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Pride and Prejudice — Page 8

English → Korean Preface Level 7/10

If cynicism means the perception of "the other side," the sense of "the accepted hells beneath," the consciousness that motives are nearly always mixed, and that to seem is not identical with to be--if this be cynicism, then every man and woman who is not a fool, who does not care to live in a fool's paradise, who has knowledge of nature and the world and life, is a cynic.

만약 냉소주의가 "반대편"에 대한 인식, "그 아래에 숨겨진 용인된 지옥들"에 대한 감각, 동기란 거의 항상 복합적이라는 의식, 그리고 겉으로 보이는 것이 실제 존재와 동일하지 않다는 인식을 의미한다면--만약 이것이 냉소주의라면, 어리석지 않은, 어리석은 자의 낙원 속에서 살기를 원하지 않는, 자연과 세상과 삶에 대한 지식을 가진 모든 남녀는 냉소주의자이다.

And in that sense Miss Austen certainly was one.

그리고 그런 의미에서 오스틴 양은 분명히 냉소주의자였다.

She may even have been one in the further sense that, like her own Mr. Bennet, she took an epicurean delight in dissecting, in displaying, in setting at work her fools and her mean persons.

그녀는 심지어 더 나아간 의미에서도 냉소주의자였을 수 있는데, 그것은 그녀 자신의 작품 속 베넷 씨처럼, 그녀가 자신의 어리석은 인물들과 비열한 인물들을 해부하고, 드러내고, 활동하게 하는 데서 쾌락주의적인 즐거움을 느꼈다는 점에서 그러하다.

I think she did take this delight, and I do not think at all the worse of her for it as a woman, while she was immensely the better for it as an artist.

나는 그녀가 실제로 이런 즐거움을 누렸다고 생각하며, 그것이 한 여성으로서의 그녀를 결코 더 나쁘게 보이게 한다고 생각하지 않는 반면, 예술가로서의 그녀는 그로 인해 엄청나게 더 나은 존재가 되었다.

In respect of her art generally, Mr. Goldwin Smith has truly observed that "metaphor has been exhausted in depicting the perfection of it, combined with the narrowness of her field;" and he has justly added that we need not go beyond her own comparison to the art of a miniature painter.

그녀의 예술 전반에 관하여, 골드윈 스미스 씨는 "그녀의 분야가 협소함에도 불구하고 그 예술의 완벽함을 묘사하는 데 있어 은유가 이미 고갈되었다"고 정확히 지적했으며, 그는 우리가 세밀화 화가의 예술에 대한 그녀 자신의 비유를 넘어설 필요가 없다고 정당하게 덧붙였다.

To make this latter observation quite exact we must not use the term miniature in its restricted sense, and must think rather of Memling at one end of the history of painting and Meissonier at the other, than of Cosway or any of his kind.

이 후자의 관찰을 완전히 정확하게 하기 위해서는, 세밀화라는 용어를 그것의 제한적인 의미로 사용해서는 안 되며, 코즈웨이나 그와 유사한 화가들보다는, 회화 역사의 한쪽 끝에 있는 멤링과 다른 쪽 끝에 있는 메소니에를 떠올려야 한다.

