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Pride and Prejudice — Page 4

English → Korean Preface Level 7/10

Rushworth, a_ coup de théâtre; _it connects itself in the strictest way with the course of the story earlier, and brings about the denouement with complete propriety.

Rushworth는 일종의 극적 효과로, 이야기의 앞부분과 가장 긴밀하게 연결되며 완벽한 적절함으로 결말을 이끌어낸다.

All the minor passages--the loves of Jane and Bingley, the advent of Mr. Collins, the visit to Hunsford, the Derbyshire tour--fit in after the same unostentatious, but masterly fashion.

모든 소소한 장면들—제인과 빙리의 사랑, 콜린스 씨의 등장, 헌스퍼드 방문, 더비셔 여행—은 동일하게 과시하지 않으면서도 능숙한 방식으로 자연스럽게 맞아 들어간다.

There is no attempt at the hide-and-seek, in-and-out business, which in the transactions between Frank Churchill and Jane Fairfax contributes no doubt a good deal to the intrigue of_ Emma, _but contributes it in a fashion which I do not think the best feature of that otherwise admirable book.

프랭크 처칠과 제인 페어팩스 사이의 거래에서 『에마』의 음모에 상당히 기여하는 숨바꼭질식의 들락날락하는 방식은 여기서 전혀 시도되지 않는데, 그 방식은 그 외에는 훌륭한 책의 가장 뛰어난 특징이라고 나는 생각하지 않는다.

Although Miss Austen always liked something of the misunderstanding kind, which afforded her opportunities for the display of the peculiar and incomparable talent to be noticed presently, she has been satisfied here with the perfectly natural occasions provided by the false account of Darcy's conduct given by Wickham, and by the awkwardness (arising with equal naturalness) from the gradual transformation of Elizabeth's own feelings from positive aversion to actual love.

오스틴 양은 항상 오해 같은 것을 좋아했는데, 그것이 곧 언급될 그녀의 독특하고 비할 데 없는 재능을 발휘할 기회를 제공했지만, 여기서 그녀는 위컴이 전한 다아시의 행동에 대한 거짓된 설명과, 엘리자베스 자신의 감정이 명백한 혐오에서 진정한 사랑으로 점차 변화하면서 (똑같이 자연스럽게) 생겨나는 어색함이 제공하는 완벽히 자연스러운 계기들로 만족하고 있다.

I do not know whether the all-grasping hand of the playwright has ever been laid upon_ Pride and Prejudice; _and I dare say that, if it were, the situations would prove not startling or garish enough for the footlights, the character-scheme too subtle and delicate for pit and gallery.

극작가의 탐욕스러운 손이 『오만과 편견』에 뻗친 적이 있는지 나는 알지 못하지만, 만약 그랬다면 상황들이 무대 앞 조명에는 충분히 놀랍거나 화려하지 않고, 인물 구성은 평석과 갤러리 관객에게는 너무 섬세하고 미묘하다는 것이 드러났을 것이라고 감히 말할 수 있다.

