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Thus Spake Zarathustra: A Book for All and None — Page 10

English → It Preface Level 9/10

In regard to his first conception of this idea, his autobiographical sketch, "Ecce Homo", written in the autumn of 1888, contains the following passage:—

Riguardo alla sua prima concezione di questa idea, il suo schizzo autobiografico, "Ecce Homo", scritto nell'autunno del 1888, contiene il seguente passo:—

"The fundamental idea of my work—namely, the Eternal Recurrence of all things—this highest of all possible formulae of a Yea-saying philosophy, first occurred to me in August 1881.

«L'idea fondamentale della mia opera—vale a dire, l'Eterno Ritorno di tutte le cose—questa, la più alta di tutte le possibili formule di una filosofia del Sì, mi si presentò per la prima volta nell'agosto del 1881.

I made a note of the thought on a sheet of paper, with the postscript: 6,000 feet beyond men and time!

Annotai il pensiero su un foglio di carta, con il poscritto: 6.000 piedi al di là degli uomini e del tempo!

That day I happened to be wandering through the woods alongside of the lake of Silvaplana, and I halted beside a huge, pyramidal and towering rock not far from Surlei.

Quel giorno mi trovavo a vagare per i boschi lungo il lago di Silvaplana, e mi fermai accanto a un'enorme roccia piramidale e imponente non lontana da Surlei.

It was then that the thought struck me.

Fu allora che il pensiero mi colpì.

Looking back now, I find that exactly two months previous to this inspiration, I had had an omen of its coming in the form of a sudden and decisive alteration in my tastes—more particularly in music.

Guardando indietro ora, trovo che esattamente due mesi prima di questa ispirazione, avevo avuto un presagio della sua venuta sotto forma di un'alterazione improvvisa e decisiva nei miei gusti—più particolarmente nella musica.

It would even be possible to consider all 'Zarathustra' as a musical composition.

Sarebbe persino possibile considerare tutto lo 'Zarathustra' come una composizione musicale.

At all events, a very necessary condition in its production was a renaissance in myself of the art of hearing.

In ogni caso, una condizione assolutamente necessaria nella sua produzione fu una rinascita in me stesso dell'arte dell'ascolto.

In a small mountain resort (Recoaro) near Vicenza, where I spent the spring of 1881, I and my friend and Maestro, Peter Gast—also one who had been born again—discovered that the phoenix music that hovered over us, wore lighter and brighter plumes than it had done theretofore.

In una piccola stazione di villeggiatura montana (Recoaro) vicino a Vicenza, dove trascorsi la primavera del 1881, io e il mio amico e Maestro, Peter Gast—anch'egli rinato—scoprimmo che la musica fenice che aleggiava su di noi indossava piume più leggere e luminose di quanto non avesse fatto fino ad allora.