Vocabulary

만약
man-yak — if, supposing that a condition is met
냉소주의가
naengso-juuiga — cynicism (subject marker attached)
반대편
bandae-pyeon — the opposite side or other side
대한
daehan — regarding, concerning, about something
인식
insik — recognition, awareness, perception of something
geu — that, the (demonstrative or article-like word)
아래에
arae-e — below, underneath a place or thing
숨겨진
sumgyeojin — hidden, concealed from view or awareness
용인된
yongin-doen — tolerated, accepted, permitted by society
감각
gamgak — sense, feeling, perception through the senses
동기란
donggi-ran — as for motive or motivation (topic marker)
거의
geoui — almost, nearly, for the most part
항상
hangsang — always, at all times, constantly
복합적이라는
bokhapjeok-iraneun — that it is complex, composite, or multifaceted
의식
uisik — consciousness, awareness, sense of something
그리고
geurigo — and, also, in addition to that
겉으로
geot-euro — on the surface, outwardly, in appearance
보이는
boineun — that appears, that is visible or seen
것이
geosi — thing that (nominalizer with subject marker)
실제
silje — reality, actuality, what truly exists
존재와
jonjae-wa — existence and, being together with something
동일하지
dongil-haji — not identical, not the same as something
않다는
anta-neun — that it is not (negation nominalizer)
인식을
insik-eul — awareness, perception (object marker attached)
의미한다면
uimihan-damyeon — if it means, supposing it signifies something
이것이
igeosi — this thing (subject marker attached)
냉소주의라면
naengso-juuiramyeon — if it is cynicism (conditional form)
어리석지
eoriseokji — not foolish, not stupid (negation form)
않은
aneun — that is not, modifier of negation
어리석은
eoriseok-eun — foolish, stupid, lacking good judgment
낙원
nagwon — paradise, an ideal or blissful place
속에서
sog-eseo — inside of, within a place or situation
살기를
salgi-reul — living (object marker, nominalized verb form)
원하지
wonhaji — not wanting, does not wish for something
않는
anneun — does not (present tense negation modifier)
자연과
jayeon-gwa — nature and, the natural world together with
세상과
sesang-gwa — the world and, society together with something
삶에
salm-e — in life, pertaining to life or living
지식을
jisik-eul — knowledge (object marker attached)
가진
gajin — having, possessing, who has something
모든
modeun — all, every, each one without exception
남녀는
namnyeo-neun — men and women (topic marker attached)
냉소주의자이다
naengso-juuija-ida — is a cynic, is a person with cynicism
그런
geureon — such, that kind of, in that manner
의미에서
uimi-eseo — in that sense, in that meaning or context
양은
yang-eun — Miss (honorific title for unmarried woman)
분명히
bunmyeonghi — clearly, obviously, without a doubt
냉소주의자였다
naengso-juuija-yeotda — was a cynic (past tense statement)
그녀는
geunyeo-neun — she (topic marker attached)
심지어
simjieo — even, going further than expected
deo — more, further, to a greater degree
나아간
naagan — advanced, went further, progressed beyond
의미에서도
uimi-eseodo — even in that sense or meaning too
su — possibility, ability, can (modal noun)
있는데
inneunde — there is, exists, but... (connective ending)
그것은
geugeot-eun — that thing (topic marker attached)
그녀
geunyeo — she, her (third-person female pronoun)
자신의
jasin-ui — one's own (possessive reflexive form)
작품
jakpum — work of art, literary or artistic creation
sok — inside, within, the interior of something
씨처럼
ssi-cheoreom — like Mr./Ms. (name), similar to someone
그녀가
geunyeo-ga — she (subject marker attached)
인물들과
inmul-deul-gwa — characters and, people together with others
비열한
biyeol-han — vile, despicable, mean-spirited in character
인물들을
inmul-deul-eul — characters (plural, object marker attached)
해부하고
haebu-hago — dissecting, anatomizing, and then continuing
드러내고
deureonae-go — exposing, revealing, and then continuing
활동하게
hwaldong-hage — to make active, causing to function or move
하는
haneun — doing, making, which does something
데서
de-seo — from the act of, in the place of doing
즐거움을
jeulgeou-meul — pleasure, enjoyment (object marker attached)
느꼈다는
neukkyet-da-neun — that she felt, that she experienced (past)
점에서
