← The Adventures of Ferdinand Count Fathom — Complete

The Adventures of Ferdinand Count Fathom — Complete — Page 9

English → Japanese Preface Level 8/10

In the second of these, we saw Smollett beginning to understand the use of incident to indicate consistent development of character.

これらの第二作において、我々はスモレットが一貫したキャラクター発展を示すための挿話の使用を理解し始めるのを見た。

In Count Fathom, he seems fully to understand this principle of art, though he has not learned to apply it successfully.

『ファゾム伯爵』において、彼はこの芸術の原理を完全に理解しているように見えるが、それをうまく応用することはまだ習得していない。

And so, in spite of an excellent conception, Fathom, as I have said, is unreal.

それゆえ、優れた構想にもかかわらず、ファゾムは、私が述べたように、非現実的である。

After all his villainies, which he perpetrates without any apparent qualms of conscience, it is incredible that he should honestly repent of his crimes.

良心の呵責を全く示すことなく犯した数々の悪行の後、彼が誠実に罪を悔い改めるとは信じがたい。

We are much inclined to doubt when we read that "his vice and ambition was now quite mortified within him," the subsequent testimony of Matthew Bramble, Esq., in Humphry Clinker, to the contrary, notwithstanding.

「彼の悪徳と野心は今や彼の中で完全に打ち砕かれた」と読む時、我々は大いに疑念を抱かざるを得ない。『ハンフリー・クリンカー』におけるマシュー・ブランブル氏のその後の証言が反対のことを述べているにもかかわらず。

Yet Fathom up to this point is consistently drawn, and drawn for a purpose:—to show that cold-blooded roguery, though successful for a while, will come to grief in the end.

しかしこの点まで、ファゾムは一貫して描かれており、ある目的のために描かれている。すなわち、冷血な悪党行為は、しばらくは成功しても、最終的には不幸に終わることを示すためである。

To heighten the effect of his scoundrel, Smollett develops parallel with him the virtuous Count de Melvil.

悪党の効果を高めるために、スモレットは彼と並行して徳高きメルヴィル伯爵を発展させる。

The author's scheme of thus using one character as the foil of another, though not conspicuous for its originality, shows a decided advance in the theory of constructive technique.

このように一人の登場人物を別の登場人物の引き立て役として使うという作者の手法は、独創性において際立っているわけではないが、構成的技法の理論における明確な進歩を示している。

Only, as I have said, Smollett's execution is now defective.

ただし、私が述べたように、スモレットの実行は今や欠陥がある。

"But," one will naturally ask, "if Fathom lacks the amusing, and not infrequently stimulating, hurly-burly of Smollett's former novels; if its characters, though well-conceived, are seldom divertingly fantastic and never thoroughly animate; what makes the book interesting?

「しかし」と人は自然に問うだろう、「もしファゾムがスモレットの以前の小説が持つ面白く、しばしば刺激的な喧騒を欠いているなら、もしその登場人物たちが、よく構想されているとはいえ、楽しく幻想的であることは稀で、完全に生き生きとしていることも決してないなら、何がこの本を興味深くするのか?」

