← The Adventures of Ferdinand Count Fathom — Complete

The Adventures of Ferdinand Count Fathom — Complete — Page 10

English → Korean Preface Level 8/10

" The surprise will be greater than ever when the answer is given that, to a large extent, the plot makes Fathom interesting.

"줄거리가 상당 부분 파톰을 흥미롭게 만든다는 답이 주어질 때, 그 놀라움은 그 어느 때보다 클 것이다.

Yes, Smollett, hitherto indifferent to structure, has here written a story in which the plot itself, often clumsy though it may be, engages a reader's attention.

그렇다, 스몰렛은 지금까지 구조에 무관심했지만, 여기서 줄거리 자체가 종종 어설프더라도 독자의 주의를 끄는 이야기를 썼다.

One actually wants to know whether the young Count is ever going to receive consolation for his sorrows and inflict justice on his basely ungrateful pensioner.

독자는 실제로 그 젊은 백작이 자신의 슬픔에 대한 위안을 받고 비열하게 배은망덕한 연금 수급자에게 정의를 실현할 것인지 알고 싶어진다.

And when, finally, all turns out as it should, one is amazed to find how many of the people in the book have helped towards the designed conclusion.

그리고 마침내 모든 것이 마땅히 그래야 할 대로 밝혀질 때, 독자는 책 속의 얼마나 많은 인물들이 의도된 결말을 향해 기여했는지를 발견하고 놀라게 된다.

Not all of them, indeed, nor all of the adventures, are indispensable, but it is manifest at the end that much, which, for the time, most readers think irrelevant—such as Don Diego's history—is, after all, essential.

물론 그들 모두가, 또는 모든 모험이 반드시 필요한 것은 아니지만, 결말에 이르러서는 당시에 대부분의 독자들이 무관하다고 생각했던 많은 것들, 예컨대 돈 디에고의 역사가 결국 필수적이었음이 분명해진다.

It has already been said that in Count Fathom Smollett appears to some extent as a romanticist, and this is another fact which lends interest to the book.

『파톰 백작』에서 스몰렛이 어느 정도 낭만주의자로 나타난다는 것은 이미 언급된 바 있으며, 이것은 그 책에 흥미를 더하는 또 다른 사실이다.

That he had a powerful imagination is not a surprise.

그가 강력한 상상력을 지니고 있었다는 것은 놀라운 일이 아니다.

Any one versed in Smollett has already seen it in the remarkable situations which he has put before us in his earlier works.

스몰렛에 정통한 사람이라면 누구나 그의 초기 작품들에서 그가 우리 앞에 제시한 놀라운 상황들 속에서 이미 그것을 보았을 것이다.

These do not indicate, however, that Smollett possessed the imagination which could excite romantic interest; for in Roderick Random and in Peregrine Pickle, the wonderful situations serve chiefly to amuse.

그러나 이것들은 스몰렛이 낭만적인 흥미를 불러일으킬 수 있는 상상력을 지녔음을 나타내지는 않는다. 왜냐하면 『로더릭 랜덤』과 『페레그린 피클』에서 훌륭한 상황들은 주로 즐거움을 주는 데 기여하기 때문이다.

In Fathom, however, there are some designed to excite horror; and one, at least, is eminently successful.

그러나 『파톰』에서는 공포를 불러일으키도록 의도된 장면들이 있으며, 적어도 하나는 매우 성공적이다.

