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Notre-Dame de Paris — Page 14

English → Korean Full Text Level 8/10

It had been arranged for the purpose, early in the morning; its rich slabs of marble, all scratched by the heels of law clerks, supported a cage of carpenter's work of considerable height, the upper surface of which, within view of the whole hall, was to serve as the theatre, and whose interior, masked by tapestries, was to take the place of dressing-rooms for the personages of the piece.

그것은 아침 일찍 그 목적을 위해 마련되었는데, 법원 서기들의 발뒤꿈치에 온통 긁힌 풍성한 대리석 판들이 상당한 높이의 목수 작품으로 된 구조물을 떠받치고 있었으며, 그 윗면은 홀 전체에서 볼 수 있어 무대로 쓰이게 되어 있었고, 태피스트리로 가려진 내부는 극중 인물들을 위한 분장실 역할을 하게 되어 있었다.

A ladder, naively placed on the outside, was to serve as means of communication between the dressing-room and the stage, and lend its rude rungs to entrances as well as to exits.

순박하게도 바깥쪽에 놓인 사다리 하나가 분장실과 무대 사이의 통로 역할을 하게 되어 있었으며, 그 투박한 발판은 입장과 퇴장 모두에 쓰이게 되어 있었다.

There was no personage, however unexpected, no sudden change, no theatrical effect, which was not obliged to mount that ladder.

아무리 갑작스러운 인물이든, 어떤 급작스러운 변화든, 어떤 연극적 효과든, 그 사다리를 오르지 않아도 되는 것은 하나도 없었다.

Innocent and venerable infancy of art and contrivances!

예술과 기교의 순수하고도 경이로운 유년기여!

Four of the bailiff of the palace's sergeants, perfunctory guardians of all the pleasures of the people, on days of festival as well as on days of execution, stood at the four corners of the marble table.

궁전 집행관의 부하 병사 넷이 대리석 탁자의 네 모퉁이에 서 있었는데, 그들은 축제일에도 처형일에도 백성들의 온갖 오락을 형식적으로 지키는 감시자들이었다.

The piece was only to begin with the twelfth stroke of the great palace clock sounding midday.

공연은 오로지 궁전의 대형 시계가 정오를 알리는 열두 번째 종소리와 함께 시작되도록 되어 있었다.

It was very late, no doubt, for a theatrical representation, but they had been obliged to fix the hour to suit the convenience of the ambassadors.

연극 공연치고는 의심할 여지 없이 매우 늦은 시간이었지만, 대사들의 편의에 맞추어 시간을 정할 수밖에 없었던 것이다.

Now, this whole multitude had been waiting since morning.

그런데 이 모든 군중은 아침부터 기다리고 있었던 것이다.

