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The Republic — Page 13

English → Korean INTRODUCTION AND ANALYSIS. Level 9/10

Now in ancient writings, and indeed in literature generally, there remains often a large element which was not comprehended in the original design.

이제 고대 저작들에서, 그리고 실제로 문학 일반에서, 원래의 설계에 포함되지 않았던 커다란 요소가 종종 남아 있다.

For the plan grows under the author's hand; new thoughts occur to him in the act of writing; he has not worked out the argument to the end before he begins.

왜냐하면 계획은 저자의 손 아래에서 성장하기 때문이다. 글을 쓰는 행위 중에 새로운 생각들이 그에게 떠오른다. 그는 시작하기 전에 논거를 끝까지 다듬어 놓지 않는다.

The reader who seeks to find some one idea under which the whole may be conceived, must necessarily seize on the vaguest and most general.

전체가 그 아래에서 파악될 수 있는 어떤 하나의 관념을 찾으려는 독자는, 필연적으로 가장 모호하고 가장 일반적인 것에 집착하게 된다.

Thus Stallbaum, who is dissatisfied with the ordinary explanations of the argument of the Republic, imagines himself to have found the true argument 'in the representation of human life in a State perfected by justice, and governed according to the idea of good.'

그리하여 스탈바움은 『국가』의 논거에 대한 통상적인 설명에 불만을 품고, '정의에 의해 완성되고 선의 이념에 따라 통치되는 국가 안에서의 인간 삶의 표현'에서 진정한 논거를 발견했다고 스스로 생각한다.

There may be some use in such general descriptions, but they can hardly be said to express the design of the writer.

그러한 일반적인 서술들이 어느 정도 유용할 수는 있지만, 그것들이 저자의 설계를 표현한다고는 거의 말할 수 없다.

The truth is, that we may as well speak of many designs as of one; nor need anything be excluded from the plan of a great work to which the mind is naturally led by the association of ideas, and which does not interfere with the general purpose.

진실은, 우리가 하나의 설계에 대해 말하는 것만큼이나 여러 설계들에 대해 말할 수 있다는 것이다. 또한 관념들의 연상에 의해 마음이 자연스럽게 이끌리며 전반적인 목적을 방해하지 않는 것은 위대한 작품의 계획에서 배제될 필요가 없다.

What kind or degree of unity is to be sought after in a building, in the plastic arts, in poetry, in prose, is a problem which has to be determined relatively to the subject-matter.

건축에서, 조형 예술에서, 시에서, 산문에서 어떤 종류 혹은 어느 정도의 통일성이 추구되어야 하는가는, 주제에 상대적으로 결정되어야 하는 문제이다.

