← The Adventures of Ferdinand Count Fathom — Complete

The Adventures of Ferdinand Count Fathom — Complete — Page 11

English → Korean Preface Level 8/10

The hero's night in the wood between Bar-le-duc and Chalons was no doubt more blood-curdling to our eighteenth-century ancestors than it is to us, who have become acquainted with scores of similar situations in the small number of exciting romances which belong to literature, and in the greater number which do not.

바르르뒤크와 샬롱 사이의 숲에서 영웅이 보낸 밤은, 문학에 속하는 소수의 흥미진진한 로맨스들과 그보다 더 많은 수의 문학에 속하지 않는 작품들 속에서 수십 가지의 유사한 상황들에 익숙해진 우리보다, 18세기의 우리 선조들에게 훨씬 더 오싹하게 느껴졌을 것임에 틀림없다.

Still, even to-day, a reader, with his taste jaded by trashy novels, will be conscious of Smollett's power, and of several thrills, likewise, as he reads about Fathom's experience in the loft in which the beldame locks him to pass the night.

그럼에도 불구하고, 오늘날에도, 저질 소설들로 인해 취향이 무뎌진 독자라도, 노파가 그를 가두어 밤을 보내게 한 다락방에서의 패덤의 경험을 읽으면서 스몰렛의 필력과 여러 가지 전율을 느끼게 될 것이다.

This situation is melodramatic rather than romantic, as the word is used technically in application to eighteenth and nineteenth-century literature.

이 상황은 18세기와 19세기 문학에 기술적으로 적용되는 의미에서의 낭만적이라기보다는 멜로드라마적이다.

There is no little in Fathom, however, which is genuinely romantic in the latter sense.

그러나 『패덤』에는 후자의 의미에서 진정으로 낭만적인 요소가 적지 않다.

Such is the imprisonment of the Countess in the castle-tower, whence she waves her handkerchief to the young Count, her son and would-be rescuer.

그 예로, 성탑에 갇힌 백작 부인이 그녀의 아들이자 구출자가 되고자 하는 젊은 백작을 향해 손수건을 흔드는 장면이 있다.

And especially so is the scene in the church, when Renaldo (the very name is romantic) visits at midnight the supposed grave of his lady-love.

그리고 특히 레날도(그 이름 자체가 낭만적이다)가 한밤중에 그의 연인의 것으로 여겨지는 무덤을 찾아가는 교회 장면이 그러하다.

While he was waiting for the sexton to open the door, his "soul . . was wound up to the highest pitch of enthusiastic sorrow.

그가 교회지기가 문을 열어주기를 기다리는 동안, 그의 "영혼은 . . 열렬한 슬픔의 최고조에까지 고양되어 있었다.

The uncommon darkness, . . the solemn silence, and lonely situation of the place, conspired with the occasion of his coming, and the dismal images of his fancy, to produce a real rapture of gloomy expectation, which the whole world could not have persuaded him to disappoint.

비범한 어둠과 . . 엄숙한 정적, 그리고 그 장소의 고독한 분위기가, 그가 그곳을 찾은 이유 및 그의 상상 속의 음울한 이미지들과 어우러져, 온 세상도 그로 하여금 저버리도록 설득할 수 없었을 진정한 음울한 기대의 황홀경을 자아냈다.

