine Pickle, the wonderful situations serve chiefly to amuse.

しかしながら、これらは、スモレットがロマンティックな関心を呼び起こすことのできる想像力を持っていたことを示すものではない。なぜなら、『ロデリック・ランダム』においても『ペレグリン・ピクル』においても、素晴らしい場面は主に読者を楽しませるために機能しているからだ。

In Fathom, however, there are some designed to excite horror; and one, at least, is eminently successful.

しかし『ファゾム』には、恐怖を呼び起こすべく意図された場面がいくつかあり、少なくともその一つは際立って成功している。

Vocabulary

その
sono — That; referring to something previously mentioned.
答え
kotae — Answer, response, or solution to a question.
ga — Subject marker particle in Japanese grammar.
示さ
shimesa — Stem form of 示す; to show or indicate something.
れる
reru — Passive auxiliary verb ending; to be done.
とき
toki — Time, moment, or occasion when something occurs.
驚き
odoroki — Surprise, astonishment, or amazement at something.
wa — Topic marker particle highlighting the subject discussed.
これ
kore — This; referring to something close to the speaker.
まで
made — Until, up to, or as far as a point.
以上
ijou — More than, above, or greater than a standard.
ni — Particle indicating direction, time, or location.
大きく
ookiku — Greatly, largely; adverb form of big or large.
なる
naru — To become; indicates a change of state or condition.
だろ
daro — Informal form of だろう; probably, I suppose so.
u — Volitional ending; let's or probably in Japanese grammar.
つまり
tsumari — In other words; that is to say, in summary.
dai — Large, great; prefix indicating large size or scale.
部分
bubun — Part, portion, or section of a larger whole.
において
ni oite — In, at, regarding; formal expression of location or context.
筋書き
sujiGaki — Plot, storyline, or outline of a narrative work.
こそ
koso — Emphatic particle meaning precisely, exactly, or indeed.
wo — Object marker particle indicating the direct object.
興味深い
kyoumifukai — Interesting, fascinating, or deeply thought-provoking subject.
もの
mono — Thing, object, or matter in a general sense.
shi — Conjunctive form; connects reasons or actions together.
te — Te-form conjunction connecting sequential or related actions.
いる
iru — To exist; indicates ongoing or current state of being.
no — Possessive or nominalizing particle in Japanese grammar.
da — Informal copula meaning is, are, or am.
そう
sou — So, that way; indicates appearance or hearsay.
構成
kousei — Structure, composition, or organization of a work.
無頓着
mutonchaku — Indifference, carelessness, or lack of concern about something.
de — Particle indicating means, location of action, or cause.
あっ
a(t) — Contracted form of ある; to be, exist informally.
ta — Past tense auxiliary indicating completed action or state.
ここ
koko — Here; this place or location close to speaker.
しばしば
shibashiba — Often, frequently, repeatedly occurring over time.
不器用
bukiyou — Clumsy, unskillful, or awkward in technique or manner.
ある
aru — To exist, to have; basic verb of existence.
そのもの
sono mono — Itself, the very thing; emphasizing the exact subject.
読者
dokusha — Reader; a person who reads a book or text.
注意
chuui — Attention, caution, or notice directed toward something.
引きつける
hikitsukeru — To attract, draw in, or capture someone's attention.
物語
monogatari — Story, tale, or narrative account of events.
書い
kai — Written; te-form stem of 書く, to write.
実際
jissai — In reality, actually; refers to the true situation.
若き
wakaki — Young; archaic attributive form of 若い, youthful.
伯爵
hakushaku — Count or earl; a European-style noble title.
悲しみ
kanashimi — Sadness, grief, or sorrow felt deeply within.
対する
taisuru — Toward, against, or in response to something.
慰め
nagusome — Comfort, consolation, or solace given to someone.
e — To obtain or gain; also read う meaning can.
られる
rareru — Passive or potential auxiliary; can be done or received.
ka — Question particle placed at end of a sentence.
そして
soshite — And then, and also; connects sentences or clauses.
恩知らず
onshirazu — Ungrateful person; one who ignores received kindness.
na — Adjectival ending or soft negation/emphasis particle.
年金
nenkin — Pension; regular payment received after retirement or service.
受給者
jukyuusha — Recipient or beneficiary of a payment or benefit.
正義
seigi — Justice, righteousness, or moral correctness in action.
下す
kudasu — To hand down, deliver, or render a judgment.
こと
koto — Thing, fact, or nominalizer for verb phrases.
できる
dekiru — To be able to; expresses ability or possibility.
知り
shiri — Stem of 知る; to know or find out something.
たい
tai — Desire auxiliary; want to do something expressed.
to — Quotation particle or conjunction meaning and, with.
思う
omou — To think, feel, or believe something about a matter.
最終的
saishuu-teki — Final, ultimate, or conclusive in terms of outcome.
すべて
subete — All, everything, or the entirety of something.
べき
beki — Should, ought to; expresses moral obligation or expectation.
姿
sugata — Figure, form, or appearance of a person or thing.
収まっ
osama(t) — Settled, fit into; stem of 収まる meaning to settle.
hon — Book; a bound written or printed literary work.
naka — Inside, middle, or among a group or object.
登場
toujo — Appearance, entry; character appearing on stage or story.
人物
jinbutsu — Person, character, or notable individual in a work.
いかに
ikani — How, in what way; formal or literary adverb.
多く
ooku — Many, much, a large number or quantity of things.
意図
ito — Intention, purpose, or aim behind an action or work.