Vocabulary

이제
ije — now, at this point in time
고대
godae — ancient times, antiquity
그리고
geurigo — and, and then, also
실제로
siljero — actually, in reality, in practice
문학
munhak — literature, literary arts
원래의
wollaeui — original, of the original form
커다란
keodaran — large, big, significant in size
요소가
yosoga — element or factor (subject marker)
종종
jongjong — often, frequently, from time to time
남아
nama — remaining, left behind, staying
있다
itda — to exist, to be present, to have
왜냐하면
waenyahamyeon — because, the reason being that
계획은
gyehoekeun — the plan or scheme (topic marker)
저자의
jeojaui — of the author, belonging to the writer
son — hand; also means under one's care
아래에서
araeseo — under, beneath, below something
성장하기
seongjjanghagi — to grow, to develop, growing
때문이다
ttaemunida — it is because of, due to the reason
글을
geureul — writing, text (object marker)
쓰는
sseuneun — writing, that which one writes
행위
haengwi — act, action, deed, conduct
중에
junge — during, in the middle of, among
새로운
saeroun — new, fresh, novel in nature
생각들이
saenggakdeuri — thoughts, ideas (subject marker)
그에게
geuege — to him, for him, toward him
떠오른다
tteooreuneunda — come to mind, rise up, occur to one
그는
geuneun — he, that person (topic marker)
시작하기
sijakhagi — starting, beginning something
전에
jeone — before, prior to, in front of
논거를
nongeoreul — argument, grounds for reasoning (object)
끝까지
kkeutkkaji — to the end, all the way through
다듬어
dadeumeo — to refine, polish, trim neatly
않는다
anneunda — does not do, negative present tense
전체가
jeonchega — the whole, entirety (subject marker)
geu — that, it, he; a determiner
파악될
paaakdoel — to be grasped or understood
su — ability, possibility; can/could
있는
inneun — that exists, present, available
어떤
eotteon — some, a certain, what kind of
하나의
hanaui — one, a single, of one thing
관념을
gwannyeomeul — idea, notion, concept (object marker)
독자는
dokjaneun — the reader (topic marker)
필연적으로
piryeonjeogeuro — inevitably, necessarily, by necessity
가장
gajang — most, the most, to the greatest degree
모호하고
mohohago — vague, ambiguous, unclear and
일반적인
ilbanjeogin — general, common, typical in nature
것에
geose — to the thing, at the thing
집착하게
jipchakhage — to become obsessed or fixated on
된다
doenda — becomes, results in, comes to be
그리하여
geurihayeo — therefore, thus, and so, consequently
논거에
nongeoe — in/regarding the argument or grounds
대한
daehan — about, regarding, concerning something
통상적인
tongsangjeogin — usual, conventional, ordinary in nature
설명에
seolmyeonge — in/to the explanation or description
불만을
bulman-eul — dissatisfaction, discontent (object marker)
품고
pumgo — harboring, holding within oneself
정의에
jeonguie — in/by justice, righteousness
의해
uihae — by means of, through, due to
완성되고
wansongdoego — being completed, perfected and
선의
seonui — of good, of goodness, benevolent
이념에
innyeome — in/according to the ideal or ideology
따라
ttara — following, according to, along with
통치되는
tongchidoeneun — being governed or ruled
국가
gukga — state, nation, country
인간
ingan — human being, humanity, person
삶의
salmui — of life, of living, life's
표현
pyohyeon — expression, representation, depiction
에서
eseo — at, in, from (location/source marker)
진정한
jinjonghan — true, genuine, authentic, real
스스로
seuseuro — by oneself, on one's own, self
생각한다
saenggakhanda — thinks, believes, considers something
그러한
geureuhan — such, that kind of, like that
서술들이
seosuldeuri — descriptions, accounts (subject marker)
어느
eonu — some, a certain, which one
정도
jeongdo — degree, extent, level, amount
유용할
yuyonghal — useful, helpful, practical (future form)
있지만
itjiman — although there is, even though possible
그것들이
geugeotdeuri — they, those things (subject marker)
설계를
seolgyereul — the design or plan (object marker)
거의
geoui — almost, nearly, hardly, scarcely
말할
malhal — to say, to speak (future/adjective form)
없다
eopda — there is not, to not exist, lack
진실은
jinsiреун — the truth (topic marker)
우리가
uriga — we, us (subject marker)
대해
daehae — about, regarding, concerning
말하는
malhanun — speaking, saying, that which is said
여러
yeoreo — various, several, many kinds of
것이다
geosida — it is the case that, the fact is
또한
ttohan — also, furthermore, in addition
관념들의
gwannyeomdeului — of ideas, of notions or concepts
연상에
yeonsange — in association, in connection of ideas
마음이
maeumi — the mind, heart (subject marker)
자연스럽게
jayeonseureobge — naturally, spontaneously, in a natural way
이끌리며
ikkeullimyeo — being led, drawn, attracted toward
전반적인
jeonbanjeogin — overall, general, comprehensive in scope
목적을
mokjeogeul — the purpose or goal (object marker)
방해하지
banghaehaji — not hindering or obstructing (negative)
않는
anneun — that does not, negative modifier
위대한
widaehan — great, grand, magnificent, outstanding
작품의
jakpumui — of the work, of the artwork
계획에서
gyehoekeseo — in/from the plan or design
배제될
baejедoel — to be excluded or eliminated (future)
필요가
piryoga — need, necessity (subject marker)
건축에서
geonchukeseo — in architecture, from architecture
조형
johyeong — plastic arts, forming shapes, modeling
예술에서
yesureseo — in art, from the arts
시에서
sieseo — in poetry, from poetry
산문에서
sanmuneseo — in prose, from prose writing
종류
jongnyu — type, kind, sort, category
혹은
hogeun — or, either, alternatively
정도의
jeongdoui — of degree, of level or extent
통일성이
tongilseongi — unity, coherence, uniformity (subject)
추구되어야
chugudoeeoya — must be pursued or sought after
주제에
jujee — to/regarding the subject or theme
상대적으로
sangdaejeogeuro — relatively, comparatively, in relation to
결정되어야
gyeoljeongdoeeoया — must be decided or determined
하는
haneun — doing, that does, which does
문제이다
munjeida — it is a problem or matter, issue
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