Vocabulary

일종의
iljong-ui — A kind of; a sort of something
극적
geukjeok — Dramatic; relating to drama or theater
효과로
hyogwa-ro — As an effect; by means of an effect
이야기의
iyagi-ui — Of the story; belonging to the narrative
앞부분과
apbubun-gwa — The earlier/front part and; opening section
가장
gajang — Most; the most; extremely
긴밀하게
ginmilhage — Closely; intimately; in a tight connection
연결되며
yeongyeoldoemyeo — Is connected and; links together with
완벽한
wanbyeokan — Perfect; flawless; without any fault
적절함으로
jeokjeolham-euro — With appropriateness; by means of suitability
결말을
gyeolmal-eul — The ending; the conclusion of a story
이끌어낸다
ikkeureodaenda — Draws out; leads to; brings about a result
모든
modeun — All; every; each and every one
소소한
sosоhan — Minor; trivial; small and unassuming
장면들
jangmyeondeul — Scenes; multiple scenes in a narrative
사랑
sarang — Love; deep affection between people
씨의
ssi-ui — Mr./Ms.'s; honorific possessive title
등장
deungjang — Appearance; entrance of a character
방문
bangmun — Visit; act of visiting a place or person
여행
yeohaeng — Travel; a journey to another place
eun — Topic marker particle attached to nouns
동일하게
dongillhage — Equally; in the same manner or way
과시하지
gwasihaji — Not showing off; without ostentatious display
않으면서도
aneunmyeonseodo — Even while not doing; without doing yet
능숙한
neungsukan — Skilled; proficient; highly capable
방식으로
bangsik-euro — In a manner; by a certain method or way
자연스럽게
jayeonseureobge — Naturally; in a smooth, unforced manner
맞아
maja — Fits; matches; is correct or suitable
들어간다
deureoganda — Goes in; fits into; enters naturally
사이의
sai-ui — Between; in the relationship of two parties
거래에서
georae-eseo — In the dealings; within the transactions
음모에
eummo-e — In the plot; within the conspiracy or scheme
상당히
sangdanghi — Considerably; quite; to a significant degree
기여하는
giyeohaneun — Contributing; playing a contributing role
숨바꼭질식의
sumbakokjil-sig-ui — Hide-and-seek style; concealing and revealing
들락날락하는
deullangnangnakaneun — Coming and going; in and out repeatedly
방식은
bangsik-eun — The method/way (topic); manner of doing
여기서
yeogiseo — Here; at this place or point
전혀
jeonhyeo — Not at all; entirely not; completely absent
시도되지
sidodoeji — Is not attempted; not tried at all
않는데
anneunde — Does not; while not doing something
geu — That; it; the (demonstrative pronoun)
외에는
oe-eneun — Besides; other than; apart from that
훌륭한
hullyunghan — Excellent; outstanding; admirable quality
책의
chaeg-ui — Of the book; belonging to the book
뛰어난
ttwieonan — Outstanding; remarkable; superior in quality
특징이라고
teukjing-irago — Saying it is a characteristic; notable feature
나는
naneun — I (topic); first-person subject pronoun
생각하지
saenggakhaji — Do not think; not considering something
않는다
anneunda — Does not; negation of a present action
양은
yang-eun — Miss (honorific for young woman), topic marker
항상
hangsang — Always; at all times; constantly
오해
ohae — Misunderstanding; incorrect interpretation
같은
gateun — Like; similar to; the same as
것을
geoseul — Thing (object marker); that which; the matter
좋아했는데
joahaenneunde — Liked; was fond of something (past tense)
그것이
geugeosi — That thing (subject); it; that very matter
got — Soon; shortly; immediately; before long
언급될
eongeubdoel — Will be mentioned; to be brought up soon
그녀의
geunyeo-ui — Her; belonging to her (possessive pronoun)
독특하고
dokteukago — Unique and; distinctive and special
비할
bihal — Comparable; to be compared with something
de — Place; point; used in comparisons or clauses
없는
eomneun — Without; lacking; nonexistent
재능을
jaeneung-eul — Talent; gift; natural ability (object marker)
발휘할
balhwiral — To display; to demonstrate one's ability
기회를
gihoe-reul — Opportunity; chance to do something (object)
제공했지만
jegonghaetjiman — Provided but; offered something, however
그녀는
geunyeo-neun — She (topic marker); referring to a female
전한
jeonhan — Conveyed; transmitted; passed on information
행동에
haengdong-e — Regarding the behavior; concerning actions
대한
daehan — About; regarding; concerning something
거짓된
geojitdoen — False; deceitful; untrue account or claim
설명과
seolmyeong-gwa — Explanation and; description with conjunction
자신의
jasin-ui — One's own; her own; personal possessive
감정이
gamjeong-i — Feelings (subject); emotions; sentiments
명백한
myeongbaekan — Obvious; clear; evident; unmistakable
혐오에서
hyeomo-eseo — From hatred; from strong aversion or disgust
진정한
jinjeonghan — True; genuine; sincere; authentic
사랑으로
sarang-euro — To love; toward love; into affection
점차
jeomcha — Gradually; little by little; step by step
변화하면서
byeonhwahamineotseo — While changing; as it gradually transforms
똑같이
ttokgachi — Equally; exactly the same; identically
생겨나는
saenggyeonaneun — Arising; emerging; coming into existence
어색함이
eosaekam-i — Awkwardness (subject); the sense of discomfort
제공하는
jegonghaneun — Providing; offering; supplying something
완벽히
wanbyeoki — Perfectly; completely; in a flawless manner
자연스러운
jayeonseureoun — Natural; spontaneous; unforced and fluid
계기들로
gyegi-deul-lo — As occasions; as triggering circumstances
만족하고
manjokago — Is satisfied and; is content with something
있다
itda — There is; exists; to be present
극작가의
geukjakga-ui — Playwright's; belonging to a dramatist
탐욕스러운
tamyokseureoun — Greedy; avaricious; excessively acquisitive
손이
son-i — Hand (subject); the hands of someone
뻗친
ppeotchin — Extended; reached out; stretched toward
적이
jeogi — Experience of; ever having done something
있는지
inneeunji — Whether there is; if it exists or occurred
알지
alji — Know; whether one knows something
못하지만
motajiman — Cannot but; unable to, however
만약
manyak — If; supposing; in the event that
그랬다면
geuraetdamyeon — If that were so; had that been the case
상황들이
sanghwangdeuri — Situations (subject); circumstances; conditions
무대
mudae — Stage; theatrical platform; performance area
ap — Front; ahead; in front of something
조명에는
jomyeong-eneun — As for the lighting; regarding stage lights
충분히
chungbunhi — Sufficiently; enough; to an adequate degree
놀랍거나
nollapgeona — Surprising or; astonishing or remarkable
화려하지
hwaryeohaji — Not spectacular; not showy or flamboyant
않고
anko — Not doing and; without and continuing
인물
inmul — Character; person; literary or dramatic figure
구성은
guseong-eun — The composition (topic); structure; makeup
평석과
pyeongseok-gwa — The pit (stalls) and; cheaper theater seats
갤러리
gaelleori — Gallery; upper balcony seating in a theater
관객에게는
gwanjaek-egeneun — For the audience; as far as spectators go
너무
neomu — Too; excessively; overly much
섬세하고
seomseago — Delicate and; fine and subtle in nature
미묘하다는
mimyohadaneun — Is subtle; saying it is nuanced and elusive
것이
geosi — The thing (subject); the fact that; the matter
드러났을
deureonasseul — Would have been revealed; would have shown
것이라고
geoirago — Saying it would be; asserting something would occur
감히
gamhi — Dare; boldly; presume to say or do
말할
malhal — To say; to speak; will say something
su — Can; ability; possibility to do something
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