Vocabulary

줄거리가
julgeori-ga — The plot (subject marker attached) of a story
상당
sangdang — Considerable, significant amount or degree
부분
bubun — Part, section, or portion of something
흥미롭게
heungmiropge — In an interesting or engaging manner
만든다는
mandeundaneun — That (something) makes or creates something
답이
dabi — The answer or response (subject marker attached)
주어질
jueojil — That will be given or provided
ttae — Time, moment, or occasion when something occurs
geu — That, the; a demonstrative or article-like word
놀라움은
nollaum-eun — The surprise or amazement (topic marker attached)
어느
eoneu — Any, some, which; used before nouns
때보다
ttaeboda — Than any other time, more than ever
클 것이다
keul geosida — Will be large, great, or significant
그렇다
geureota — That is so, indeed, it is true
지금까지
jigeumkkaji — Until now, so far, up to this point
구조에
gujoe — To or regarding structure or construction
무관심했지만
mugwansimhaetjiman — Was indifferent or unconcerned, but nevertheless
여기서
yeogiseo — Here, at this place or point
줄거리
julgeori — Plot or storyline of a narrative work
자체가
jachaega — The thing itself (subject marker attached)
종종
jongjong — Often, frequently, from time to time
어설프더라도
eoseulpeudeorado — Even if clumsy, awkward, or rough
독자의
dokjaui — Of the reader, belonging to the reader
주의를
juuireul — Attention or caution (object marker attached)
끄는
kkeuneun — That attracts or draws (attention)
이야기를
iyagireul — Story or tale (object marker attached)
썼다
sseotda — Wrote, composed a piece of writing
독자는
dokjaneun — The reader (topic marker attached)
실제로
siljero — Actually, in reality, in practice
젊은
jeolmeun — Young, youthful in age
백작이
baekjagi — The count or earl (subject marker attached)
자신의
jasinui — One's own, belonging to oneself
슬픔에
seulpeume — To or regarding grief or sorrow
위안을
wianeul — Comfort or consolation (object marker attached)
비열하게
biyeolhage — In a despicable, mean, or base manner
배은망덕한
baeunmangdeokan — Ungrateful, showing ingratitude for received kindness
연금
yeongeum — Pension, annuity, or regular financial allowance
수급자에게
sugeupjaege — To or for a recipient or beneficiary
정의를
jeonguireul — Justice or righteousness (object marker attached)
실현할
silhyeonhal — To realize, achieve, or bring about
알고 싶어진다
algo sipeoijinda — Comes to want to know something
마침내
machimnae — Finally, at last, in the end
마땅히
mattanghi — Properly, rightly, as it should be
밝혀질
balkhyeojil — That will be revealed or uncovered
인물들이
inmuldeuri — The characters or figures (subject marker attached)
의도된
uidodoen — Intended, planned, or purposefully designed
결말을
gyeolmareul — The ending or conclusion (object marker attached)
향해
hyanghae — Toward, in the direction of something
발견하고
balgyeonhago — Discovering and; upon finding something out
놀라게 된다
nollage doenda — Comes to be surprised or astonished
물론
mullon — Of course, naturally, needless to say
모험이
moheomi — The adventure (subject marker attached)
반드시
bandeusi — Necessarily, surely, without fail
결말에
gyeolmare — At or to the ending or conclusion
이르러서는
ireureosweneun — Upon reaching, when arriving at a point
당시에
dangsie — At that time, in those days
대부분의
daebubunui — Of the majority, most of something
무관하다고
mugwanhada-go — That (something) is unrelated or irrelevant
생각했던
saenggakhaetdeon — That (someone) had thought or considered
예컨대
yeokeomdae — For example, for instance, such as
역사가
yeoksaga — The history or story (subject marker attached)
결국
gyeolguk — In the end, ultimately, after all
분명해진다
bunmyeonghaeijinda — Becomes clear or evident, grows obvious
정도
jeongdo — Degree, extent, or level of something
낭만주의자로
nangmanjuuijaro — As a romanticist, in the role of romantic
나타난다는
natanandaneun — That (someone) appears or is revealed as
이미
imi — Already, previously mentioned or noted
언급된
eongeupdon — Mentioned, referred to, brought up before
ba — Fact, thing, point that has been stated
흥미를
heungmireul — Interest or curiosity (object marker attached)
더하는
deohaneun — That adds to or increases something
또 다른
tto dareun — Yet another, one more different thing
사실이다
sasirida — It is a fact, it is true
강력한
gangnyeokan — Strong, powerful, forceful in nature
상상력을
sangsangnyeogeul — Imagination or creative power (object marker attached)
지니고 있었다는
jinigo isseotdaneun — That (someone) possessed or had something
놀라운
nollaun — Surprising, amazing, astonishing
정통한
jeongtonghan — Expert in, well-versed or deeply familiar with
누구나
nuguna — Anyone, everyone, whoever it may be
초기
chogi — Early period, initial stage or beginning
작품들에서
jakpumdeureseo — In or from the works or pieces
제시한
jesihan — Presented, proposed, or put forward
상황들
sanghwangdeul — Situations, circumstances, or conditions (plural)
보았을
boasseul — Would have seen or observed something
낭만적인
nangmanjeoin — Romantic, evoking romance or sentiment
불러일으킬
bulleo-ireuikil — To evoke, arouse, or stir up feelings
나타내지는 않는다
natanaejineun anneunda — Does not indicate or show something
왜냐하면
waenyahamyeon — Because, the reason being that
훌륭한
hullyunghan — Excellent, outstanding, splendid, admirable
주로
juro — Mainly, primarily, for the most part
즐거움을
jeulgeoumeul — Pleasure or enjoyment (object marker attached)
기여하기 때문이다
giyeohagi ttaemunida — It is because (they) contribute to something
공포를
gongporeul — Fear or terror (object marker attached)
불러일으키도록
bulleo-ireuikidorok — So as to evoke or arouse fear
장면들이
jangmyeondeuri — The scenes or settings (subject marker attached)
적어도
jeogeodo — At least, at the minimum
매우
maeu — Very, extremely, highly
성공적이다
seonggongjeogida — Is successful, achieves its intended aim
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