sa — Suffix nominalizing adjectives; also light filler particle.
re — Passive stem; part of passive conjugation in verbs.
結末
ketsumatsu — Ending, conclusion, or final outcome of a story.
向け
muke — Directed toward, aimed at; indicates a target or audience.
貢献
kouken — Contribution, service rendered toward a goal or cause.
i — Continuative stem of いる; being or existing continuously.
驚か
odoroka — Stem of 驚かす; to surprise or astonish someone else.
確か
tashika — Certain, sure, reliable; expressing confidence in a fact.
mo — Also, even, too; inclusive or additive particle.
冒険
bouken — Adventure, risk-taking, or daring exploratory activity.
不可欠
fukaketsu — Indispensable, essential, absolutely necessary for something.
という
to iu — Called, known as; quotative expression explaining something.
わけ
wake — Reason, meaning; indicates logical conclusion or explanation.
ない
nai — Negative auxiliary meaning not, does not exist.
読了
dokuryou — Finishing reading; completing a book or written work.
ato / go — After, later, behind in time or physical position.
時点
jiten — Point in time; a specific moment being referenced.
無関係
mukankei — Unrelated, irrelevant, having no connection to something.
生い立ち
oitachi — Upbringing, background, or the circumstances of one's birth.
よう
you — Appears, seems; expresses resemblance or conjecture.
結局
kekkyoku — After all, in the end, ultimately it turns out.
ところ
tokoro — Place, point, situation; also softens following statement.
明らか
akiraka — Clear, obvious, evident; something easily understood or seen.
程度
teido — Degree, level, or extent of something being measured.
ロマン
roman — Romance, romantic; loanword describing romantic ideals or fiction.
主義者
shugisha — An advocate or believer of a particular ideology or movement.
として
toshite — As, in the capacity of; expressing a role or position.
現れ
araware — Appearance, manifestation; stem of 現れる to appear.
すでに
sudeni — Already, by now; something has occurred before this moment.
述べ
nobe — Stem of 述べる; to state, describe, or express something.
また
mata — Also, again, moreover; adds or continues a statement.
本書
honsho — This book; referring to the current publication being discussed.
添える
soeru — To add, append, or accompany something to enhance it.
もう
mou — Already, anymore, another; indicates addition or time passed.
一つ
hitotsu — One; the number one, or one item of something.
事実
jijitsu — Fact, reality, truth; something that actually occurred or exists.
kare — He, him; third-person masculine pronoun in Japanese.
力強い
chikara-zuyoi — Powerful, strong, forceful; describing great strength or energy.
想像力
souzouryoku — Imagination, creative power, or ability to visualize mentally.
持っ
mo(t) — Stem of 持つ; to hold, carry, or possess something.
驚く
odoroku — To be surprised or astonished by something unexpected.
精通
seitsuu — Expertise, thorough knowledge, or deep familiarity with something.
sha / mono — Person, one who; suffix denoting a person of expertise.
あれ
are — That (over there); or conditional stem of ある.
ba — Conditional particle meaning if or when a condition is met.
初期
shoki — Early period, initial stage; the beginning phase of something.
作品
sakuhin — Work, piece, or creation in art, literature, or music.
提示
teiji — Presentation, display, or showing of information or evidence.
注目
chuumoku — Attention, notice; worthy of being observed or watched closely.
場面
bamen — Scene, situation, or setting within a story or event.
数々
kazukazu — Numerous, many; a large variety of things or instances.
それ
sore — That; referring to something near the listener.
mi — Stem of 見る; to see, look, or observe something.
はず
hazu — Should be, expected to; expresses reasonable expectation.
しかし
shikashi — However, but; introduces a contrasting statement or idea.
ながら
nagara — While doing; simultaneous action or concessive conjunction.
これら
korera — These; plural form of これ referring to nearby things.
ロマンティック
romantikku — Romantic; loanword describing romantic qualities or sensibilities.
関心
kanshin — Interest, concern, or attention paid toward something.
呼び
yobi — Stem of 呼ぶ; to call, summon, or evoke something.
起こす
okosu — To cause, raise, or awaken; to bring something about.
示す
shimesu — To show, indicate, or demonstrate something clearly.
なぜ
naze — Why; asking or explaining the reason for something.
なら
nara — If, in the case of; conditional or topic-setting particle.
素晴らしい
subarashii — Wonderful, splendid, or magnificent; expressing high admiration.
主に
omoni — Mainly, primarily, mostly; indicates the chief reason or element.
楽しま
tanoshima — Stem of 楽しむ; to enjoy or find pleasure in something.
せる
seru — Causative auxiliary; to make or let someone do something.
ため
tame — For, in order to, for the sake of a purpose.
機能
kinou — Function, role, or capability that something serves.
から
kara — From, because; indicates origin, reason, or starting point.
恐怖
kyoufu — Fear, terror, or dread felt toward something threatening.
いくつ
ikutsu — How many, some; an unspecified small number of things.
あり
ari — Existential stem of ある; there is or there are.
少なくとも
sukunakutomo — At least; indicates a minimum condition or quantity.
際立っ
kiwadat(te) — Standing out, being conspicuous or remarkably prominent.
成功
seikou — Success, achievement; accomplishing a goal or desired outcome.
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