Vocabulary

これら
korera — These; referring to multiple nearby things
no — Possessive or nominalizing particle
第二作
dainisaku — Second work; second literary or artistic piece
において
ni oite — In; at; regarding a place or context
我々
wareware — We; us; formal first-person plural pronoun
wa — Topic-marking particle indicating sentence subject
ga — Subject marker particle in Japanese grammar
一貫した
ikkan shita — Consistent; coherent throughout; uniform in nature
キャラクター
kyarakutaa — Character; a person in a story or work
発展
hatten — Development; growth; progression over time
wo — Object-marking particle indicating direct object
示す
shimesu — To show; to indicate; to demonstrate something
ため
tame — For the purpose of; because of; for sake
挿話
souwa — Episode; anecdote inserted into a larger narrative
使用
shiyou — Use; usage; employing something for a purpose
理解
rikai — Understanding; comprehension of something explained
shi — Conjunctive form of verb suru; and; doing
始める
hajimeru — To begin; to start doing something new
見た
mita — Saw; past tense of miru, to see
伯爵
hakushaku — Count; earl; European noble title rank
kare — He; him; third-person masculine pronoun
この
kono — This; referring to something nearby or mentioned
芸術
geijutsu — Art; artistic expression or creative endeavor
原理
genri — Principle; fundamental rule or basis of something
完全
kanzen — Complete; perfect; fully accomplished without flaw
ni — Particle indicating direction, location, or purpose
して
shite — Doing; conjunctive te-form of suru
いる
iru — To be; indicates ongoing state or action
よう
you — Seems like; appears to be; resembling something
見える
mieru — To appear; to seem; to be visible
それ
sore — That; referring to something previously mentioned
うまく
umaku — Skillfully; well; successfully; in a good way
応用
ouyou — Application; applying knowledge or skill practically
する
suru — To do; general-purpose action verb in Japanese
こと
koto — Thing; fact; nominalizer turning verbs into nouns
まだ
mada — Still; not yet; continuing unchanged up to now
習得
shuutoku — Acquisition; mastering a skill through learning
i — Stem of iru; part of ongoing state constructions
ない
nai — Negative; not; does not exist or occur
それゆえ
soreyue — Therefore; for that reason; consequently
優れた
sugureta — Excellent; superior; outstanding in quality
構想
kousou — Conception; plan; overall design of a work
mo — Also; even; too; inclusive particle in Japanese
かかわらず
kakawarazu — Despite; regardless of; notwithstanding a fact
watashi — I; me; first-person singular pronoun
述べた
nobeta — Stated; mentioned; past tense of noberu
非現実的
higenjitsuteki — Unrealistic; implausible; not reflecting real life
de — At; by means of; copula particle in context
ある
aru — To be; to exist; copula for inanimate things
良心
ryoushin — Conscience; moral sense of right and wrong
呵責
kashaku — Remorse; pangs of conscience; self-reproach
全く
mattaku — Completely; entirely; not at all when negative
なく
naku — Without; lacking; negative connective form
犯した
okashita — Committed; perpetrated; past tense of okasu
数々
kazukazu — Numerous; many; a large number of things
悪行
akugyou — Wrongdoing; evil deeds; wicked acts committed
nochi / ato — After; later; following a previous event
誠実
seijitsu — Sincere; honest; genuinely faithful and trustworthy
tsumi — Sin; crime; guilt; wrongful act or offense
悔い改める
kuiaratameru — To repent; to reform after wrongdoing sincerely
to — And; with; quotation particle; conditional connector
信じがたい
shinjigataI — Hard to believe; incredible; difficult to accept
悪徳
akutoku — Vice; immorality; corrupt and wicked behavior
野心
yashin — Ambition; aspiration; often with negative connotation
今や
imaya — Now; by now; at this point in time
naka — Inside; middle; among; within something
打ち砕かれた
uchikudakareta — Crushed; shattered; destroyed completely
読む
yomu — To read; to interpret written text
toki — Time; when; moment at which something occurs
大いに
ooi ni — Greatly; enormously; to a large degree
疑念
ginen — Doubt; suspicion; feeling of uncertainty or mistrust
抱かざる
idakazaru — Cannot help but harbor; negative potential of idaku
得ない
enai — Cannot; unable to avoid doing something
における
ni okeru — In; within; pertaining to a specific context
shi — Mr.; Ms.; honorific suffix for a person's name
その後
sonogo — After that; subsequently; from that point onward
証言
shougen — Testimony; statement; witness account of events
反対