jeom-eseo — in the point that, in the aspect that
그러하다
geureohada — that is so, it is as described above
나는
na-neun — I (topic marker attached, first person)
실제로
silje-ro — actually, in reality, truly in fact
이런
ireon — this kind of, such as this type
누렸다고
nuryet-da-go — that she enjoyed, savored (reported past)
생각하며
saengak-hamyeo — thinking, while believing or considering
그것이
geugeosi — that thing (subject marker attached)
han — one, a single, as a (numeral/article)
여성으로서의
yeoseong-euroseouui — as a woman, in the capacity of female
그녀를
geunyeo-reul — her (object marker attached)
결코
gyeolko — never, by no means, absolutely not
나쁘게
nappeuge — badly, in a negative or unfavorable way
보이게
boige — to appear, to make look a certain way
한다고
handa-go — that it does, that it makes (reported speech)
생각하지
saengak-haji — not thinking, does not believe (negation)
않는
anneun — does not, present negation modifier
반면
banmyeon — on the other hand, while in contrast
예술가로서의
yesulga-roseouui — as an artist, in the role of creator
인해
inhae — due to, because of, as a result of
엄청나게
eomcheongnage — tremendously, enormously, to a huge degree
나은
naen — better, superior, improved over before
존재가
jonjae-ga — being, existence (subject marker attached)
되었다
doeeotda — became, turned into, resulted in something
그녀의
geunyeo-ui — her, belonging to her (possessive form)
예술
yesul — art, artistic work or creative expression
전반에
jeonban-e — throughout, overall, across the whole of
관하여
gwanhayeo — regarding, concerning, with respect to
씨는
ssi-neun — Mr./Ms. (honorific with topic marker)
그녀의
geunyeo-ui — her, belonging to her (possessive)
분야가
bunya-ga — field, domain, area (subject marker attached)
불구하고
bulguhago — despite, in spite of, regardless of
예술의
yesul-ui — of the art, belonging to artistic work
완벽함을
wanbyeoham-eul — perfection (object marker attached)
묘사하는
myosa-haneun — depicting, describing, portraying something
de — the act of, the place or point of doing
있어
isseo — in, at, there is (connective or locative)
은유가
eunyuga — metaphor (subject marker attached)
이미
imi — already, by now, previously exhausted
정확히
jeonghwakhi — exactly, precisely, accurately stated
지적했으며
jijeok-haesseumyeo — pointed out, noted, and furthermore stated
우리가
uri-ga — we (subject marker attached)
화가의
hwaga-ui — of the painter, belonging to the artist
비유를
biyu-reul — analogy, comparison (object marker attached)
넘어설
neomeosel — to exceed, surpass, go beyond something
필요가
piryo-ga — need, necessity (subject marker attached)
없다고
eopda-go — that there is no, that it does not exist
정당하게
jeongdanghage — justly, legitimately, in a fair manner
덧붙였다
deotbuchyeotda — added, appended, supplemented with a remark
i — this (demonstrative adjective)
후자의
huja-ui — of the latter, the second-mentioned one
관찰을
gwanchal-eul — observation (object marker attached)
완전히
wanjeonhi — completely, fully, entirely accurate
정확하게
jeonghwakhage — accurately, precisely, in an exact manner
하기
hagi — doing, in order to do (nominalized verb)
위해서는
wihaeseo-neun — in order to, for the purpose of something
용어를
yongeo-reul — term, terminology (object marker attached)
제한적인
jehan-jeok-in — limited, restricted, in a narrow sense
의미로
uimi-ro — in the meaning of, in the sense of
사용해서는
sayonghae-seo-neun — as for using, should not be used thus
an — not, do not (short negation form)
되며
doemyeo — should not, must not, and furthermore
그와
geu-wa — with that, and him, together with that
유사한
yusa-han — similar, analogous, resembling in nature
화가들보다는
hwaga-deul-bodaneun — rather than painters, compared to artists
회화
hoehwa — painting, pictorial art, fine art painting
역사의
yeoksa-ui — of history, belonging to historical record
한쪽
hanjjok — one side, one end, a particular direction
끝에
kkeut-e — at the end, at the tip of something
있는
inneun — that exists, which is located somewhere
다른
dareun — other, different, another one
jjok — side, direction, toward a certain end
떠올려야
tteoollryeoya — must call to mind, should think of
한다
handa — one should do, it is necessary to do
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