Vocabulary

사이의
saie-ui — Between two places or things
숲에서
supe-eseo — In or from the forest
영웅이
yeong-ung-i — A hero; subject marker attached
보낸
bonaen — Sent or spent time somewhere
밤은
bam-eun — The night; topic marker attached
문학에
munhage — In literature; relating to written works
속하는
sokaneun — Belonging to a category or group
소수의
sosu-ui — Of a small number; minority
흥미진진한
heungmijinjinhan — Thrilling, exciting, or very interesting
로맨스들과
romaenseudeulgwa — Romances; literary romantic works and others
그보다
geuboda — More than that; compared to it
deo — More; to a greater degree
많은
maneun — Many; a large number or amount
수의
su-ui — Of the number; quantity-related
속하지
sokaji — Not belonging to a group or category
않는
anneun — Does not; negation modifier for verbs
작품들
jakpumdeul — Works; literary or artistic creations, plural
속에서
sogесо — Inside; within something
수십
susiп — Dozens; tens of something
가지의
gaji-ui — Of kinds or types; varieties
유사한
yusahan — Similar; resembling something else
상황들에
sanghwangdeure — In various situations or circumstances
익숙해진
iksukhaejin — Having become accustomed or familiar with
우리보다
uriboda — More than us; compared to us
우리
uri — We; our; first person plural pronoun
선조들에게
seonjodeulege — To our ancestors; forebears
훨씬
hwolssin — Much more; by far; considerably
오싹하게
ossakhage — In a chilling or creepy manner
느껴졌을
neukkkyeojyeosseul — Would have been felt; past conjecture
것임에
geosiмe — It being the case that; conjecture marker
틀림없다
teullimeopda — Certainly; without doubt; must be true
그럼에도
geureomedo — Nevertheless; even so; despite that
불구하고
bulguhago — In spite of; regardless of; notwithstanding
오늘날에도
oneulnaredo — Even today; in the present day still
저질
jeojil — Low quality; inferior; poor grade
소설들로
soseoideulro — By means of novels; through fiction works
인해
inhae — Due to; because of; owing to
취향이
chwihyang-i — Taste; preference; personal inclination
무뎌진
mudyeojin — Blunted; dulled; become less sensitive
독자라도
Even a reader; any reader at all
노파가
nopaga — An old woman; elderly female subject
그를
geureul — Him; third person male object pronoun
가두어
gadueo — Confining; locking someone in a place
밤을
bameul — The night; object marker attached
보내게
bonaege — To make someone spend time somewhere
han — One; caused; done; a certain
다락방에서의
darakbang-eseoui — Of or in the attic room
경험을
gyeongheomeul — Experience; object marker attached
읽으면서
ilgeumyeonseo — While reading; simultaneously reading
필력과
pillyeokgwa — Writing skill or power; literary craft and
여러
yeoreo — Various; several; multiple kinds
가지
gaji — Kind; type; sort of something
전율을
jeonyureul — Thrill; shudder; shiver of excitement
느끼게
neukkige — To make someone feel; causing a feeling
doel — Will become; future tense modifier
것이다
geosida — It is the case; assertive sentence ending
i — This; a demonstrative pronoun or article
상황은
sanghwangeun — The situation; topic marker attached
기술적으로
gisuljeoguro — Technically; in a technical sense
적용되는
jeogyongdoeneun — Being applied; applicable in context
의미에서의
uimi-eseoui — In the sense of; meaning-wise
낭만적이라기보다는
nangmanjeogiragiboдaneun — Rather than being romantic; contrasting term
멜로드라마적이다
mellodeurama-jeogyida — Is melodramatic; overly dramatic in style
그러나
geureona — However; but; nevertheless
후자의
huja-ui — Of the latter; the second of two
의미에서
uimi-eseo — In the meaning of; in the sense of
진정으로
jinjeongeuro — Truly; genuinely; sincerely
낭만적인
nangmanjeоgin — Romantic; having romantic qualities
요소가
yosoga — Elements; factors; subject marker attached
적지
jeokji — Not few; not small in number
않다
anta — Is not; negation verb ending
geu — That; the; third person pronoun
예로
yero — As an example; for instance
성탑에