hantai — Opposite; against; opposition to something stated
述べて
nobete — Stating; saying; te-form of noberu
しかし
shikashi — However; but; conjunctive showing contrast
ten — Point; aspect; specific detail or matter
まで
made — Until; up to; as far as a limit
一貫
ikkan — Consistency; coherence; maintaining uniformity throughout
描かれて
egakarete — Being depicted; portrayed; te-form passive of egaku
おり
ori — Being; formal continuous form of iru
目的
mokuteki — Purpose; goal; objective of an action or work
すなわち
sunawachi — Namely; that is; in other words precisely
冷血
reiketsu — Cold-blooded; ruthless; without emotion or mercy
na — Adjectival copula linking na-adjectives to nouns
悪党
akutou — Villain; scoundrel; evil person with bad intentions
行為
koui — Act; action; deed performed by a person
しばらく
shibaraku — For a while; temporarily; for some time
成功
seikou — Success; achievement; accomplishing a desired goal
最終的
saishuteki — Final; ultimate; in the end; eventually
不幸
fukou — Misfortune; unhappiness; bad luck; unfortunate state
終わる
owaru — To end; to finish; to conclude an event
効果
kouka — Effect; result; impact produced by an action
高める
takameru — To heighten; to raise; to enhance something
並行
heikou — Parallel; running alongside simultaneously
徳高き
tokunoki — Virtuous; morally upright; of high moral character
させる
saseru — Causative form; to make or let someone do
一人
hitori — One person; alone; a single individual
登場人物
tojou jinbutsu — Character; person who appears in a story
betsu — Separate; different; another; distinct from others
引き立て役
hikitate yaku — Foil; supporting role that highlights another character
として
to shite — As; in the role of; functioning as something
使う
tsukau — To use; to employ something for a purpose
という
to iu — Called; known as; the technique of saying
作者
sakusha — Author; writer; creator of a literary work
手法
shuhou — Technique; method; approach used in creation
独創性
dokusousei — Originality; creativity; uniqueness in artistic approach
おいて
oite — In; at; in terms of a certain aspect
際立って
kiwadatte — Remarkably; conspicuously; standing out noticeably
わけ
wake — Reason; meaning; it means that; naturally so
構成的
kouseiteki — Structural; compositional; relating to how something is built
技法
gihou — Technique; craft; artistic or literary method used
理論
riron — Theory; theoretical framework or system of ideas
明確
meikaku — Clear; definite; explicit; without ambiguity
進歩
shinpo — Progress; advancement; improvement over previous state
示して
shimeshite — Showing; demonstrating; te-form of shimesu
ただし
tadashi — However; provided that; with the exception that
実行
jikkou — Execution; carrying out; putting a plan into practice
欠陥
kekkan — Defect; flaw; shortcoming in something created
hito — Person; human being; people in general
自然
shizen — Natural; nature; occurring without artificial influence
問う
tou — To ask; to question; to inquire about something
だろう
darou — Probably; I suppose; conjecture or supposition
もし
moshi — If; supposing that; used to open conditionals
以前
izen — Before; previously; prior to a certain time
小説
shousetsu — Novel; fiction; a long narrative literary work
持つ
motsu — To have; to hold; to possess something
面白く
omoshiroku — Interestingly; amusingly; adverbial form of omoshiroi
しばしば
shibashiba — Often; frequently; repeatedly occurring over time
刺激的
shigekiteki — Stimulating; exciting; provocative; thrilling in effect
喧騒
kensou — Hustle and bustle; uproar; noisy commotion
欠いて
kaite — Lacking; being without; te-form of kaku
なら
nara — If; supposing; conditional particle in Japanese
その
sono — That; the; referring to a previously mentioned thing
たち
tachi — Plural suffix for people or animate beings
よく
yoku — Well; often; frequently; adverb of ii (good)
されて
sarete — Being done; passive te-form of suru
いえ
ie — No; rather; on the contrary; correction marker
楽しく
tanoshiku — Enjoyably; pleasantly; adverbial form of tanoshii
幻想的
gensouteki — Fantastic; whimsical; dreamlike; full of fantasy
mare — Rare; uncommon; seldom occurring
生き生き
ikiiki — Vividly; lively; full of life and energy
決して
kesshite — Never; by no means; used with negatives
nani / nan — What; something; used in questions and indefinites
hon — Book; also counter for long cylindrical objects
興味深く
kyoumifukaku — Interestingly; with great interest; in a fascinating way
ka — Question particle placed at end of sentence
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