← The Adventures of Ferdinand Count Fathom — Complete

The Adventures of Ferdinand Count Fathom — Complete — Page 12

English → Korean Preface Level 8/10

The clock struck twelve, the owl screeched from the ruined battlement, the door was opened by the sexton, who, by the light of a glimmering taper, conducted the despairing lover to a dreary aisle, and stamped upon the ground with his foot, saying, 'Here the young lady lies interred.'"

시계가 열두 시를 알렸고, 올빼미가 허물어진 흉벽에서 날카롭게 울었으며, 문은 교회지기에 의해 열렸는데, 그는 희미하게 깜박이는 촛불의 빛을 이용하여 절망에 빠진 연인을 음산한 통로로 안내하고는 발로 땅을 구르며 말했다. '여기에 그 젊은 여인이 묻혀 있습니다.'"

We have here such an amount of the usual romantic machinery of the "grave-yard" school of poets—that school of which Professor W. L. Phelps calls Young, in his Night Thoughts, the most "conspicuous exemplar"—that one is at first inclined to think Smollett poking fun at it.

여기서 우리는 소위 "묘지" 파 시인들의 전형적인 낭만적 장치를 상당량 접하게 되는데, 이 유파에 대해 W. L. 펠프스 교수는 영(Young)이 그의 《밤의 상념》에서 가장 "두드러진 전형"이라고 칭한 바 있으며, 처음에는 스몰렛이 이를 비웃고 있는 것이라고 생각하기 쉽다.

The context, however, seems to prove that he was perfectly serious.

그러나 문맥을 살펴보면, 그가 지극히 진지했음을 알 수 있다.

It is interesting, then, as well as surprising, to find traces of the romantic spirit in his fiction over ten years before Walpole's Castle of Otranto.

그렇다면 월폴의 《오트란토 성》보다 십 년도 더 전에 쓰인 그의 소설에서 낭만주의적 정신의 흔적을 발견하는 것은 흥미로운 동시에 놀라운 일이다.

It is also interesting to find so much melodramatic feeling in him, because it makes stronger the connection between him and his nineteenth-century disciple, Dickens.

또한 그에게서 이토록 많은 멜로드라마적 감성을 발견하는 것도 흥미롭다. 그것이 그와 그의 19세기 계승자인 디킨스 사이의 연관성을 더욱 강하게 해주기 때문이다.

From all that I have said, it must not be thought that the usual Smollett is always, or almost always, absent from Count Fathom.

지금까지 내가 말한 것들로 인해, 평소의 스몰렛이 《파덤 백작》에서 항상, 혹은 거의 항상 부재한다고 생각해서는 안 된다.

I have spoken of the dedication and of the opening chapters as what we might expect from his pen.

나는 헌사와 서두 장들에 대해, 그의 펜에서 기대할 수 있는 것으로 언급한 바 있다.

There are, besides, true Smollett strokes in the scenes in the prison from which Melvil rescues Fathom, and there is a good deal of the satirical Smollett fun in the description of Fathom's ups and downs, first as the petted beau, and then as the fashionable doctor.

그 외에도, 멜빌이 파덤을 구해내는 감옥 장면에는 진정한 스몰렛다운 필치가 있으며, 파덤의 부침을 묘사하는 부분—처음에는 귀여움 받는 멋쟁이로, 그다음에는 유행을 따르는 의사로—에는 풍자적인 스몰렛식 재치가 상당히 담겨 있다.