seongtabe — In the castle tower; fortress tower location
갇힌
gachin — Trapped; confined; locked inside
백작
baekjak — Count; earl; aristocratic title
부인이
buin-i — Countess or lady; subject marker attached
그녀의
geunyeo-ui — Her; possessive of third person female
아들이자
adeul-ija — As her son; being the son and also
구출자가
guchuljakа — Rescuer; one who saves another person
되고자
doegoja — Wanting to become; aspiring to be
하는
haneun — Doing; who does; present tense modifier
젊은
jeolmeun — Young; youthful in age
백작을
baekjageul — The count; object marker attached
향해
hyanghae — Toward; in the direction of
손수건을
sonsugеoneul — A handkerchief; object marker attached
흔드는
heundeuneun — Waving; shaking something
장면이
jangmyeon-i — A scene; moment; subject marker attached
있다
itda — There is; exists; to have
그리고
geurigo — And; also; furthermore
특히
teuki — Especially; particularly; in particular
이름
ireum — Name; a person's or thing's name
자체가
jachega — Itself; the very thing itself
낭만적이다
nangmanjeogida — Is romantic; has a romantic quality
ga — Subject marker particle attached to noun
한밤중에
hanbamjunge — In the middle of the night; midnight
그의
geu-ui — His; possessive of third person male
연인의
yeonin-ui — Of a lover; belonging to one's beloved
것으로
geoseuro — As something; considered to be; toward
여겨지는
yeogyeojineun — Being considered or regarded as something
무덤을
mudeoмeul — A grave; tomb; object marker attached
찾아가는
chajaganeun — Going to visit; heading toward a place
교회
gyohoe — A church; Christian place of worship
그러하다
geureohada — It is so; that is the case
교회지기가
gyohoejigiga — The church caretaker; sexton subject marker
문을
muneul — The door; object marker attached
열어주기를
yeoreojugireul — Opening for someone; act of letting in
기다리는
gidarineun — Waiting; while waiting for something
동안
dongan — During; while; for a period of time
영혼은
yeonghoneun — The soul; spirit; topic marker attached
열렬한
yeollyeolhan — Passionate; fervent; ardent feeling
슬픔의
seulpeum-ui — Of sadness; belonging to grief or sorrow
최고조에까지
choegojoekaji — Up to the highest point; to its peak
고양되어
goangdoeeo — Elevated; lifted up; raised in intensity
있었다
isseotda — Was; existed; past tense of to be
비범한
bibeomhan — Extraordinary; exceptional; out of the ordinary
어둠과
eodum-gwa — Darkness and; gloom with conjunction
엄숙한
eomsuкhan — Solemn; grave; deeply serious in atmosphere
정적
jeongjеok — Silence; stillness; quiet calm
장소의
jangso-ui — Of the place; belonging to the location
고독한
godokhan — Lonely; solitary; isolated feeling
분위기가
bunwigi-ga — The atmosphere; ambiance; subject marker
그곳을
geugoseul — That place; object marker attached
찾은
chajeun — Having visited; found; came to a place
이유
iyu — Reason; cause; why something happened
mit — And; as well as; in addition to
상상
sangsang — Imagination; mental imagery; fantasy
속의
sog-ui — Inside; within; belonging to the interior
음울한
eumulhan — Gloomy; melancholy; dark and depressing
이미지들과
imijideulgwa — Images and; mental pictures with conjunction
어우러져
eoureojyeo — Blending together; harmonizing; intermingling
on — All; entire; whole; every
세상도
sesangdo — Even the world; the whole world too
그로
geuro — Him; by means of him; through that
하여금
hayeogeum — Making someone do; causing someone to act
저버리도록
jeobeorodorok — To abandon; to forsake completely
설득할
seoldeukhal — To persuade; convince; future tense modifier
su — Ability; possibility; can do something
없었을
eopseosseul — Would not have existed; could not have
진정한
jinjеonghan — True; genuine; authentic feeling or state
기대의
gidae-ui — Of anticipation; belonging to expectation
황홀경을
hwanholgyeongeul — Ecstasy; rapture; state of intense delight
자아냈다
jaaenaetda — Evoked; brought forth; produced a feeling
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