Vocabulary

Riguardo
ree-GWAHR-doh — Regarding, with respect to something mentioned
alla
AHL-lah — To the, at the (feminine singular contraction)
sua
SOO-ah — His, her, its (feminine singular possessive)
prima
PREE-mah — First, before, earlier in time
concezione
kon-cheh-TSYOH-neh — Conception, the forming of an idea or concept
di
dee — Of, from (very common preposition)
questa
KWEH-stah — This (feminine singular demonstrative adjective)
idea
ee-DEH-ah — Idea, a thought or mental concept
il
eel — The (masculine singular definite article)
suo
SOO-oh — His, her, its (masculine singular possessive)
schizzo
SKEET-tsoh — Sketch, a rough draft or outline
autobiografico
ow-toh-byoh-GRAH-fee-koh — Autobiographical, relating to one's own life story
scritto
SCREET-toh — Written, past participle of scrivere
nell'autunno
nell-ow-TOON-noh — In the autumn, during the fall season
del
del — Of the (masculine singular contraction)
contiene
kon-TYEH-neh — Contains, holds within itself
seguente
seh-GWEN-teh — Following, the next or subsequent one
passo
PAHS-soh — Passage, a section of a text or writing
L'idea
lee-DEH-ah — The idea (with elided definite article)
fondamentale
fon-dah-men-TAH-leh — Fundamental, basic, of primary importance
della
DEL-lah — Of the (feminine singular contraction)
mia
MEE-ah — My (feminine singular possessive adjective)
opera
OH-peh-rah — Work, a creative or literary production
vale
VAH-leh — Is worth, means (third person singular of valere)
a
ah — To, at (common Italian preposition)
dire
DEE-reh — To say, to tell someone something
l'Eterno
leh-TEHR-noh — The Eternal (with elided definite article)
Ritorno
ree-TOHR-noh — Return, the act of coming back
tutte
TOOT-teh — All (feminine plural of tutto)
le
leh — The (feminine plural definite article)
cose
KOH-zeh — Things, objects or matters in general
la
lah — The (feminine singular definite article)
più
pyoo — More, most (comparative/superlative adverb)
alta
AHL-tah — High, elevated (feminine singular adjective)
possibili
pos-SEE-bee-lee — Possible, capable of existing or occurring
formule
FOHR-moo-leh — Formulas, set expressions or symbolic statements
una
OO-nah — A, an (feminine singular indefinite article)
filosofia
fee-loh-ZOH-fyah — Philosophy, the study of fundamental questions
see — Yes, affirmative response or particle
mi
mee — Me, myself (first person singular pronoun)
si
see — Reflexive pronoun, oneself or each other
presentò
preh-zen-TOH — Presented itself, appeared for the first time
per
pehr — For, by, through (common Italian preposition)
volta
VOHL-tah — Time, occasion, instance of something happening
nell'agosto
nel-AH-goh-stoh — In August (month of the year)
Annotai
an-noh-TAH-ee — I noted down, I wrote a brief annotation
pensiero
pen-SYEH-roh — Thought, an idea formed in the mind
su
soo — On, upon (common Italian preposition)
un
oon — A, an (masculine singular indefinite article)
foglio
FOH-lyoh — Sheet, a single piece of paper
carta
KAHR-tah — Paper, a sheet used for writing
con
kon — With (common Italian preposition)
poscritto
poh-SCREET-toh — Postscript, a note added after main text
piedi
PYEH-dee — Feet, unit of measurement or body part
al
ahl — To the (masculine singular contraction)
lah — There, in that place or beyond
degli
DEH-lyee — Of the (masculine plural contraction)
uomini
WOH-mee-nee — Men, human beings of the male sex
e
eh — And (common Italian coordinating conjunction)
tempo
TEM-poh — Time, also weather in Italian usage
Quel
kwel — That (masculine singular demonstrative adjective)
giorno
JOHR-noh — Day, a period of twenty-four hours
trovavo
troh-VAH-voh — I was finding myself, I happened to be
vagare
vah-GAH-reh — To wander, to roam without fixed destination
i
ee — The (masculine plural definite article)
boschi
BOH-skee — Woods, forested areas or small forests
lungo
LOON-goh — Along, beside (preposition); also long (adjective)
lago
LAH-goh — Lake, a large body of inland water
fermai
fehr-MAH-ee — I stopped, I came to a halt
accanto
ah-KAHN-toh — Next to, beside, close to something
un'enorme
oon-eh-NOHR-meh — An enormous, a very large (with elision)
roccia
ROH-chah — Rock, a large mass of stone
imponente
eem-poh-NEN-teh — Imposing, impressive and commanding in appearance
non
non — Not (standard Italian negation word)
lontana
lon-TAH-nah — Far, distant (feminine singular adjective)
da
dah — From, by (common Italian preposition)
Fu
foo — Was, it was (third person singular past of essere)
allora
ahl-LOH-rah — Then, at that time or in that case
che
keh — That, which, who (conjunction or pronoun)
colpì
kol-PEE — It struck, it hit (past tense of colpire)
Guardando
gwahr-DAHN-doh — Looking, gazing (present participle of guardare)
