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The Odyssey: Rendered into English prose for the use of those who cannot read the original — Page 9

English → Korean Preface Level 6/10

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Other difficulties will also disappear as soon as the development of the poem in the writer's mind is understood.

작가의 마음속에서 시가 발전하는 과정이 이해되는 순간, 다른 어려움들도 사라질 것이다.

I have dealt with this at some length in pp. 251-261 of "The Authoress of the Odyssey".

나는 이 문제를 『오디세이의 여성 작가』 251-261쪽에서 어느 정도 상세히 다루었다.

Briefly, the "Odyssey" consists of two distinct poems: (1) The Return of Ulysses, which alone the Muse is asked to sing in the opening lines of the poem.

간략히 말하자면, 『오디세이』는 두 개의 뚜렷이 구분되는 시로 이루어져 있다. (1) 율리시스의 귀환으로, 시의 첫 행에서 뮤즈에게 노래하도록 요청받는 것은 오직 이 시뿐이다.

This poem includes the Phaeacian episode, and the account of Ulysses' adventures as told by himself in Books ix.-xii.

이 시에는 파이아케스인들의 이야기와, 율리시스가 제9권에서 제12권에 걸쳐 직접 이야기하는 자신의 모험담이 포함된다.

It consists of lines 1-79 (roughly) of Book i., of line 28 of Book v., and thence without intermission to the middle of line 187 of Book xiii., at which point the original scheme was abandoned.

이 시는 제1권의 1-79행(대략), 제5권의 28행, 그리고 거기서부터 중단 없이 제13권 187행의 중간까지로 이루어지며, 바로 그 지점에서 원래의 구상이 포기되었다.

(2) The story of Penelope and the suitors, with the episode of Telemachus' voyage to Pylos.

(2) 페넬로페와 구혼자들의 이야기, 그리고 텔레마코스의 필로스 항해 이야기.

Vocabulary

작가의
jakgaui — belonging to or of the author/writer
마음속에서
maeumsogeso — from within the heart or mind
시가
siga — poem; subject marker attached to 시
발전하는
baljeonhaneun — developing, progressing, or advancing
과정이
gwajeong-i — process or course of something
이해되는
ihaedoeneun — being understood or comprehended
순간
sungan — moment; an instant in time
다른
dareun — other; different from something else
어려움들도
eoryeoumdeuldo — difficulties or hardships, also/too
사라질
sarajil — will disappear or vanish
것이다
geosida — it will be; expresses future certainty
나는
naneun — I; first-person subject pronoun
i — this; demonstrative pronoun for nearby things
문제를
munjereul — problem or issue (object marker attached)
여성
yeoseong — woman; female gender
작가
jakga — author, writer, or artist
쪽에서
jjogeseo — on page; at a certain page location
어느
eoneu — some; a certain (unspecified) one
정도
jeongdo — degree, extent, or level of something
상세히
sangsehee — in detail; thoroughly and specifically
다루었다
darueotda — dealt with or handled a topic
간략히
gallyakhi — briefly; in a concise manner
말하자면
malhajamyeon — to put it briefly; in other words
du — two; the number 2
개의
gaeui — of (a number of) units or items
뚜렷이
tteuryeoti — clearly; distinctly visible or apparent
구분되는
gubundoeneun — being divided or distinguished from each other
시로
siro — as a poem; into poem form
이루어져
irueojyeo — composed of; made up of parts
있다
itda — to exist; to be present or composed
귀환으로
gwihwaneuro — with or by the return homeward
시의
siui — of the poem; possessive form of 시
cheot — first; the very beginning one
행에서
haengeseo — from the line (of a poem or text)
노래하도록
noraehadorok — so as to sing; requesting to sing
요청받는
yocheongbadneun — being requested or asked to do something
것은
geoseun — the thing that; nominalizer with topic marker
오직
ojik — only; solely and nothing else
시뿐이다
sippunida — it is only the poem; nothing but poetry
시에는
sieneun — in the poem; topic marker on poem
이야기와
iyagwa — story or tale, with/and conjunction
je — ordinal prefix meaning 'number' or 'the nth'
권에서
gweoneseo — from/in a volume or book number
걸쳐
geolchyeo — spanning across; extending over a range
직접
jikjeop — directly; in person or firsthand
이야기하는
iyagihaneun — narrating or telling a story
자신의
jashinui — one's own; belonging to oneself
모험담이
moheomdam-i — adventure story or tale (subject marker)
포함된다
pohamdoenda — is included; is contained within
시는
sineun — the poem (topic marker); as for the poem
권의
gwonui — of a volume; possessive for book number
haeng — line (of text or poetry)
대략
daeryak — approximately; roughly around a number
그리고
geurigo — and; also; connecting two clauses
거기서부터
geogiseobuteo — from there; starting from that point
중단
jungdan — interruption; pause or stoppage
없이
eopsi — without; in the absence of something
중간까지로
junggankkajiро — up to the middle of something
이루어지며
irueojimyeo — is composed of; while being made up
바로
baro — right; exactly; directly at that point
geu — that; the; a demonstrative or definite article
지점에서
jijeomeseo — at that point or location in text
원래의
wollaeeui — original; of the initial plan or concept
구상이
gusang-i — conception or plan (subject marker attached)
포기되었다
pogidoeeotda — was abandoned or given up on
이야기
iyagi — story, tale, or narrative
항해
hanghae — voyage or navigation by sea
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