Vocabulary

시계가
si-gye-ga — clock (subject marker attached)
열두
yeol-du — the number twelve
시를
si-reul — o'clock (object marker attached)
알렸고
al-ryeot-go — announced or signaled, and then
올빼미가
ol-ppae-mi-ga — owl (subject marker attached)
허물어진
heo-mu-reo-jin — crumbled, collapsed, or fallen apart
흉벽에서
hyung-byeok-e-seo — from the battlement or parapet
날카롭게
nal-ka-rop-ge — sharply, in a piercing manner
울었으며
u-reot-eu-myeo — cried or screeched, and furthermore
문은
mu-neun — the door (topic marker attached)
교회지기에
gyo-hoe-ji-gi-e — to or by the church caretaker/sexton
의해
ui-hae — by means of, by (passive agent marker)
열렸는데
yeol-ryeot-neun-de — was opened, and (background context)
그는
geu-neun — he (topic marker attached)
희미하게
hwi-mi-ha-ge — dimly, faintly, indistinctly
깜박이는
kkam-bak-i-neun — flickering, blinking repeatedly
촛불의
chot-bul-eui — of the candle flame (possessive)
빛을
bit-eul — light (object marker attached)
이용하여
i-yong-ha-yeo — by using, by making use of
절망에
jeol-mang-e — in despair, into desperation
빠진
ppa-jin — fallen into, immersed in (state)
연인을
yeon-in-eul — the lover (object marker attached)
음산한
eum-san-han — gloomy, dreary, eerie, sinister
통로로
tong-ro-ro — through the passage or corridor
안내하고는
an-nae-ha-go-neun — having guided or led, and then
발로
bal-lo — with one's foot
땅을
ttang-eul — the ground (object marker attached)
구르며
gu-reu-myeo — stamping or rolling, while doing so
말했다
mal-haet-da — said, spoke (past tense)
여기에
yeo-gi-e — here, in this place
geu — that, the (determiner)
젊은
jeol-meun — young, youthful
여인이
yeo-in-i — the woman (subject marker attached)
묻혀
mu-chyeo — buried, interred
있습니다
it-seum-ni-da — is/are (formal polite ending)
여기서
yeo-gi-seo — here, from this point
우리는
u-ri-neun — we (topic marker attached)
소위
so-wi — so-called, what is termed
묘지
myo-ji — graveyard, cemetery
pa — school, faction, group
시인들의
si-in-deul-eui — of the poets (possessive plural)
전형적인
jeon-hyeong-jeo-gin — typical, archetypal, representative
낭만적
nang-man-jeok — romantic, idealistic in style
장치를
jang-chi-reul — device or technique (object marker)
상당량
sang-dang-ryang — a considerable amount, a good deal
접하게
jeop-ha-ge — to encounter, to come across
되는데
doe-neun-de — becomes, and (background clause ending)
i — this (demonstrative determiner)
유파에
yu-pa-e — regarding this school or movement
대해
dae-hae — about, concerning, regarding
교수는
gyo-su-neun — the professor (topic marker attached)
밤의
bam-eui — of the night (possessive)
상념
sang-nyeom — thoughts, musings, contemplation
가장
ga-jang — most, the most (superlative adverb)
두드러진
du-deu-reo-jin — outstanding, prominent, conspicuous
전형
jeon-hyeong — archetype, typical example, model
이라고
i-ra-go — called, referred to as (quotation)
칭한
ching-han — called, named, designated (past)
ba — fact that, thing that (nominalizer)
있으며
it-eu-myeo — exists, and; furthermore (connective)
처음에는
cheo-eum-e-neun — at first, initially
이를
i-reul — this (object marker attached)
비웃고
bi-ut-go — mocking, ridiculing, and then
있는
it-neun — existing, being (present participle)
것이라고
geo-si-ra-go — that it is (quotation nominalizer)
생각하기
saeng-gak-ha-gi — to think, thinking (nominalized verb)
쉽다
swip-da — is easy, is simple
그러나
geu-reo-na — however, but, nevertheless
문맥을
mun-maek-eul — context (object marker attached)
살펴보면
sal-pyeo-bo-myeon — if one examines or looks carefully
그가
geu-ga — he (subject marker attached)
지극히
ji-geuk-i — extremely, utterly, to the utmost
진지했음을
jin-ji-haet-eum-eul — that he was serious (nominalized past)
al — to know (verb stem form)
su — ability, possibility (bound noun)
있다
it-da — to exist, to be, to have
그렇다면
geu-reo-ta-myeon — if that is so, in that case then
seong — castle, fortress
보다
bo-da — than, compared to (comparative)
sip — ten (number)
년도
nyeon-do — even a year (emphatic particle)