Vocabulary

아침
achim — Morning; the early part of the day
일찍
iljjik — Early; ahead of the usual or expected time
geu — That; a determiner referring to something previously mentioned
목적을
mokjeogeul — Purpose or goal (object form)
위해
wihae — For the sake of; in order to achieve something
마련되었는데
maryeondoeeonnneunde — Was prepared or arranged, and (contrast/continuation)
법원
beobwon — Court of law; judicial institution
온통
ontong — Entirely; all over; completely covered
풍성한
pungseonghan — Abundant; rich and plentiful in amount
대리석
daeriseok — Marble; a hard stone used in construction
상당한
sangdanghan — Considerable; fairly large in degree or amount
목수
moksu — Carpenter; a person who works with wood
doen — Made of; having become; past modifier of 되다
구조물을
gujomureul — Structure or construction (object form)
hol — Hall; a large room for gatherings or performances
bol — To see; visible (future/modifier form of 보다)
su — Ability; possibility; used in 'can' constructions
있어
isseo — Existing; being there (informal present form)
무대로
mudaero — As a stage; toward the performance platform
되어
doeo — Becoming; having become (connective form of 되다)
가려진
garyeojin — Covered or hidden; concealed by something
내부는
naebuneun — The interior or inside (topic form)
인물들을
inmuldeureul — Characters or figures (plural object form)
위한
wihan — For; intended for a specific person or purpose
분장실
bunjangshil — Dressing room; place for theatrical makeup and costumes
역할을
yeokhal-eul — Role or function (object form)
있었다
isseotda — There was; existed (past tense declarative)
바깥쪽에
bakkatchoge — On the outside; exterior side of something
놓인
noin — Placed; positioned somewhere (past modifier)
사다리
sadari — Ladder; a structure for climbing up and down
하나가
hanaga — One (subject form); a single item
무대
mudae — Stage; the platform where performances take place
사이의
sai-ui — Between; in the space separating two things
통로
tongno — Passage or corridor; a way through or between
투박한
tubakhan — Rough; crude and unrefined in appearance or texture
입장과
ipjang-gwa — Entrance and; the act of entering a space
퇴장
toejang — Exit; the act of leaving a stage or space
모두에
modue — For both; in all cases or for everyone
아무리
amuri — No matter how; regardless of degree or extent
갑작스러운
gapjakseureoun — Sudden; happening unexpectedly without warning
어떤
eotteon — Any; some kind of; what sort of
연극적
yeongeukjeok — Theatrical; relating to drama or stage performance
않아도
anado — Even without doing; not needing to do something
것은
geoseun — The thing (topic form); nominalizing particle
하나도
hanado — Not even one; nothing at all (with negation)
없었다
eopseotda — There was not; did not exist (past tense)
예술과
yesul-gwa — Art and; referring to artistic practice
기교의
gigyoui — Of technique or skill; relating to artistic craft
경이로운
gyeongiroun — Wonderful; full of wonder and amazement
궁전
gungjeon — Palace; a grand royal or noble residence
부하
buha — Subordinate; a person under another's command
병사
byeongsa — Soldier; a person serving in the military
넷이
net-i — Four (subject form); the number four people
ne — Four; the number four as a determiner
모퉁이에
motung-ie — At the corner; positioned at the edge or angle
seo — Standing; to stand (connective form of 서다)
그들은
geudeureun — They (topic form); referring to previously mentioned people
온갖
on-gat — All kinds of; every sort of variety
오락을
orak-eul — Entertainment or amusement (object form)
형식적으로
hyeongikjeogeuro — Formally; in a ceremonial or official manner
지키는
jikinneun — Watching over; guarding or maintaining something
공연은
gong-yeoneun — The performance (topic form); a theatrical show
오로지
oroji — Solely; only and exclusively
대형
daehyeong — Large-scale; of a big size or magnitude
시계가
sigye-ga — The clock (subject form); a timekeeping device
정오를
jeong-oreul — Noon (object form); twelve o'clock midday
알리는
allineun — Announcing; informing or signaling something
열두
yeoldu — Twelve; the number twelve
번째
beonjjae — Ordinal counter; the nth time or occurrence
함께
hamkke — Together; at the same time; along with
연극
yeongeuk — Play or drama; a theatrical performance
의심할
uisimhal — To doubt; questionable (future modifier form)
여지
yeoji — Room or leeway; space for doubt or possibility
없이
eopsi — Without; lacking something entirely
매우
maeu — Very; extremely; to a high degree
늦은
neujeun — Late; past the expected or usual time
편의에
pyeonui-e — For the convenience of; accommodating someone's needs
맞추어
matchueo — Adjusted to; fitted or tailored to suit
시간을
sigan-eul — Time (object form); a period or moment
정할
jeonghal — To set or decide (future modifier form)
수밖에
subakke — No choice but to; only option available
것이다
geosida — It is the case that; explanatory sentence ending
그런데
geureonde — However; by the way; transitional conjunction
i — This; a determiner for nearby things
모든
modeun — All; every; the entirety of something
군중은
gunjung-eun — The crowd (topic form); a large group of people
아침부터
achimbuteo — Since morning; from the early hours onward
기다리고
gidarigo — Waiting; in the state of waiting (connective form)
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