indietro
een-DYEH-troh — Back, backward, behind in direction
ora
OH-rah — Now, at the present moment
trovo
TROH-voh — I find, I discover (first person singular)
esattamente
eh-zaht-tah-MEN-teh — Exactly, precisely, without error
due
DOO-eh — Two (cardinal number)
mesi
MEH-zee — Months, plural of mese
ispirazione
ees-pee-rah-TSYOH-neh — Inspiration, a creative or motivating influence
avevo
ah-VEH-voh — I had (first person singular imperfect of avere)
avuto
ah-VOO-toh — Had (past participle of avere)
presagio
preh-ZAH-joh — Omen, a foreboding sign of future events
venuta
veh-NOO-tah — Coming, arrival (feminine past participle of venire)
sotto
SOHT-toh — Under, beneath (Italian preposition of position)
forma
Form, shape, manner of something's appearance
un'alterazione
oon-ahl-teh-rah-TSYOH-neh — An alteration, a sudden change or modification
improvvisa
eem-prov-VEE-zah — Sudden, unexpected, occurring without warning
decisiva
deh-chee-ZEE-vah — Decisive, conclusive, of determining importance
nei
neh-ee — In the (masculine plural contraction)
miei
MYEH-ee — My (masculine plural possessive adjective)
gusti
GOO-stee — Tastes, preferences in aesthetic matters
particolarmente
pahr-tee-koh-lahr-MEN-teh — Particularly, especially, in a specific manner
nella
NEL-lah — In the (feminine singular contraction)
musica
MOO-zee-kah — Music, the art of organized sound
Sarebbe
sah-REB-beh — It would be (conditional of essere)
persino
pehr-ZEE-noh — Even, going so far as to do something
possibile
pos-SEE-bee-leh — Possible, able to happen or be done
considerare
kon-see-deh-RAH-reh — To consider, to think carefully about something
tutto
TOOT-toh — All, everything, the whole of something
lo
loh — The (masculine singular definite article before s+cons)
come
KOH-meh — As, like, how (conjunction or adverb)
composizione
kom-poh-zee-TSYOH-neh — Composition, a created musical or written work
musicale
moo-zee-KAH-leh — Musical, relating to or resembling music
In
een — In, inside (common Italian preposition)
ogni
OH-nyee — Every, each (invariable Italian adjective)
caso
KAH-zoh — Case, situation, instance or circumstance
condizione
kon-dee-TSYOH-neh — Condition, a requirement or state of affairs
assolutamente
ahs-soh-loo-tah-MEN-teh — Absolutely, completely, without any doubt
necessaria
neh-ches-SAH-ryah — Necessary, required, indispensable for a purpose
produzione
proh-doo-TSYOH-neh — Production, the act of creating or making something
fu
foo — Was (third person singular past of essere)
rinascita
ree-NAH-shee-tah — Rebirth, revival, a renewal of life or energy
in
een — In, inside (common Italian preposition)
me
meh — Me, myself (stressed first person pronoun)
stesso
STES-soh — Same, himself, itself (reflexive intensifier)
dell'arte
del-AHR-teh — Of the art (with elided contraction)
dell'ascolto
del-ah-SKOHL-toh — Of the listening, of attentive hearing
piccola
PEEK-koh-lah — Small, little (feminine singular adjective)
stazione
stah-TSYOH-neh — Station, a stopping place for travelers
villeggiatura
veel-led-jah-TOO-rah — Holiday resort, a place for summer vacation
montana
mon-TAH-nah — Mountain (feminine adjective), relating to mountains
vicino
vee-CHEE-noh — Near, close to (preposition or adjective)
dove
DOH-veh — Where, the place in which something occurs
trascorsi
trah-SKOHR-see — I spent (time), I passed through a period
primavera
pree-mah-VEH-rah — Spring, the season between winter and summer
io
EE-oh — I (first person singular subject pronoun)
mio
MEE-oh — My (masculine singular possessive adjective)
amico
ah-MEE-koh — Friend, a person one has a close bond with
Maestro
mah-EH-stroh — Master, teacher, a title for a skilled musician
anch'egli
ahn-KEH-lyee — He too, also he (elided form of anche egli)
rinato
ree-NAH-toh — Reborn, renewed (past participle of rinascere)
scoprimmo
skoh-PREEM-moh — We discovered, we found out together
fenice
feh-NEE-cheh — Phoenix, mythical bird reborn from its ashes
aleggiava
ah-leh-JAH-vah — Was hovering, was fluttering (imperfect of aleggiare)
noi
NOH-ee — We, us (first person plural pronoun)
indossava
een-dos-SAH-vah — Was wearing, had on (imperfect of indossare)
piume
PYOO-meh — Feathers, the plumage of a bird
leggere
LED-jeh-reh — Light, also to read (adjective/verb homograph)
luminose
loo-mee-NOH-zeh — Luminous, bright, full of light (feminine plural)
quanto
KWAHN-toh — As much as, how much (comparative conjunction)
avesse
ah-VES-seh — Had (third person singular subjunctive of avere)
fatto
FAHT-toh — Done, made (past participle of fare)
fino
FEE-noh — Until, up to (preposition indicating limit)
ad
ahd — To, at (variant of a before vowel)
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