deo — more, further, additionally
전에
jeon-e — before, prior to (time marker)
쓰인
sseu-in — written, composed (passive past)
소설에서
so-seol-e-seo — in the novel, from the novel
낭만주의적
nang-man-ju-eui-jeok — of a Romantic movement character
정신의
jeong-sin-eui — of the spirit or mind (possessive)
흔적을
heun-jeok-eul — traces, vestiges (object marker)
발견하는
bal-gyeon-ha-neun — discovering, finding (present participle)
것은
geo-seun — the thing that (topic nominalized)
흥미로운
heung-mi-ro-un — interesting, fascinating, intriguing
동시에
dong-si-e — at the same time, simultaneously
놀라운
nol-la-un — surprising, astonishing, remarkable
일이다
il-i-da — it is a matter or affair (formal)
또한
tto-han — also, in addition, furthermore
그에게서
geu-e-ge-seo — from him, originating from him
이토록
i-to-rok — this much, to this extent, so very
많은
man-eun — many, much, a lot of
멜로드라마적
mel-lo-deu-ra-ma-jeok — melodramatic in quality or style
감성을
gam-seong-eul — sensibility, emotion (object marker)
것도
geot-do — the fact that (also, even)
흥미롭다
heung-mi-rop-da — is interesting, is intriguing
그것이
geu-geo-si — that, it (subject marker attached)
그와
geu-wa — with him, him and (connective)
세기
se-gi — century (historical time period)
계승자인
gye-seung-ja-in — who is the successor or heir
사이의
sa-i-eui — between, among (possessive connector)
연관성을
yeon-gwan-seong-eul — connection, relationship (object marker)
더욱
deo-uk — even more, further, increasingly
강하게
gang-ha-ge — strongly, powerfully, firmly
해주기
hae-ju-gi — doing (something) for someone (nominalized)
때문이다
ttae-mun-i-da — it is because of, it is due to
지금까지
ji-geum-kka-ji — up to now, until now, so far
내가
nae-ga — I (subject marker attached, informal)
말한
mal-han — said, spoken (past attributive form)
것들로
geot-deul-lo — by these things (plural instrumental)
인해
in-hae — due to, because of, owing to
평소의
pyeong-so-eui — of ordinary times, usual (possessive)
백작
baek-jak — count, earl (noble title)
항상
hang-sang — always, at all times
혹은
hok-eun — or, alternatively
거의
geo-eui — almost, nearly, mostly
부재한다고
bu-jae-han-da-go — that (he) is absent (quotation form)
생각해서는
saeng-gak-hae-seo-neun — by thinking that, as for assuming
an — not, do not (negation before verb)
된다
doen-da — must not, should not (prohibition)
나는
na-neun — I (topic marker attached, informal)
헌사와
heon-sa-wa — dedication and (connective particle)
서두
seo-du — introduction, opening, preface
장들에
jang-deul-e — in the chapters (plural locative)
펜에서
pen-e-seo — from the pen, from the writing
기대할
gi-dae-hal — to expect, to anticipate (future form)
것으로
geo-seu-ro — as something, in the way of (connector)
언급한
eon-geup-han — mentioned, referred to (past attributive)
외에도
oe-e-do — in addition to, besides, apart from
구해내는
gu-hae-nae-neun — rescuing, saving (present participle)
감옥
gam-ok — prison, jail
장면에는
jang-myeon-e-neun — in the scene (topic locative marker)
진정한
jin-jeong-han — true, genuine, authentic
필치가
pil-chi-ga — writing touch, penmanship (subject marker)
부침을
bu-chim-eul — ups and downs, vicissitudes (object)
묘사하는
myo-sa-ha-neun — describing, depicting (present participle)
부분
bu-bun — part, section, portion
귀여움
gwi-yeo-um — cuteness, being adored or pampered
받는
bat-neun — receiving, being given (present form)
멋쟁이로
meot-jaeng-i-ro — as a dandy or stylish person
그다음에는
geu-da-eum-e-neun — after that, next (topic marked)
유행을
yu-haeng-eul — trend, fashion (object marker)
따르는
tta-reu-neun — following, conforming to (present form)
의사로
eui-sa-ro — as a doctor or physician
에는
e-neun — in/at (location topic marker combined)
풍자적인
pung-ja-jeok-in — satirical, ironic in nature
재치가
jae-chi-ga — wit, cleverness (subject marker attached)
상당히
sang-dang-hi — considerably, quite, fairly much
담겨
dam-gyeo — contained, held within, embedded
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