← The Adventures of Ferdinand Count Fathom — Complete

The Adventures of Ferdinand Count Fathom — Complete — Page 5

English → Korean Preface Level 8/10

The Mystery unfolded—Another Recognition, which, it is to be hoped, the Reader could not foresee

미스터리가 밝혀지다—또 다른 재회, 독자가 예측하지 못했기를 바라는

CHAPTER SIXTY-FIVE. A retrospective Link, necessary for the Concatenation of these Memoirs

제65장. 이 회고록의 연결을 위해 필요한 회고적 연결 고리

CHAPTER SIXTY-SIX. The History draws near a Period

제66장. 역사가 종말에 가까워지다

CHAPTER SIXTY-SEVEN. The Longest and the Last

제67장. 가장 길고 마지막인

ILLUSTRATIONS

삽화

Titlepage of Part One

1부 제목 페이지

Frontispiece of Part One

1부 권두 삽화

He Opened the Repository

그가 보관함을 열었다

Titlepage of Part Two

2부 제목 페이지

Frontispiece of Part Two

2부 권두 삽화

You Are the Count de Melvil

당신이 멜빌 백작이시군요

INTRODUCTION

서론

The Adventures of Ferdinand Count Fathom, Smollett's third novel, was given to the world in 1753.

스몰렛의 세 번째 소설인 『페르디난드 파덤 백작의 모험』은 1753년에 세상에 출판되었다.

Lady Mary Wortley Montagu, writing to her daughter, the Countess of Bute, over a year later [January 1st, 1755], remarked that "my friend Smollett . . has certainly a talent for invention, though I think it flags a little in his last work."

메리 워틀리 몬태규 부인은 1년여 후[1755년 1월 1일] 딸인 뷰트 백작 부인에게 편지를 쓰면서 "내 친구 스몰렛은 . . 분명히 창작의 재능이 있지만, 그의 마지막 작품에서는 그 재능이 다소 약해진 것 같다"고 언급했다.

Lady Mary was both right and wrong.

메리 부인의 말은 옳기도 하고 틀리기도 했다.

The inventive power which we commonly think of as Smollett's was the ability to work over his own experience into realistic fiction.

우리가 흔히 스몰렛의 것으로 생각하는 창작력은 자신의 경험을 사실주의 소설로 가공하는 능력이었다.

Of this, Ferdinand Count Fathom shows comparatively little.

이런 면에서 『페르디난드 파덤 백작』은 비교적 그런 면모를 거의 보여주지 않는다.

It shows relatively little, too, of Smollett's vigorous personality, which in his earlier works was present to give life and interest to almost every chapter, were it to describe a street brawl, a ludicrous situation, a whimsical character, or with venomous prejudice to gibbet some enemy.

이 작품은 스몰렛의 활기찬 개성 또한 비교적 거의 드러나지 않는데, 그의 초기 작품들에서 그 개성은 거리의 싸움이나 우스꽝스러운 상황, 기이한 인물을 묘사하거나 독기 어린 편견으로 어떤 적을 매달아 조리돌리는 장면이든 거의 모든 장에 생기와 흥미를 불어넣기 위해 존재했다.

Vocabulary

미스터리가
miseuteori-ga — mystery (subject marker attached)
밝혀지다
balkhyeojida — to be revealed, uncovered, or brought to light
tto — again; also; another
다른
dareun — different; another; other
재회
jaehoe — reunion; meeting again after separation
독자가
dokja-ga — reader (subject marker attached)
예측하지
yecheukaji — to predict (negative or conditional form)
바라는
baraneun — hoping; wishing; desiring
je — my; number (ordinal prefix)
회고록
hoegolog — memoir; written account of personal memories
연결
yeongyeol — connection; link; joining together
위해
wihae — for the sake of; in order to
필요한
piryohan — necessary; needed; required
회고적
hoegojeoк — retrospective; looking back on the past
연결 고리
yeongyeol gori — connecting link; bridge between two things
역사가
yeoksaga — historian; one who studies history
종말
jongmal — end; conclusion; apocalyptic finish
가까워지다
gakkaweojida — to draw near; to become closer
가장
gajang — most; the greatest degree
길고
gilgo — long; lengthy (connective form)
마지막인
majimag-in — being the last; final
삽화
saphwa — illustration; episode inserted in a narrative
1부
il-bu — Part One; first section of a work
제목
jemok — title; heading of a work
페이지
peiji — page; single side of a leaf
보관함
bogwanham — storage box; container for keeping items
열었다
yeoreotda — opened (past tense); unlocked something
2부
i-bu — Part Two; second section of a work
당신이
dangsin-i — you (subject marker); formal second person
백작
baekjak — count; earl; European noble title
서론
seoron — introduction; preface; opening argument
세 번째
se beonjjae — third; the number-three ordinal
소설인
soseol-in — being a novel; which is a novel
모험
moheom — adventure; daring experience or journey
출판되었다
chulpan-doeseotda — was published; came out in print
부인
buin — lady; madam; married woman of status
딸인
ttal-in — being a daughter; who is a daughter
편지를
pyeonji-reul — letter (object marker); written correspondence
쓰면서
sseumyeonseo — while writing; writing and simultaneously
친구
chingu — friend; close companion
분명히
bunmyeonghi — clearly; obviously; without doubt
창작
changjak — creative work; original literary creation
재능
jaeneung — talent; natural ability or gift
마지막
majimak — last; final; the very end
작품
jakpum — work; literary or artistic creation
다소
daso — somewhat; rather; to some extent
약해진
yakhaeijn — has weakened; become weaker
언급했다
eongeuphaetda — mentioned; referred to; brought up
흔히
heunhi — commonly; often; frequently
창작력
changjangnyeok — creative power; capacity for original creation
경험
gyeongheom — experience; personal encounter or event
사실주의
sasilluui — realism; literary style depicting truth faithfully
가공하는
gagonghaneun — processing; transforming raw material creatively
능력
neungnyeok — ability; capability; skill
비교적
bigyojeok — relatively; comparatively speaking
면모
myeonmo — aspect; characteristic feature; facet
보여주지
boyeojuji — does not show; failing to demonstrate
활기찬
halgichan — lively; energetic; full of vitality
개성
gaeseong — individuality; distinctive personal character
드러나지
deureonaji — does not appear; fails to emerge
초기
early period; initial stage
거리의
georui — of the street; street-level (possessive)
싸움
ssaum — fight; brawl; quarrel
우스꽝스러운
useukkangseureon — ridiculous; comically absurd; laughable
상황
sanghwang — situation; circumstance; state of affairs
기이한
giihan — strange; bizarre; peculiar
인물
inmul — character; person; figure in a narrative
묘사하거나
myosahageona — depicting or describing; portraying characters
어린
eorin — young; immature; also used as 'filled with'
편견
pyeongyeon — prejudice; bias; preconceived judgment
적을
jegeul — enemy (object marker); opponent
장면
jangmyeon — scene; moment; visual setting in narrative
생기
saenggi — vitality; liveliness; vibrant energy
흥미
heungmi — interest; fascination; engaging appeal
불어넣기
bureoneoкki — breathing into; infusing; instilling energy
존재했다
jonjaehаetda — existed; was present; had been there
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