← The Thousand and One Nights, Vol. I.: Commonly Called the Arabian Nights' Entertainments

The Thousand and One Nights, Vol. I.: Commonly Called the Arabian Nights' Entertainments — Page 3

English → Korean Preface Level 7/10

It is not merely a scholar's edition, though no oriental student can afford to be without it; but beyond this narrow circle it has ever appealed to the wide audience that cares to know the famous books of the world in their most perfect and faithful reflections.

이것은 단순히 학자들을 위한 판본이 아니지만, 어떤 동양학 학생도 이것 없이는 안 될 정도이다. 그러나 이 좁은 범위를 넘어, 이 책은 세계의 유명한 책들을 가장 완벽하고 충실한 형태로 알고자 하는 폭넓은 독자층에게 항상 호소력을 발휘해 왔다.

The actual moment is an opportune one for the reappearance of the work.

현재의 시점은 이 작품이 다시 등장하기에 적절한 때이다.

Egypt just now holds a foremost place in the eyes of the world, and it is of Egypt that the _Thousand and One Nights_ have most to tell.

이집트는 지금 세계의 눈에서 가장 중요한 위치를 차지하고 있으며, 『천일야화』가 가장 많이 이야기하는 것은 바로 이집트에 관한 것이다.

Indian or Persian as many of the tales are in their origin, their setting is almost purely Egyptian; and though the place may be nominally Baghdád or India, or even furthest China, it is in mediæval Cairo, in the days of the Memlooks, that the scene of the Arabian Nights is really laid.

많은 이야기들이 그 기원에 있어서 인도적이거나 페르시아적이지만, 그 배경은 거의 순전히 이집트적이다. 그리고 장소가 명목상 바그다드나 인도, 심지어 가장 먼 중국일지라도, 『아라비안 나이트』의 무대가 실제로 펼쳐지는 곳은 맘루크 시대의 중세 카이로이다.

The people described are not Hindoos or Chinese, but Arabs and Egyptians as they lived and moved in the fifteenth century, when some of the beautiful mosques and tombs, that still make Cairo the delight of artists, were being built, and the devastating hand of the Ottoman Turk had not yet been laid on the land of the Pharaohs.

묘사된 사람들은 힌두인이나 중국인이 아니라, 15세기에 살고 움직였던 아랍인과 이집트인들이다. 그 시절에는 지금도 카이로를 예술가들의 기쁨으로 만드는 아름다운 모스크와 무덤들이 건설되고 있었고, 오스만 튀르크의 파괴적인 손길이 아직 파라오들의 땅에 뻗치지 않았던 때였다.

For a minute picture of Arabian society as it was in the Middle Ages, the _Thousand and One Nights_ have no rival, and it is Mr.

중세 아라비아 사회의 세밀한 묘사에 있어서, 『천일야화』에 필적할 작품은 없으며, 그것은 바로 Mr.

Vocabulary

이것은
igeoseun — This (topic marker attached, meaning 'this is')
단순히
dansunhi — Simply, merely, just
학자들을
hakjadeureul — Scholars (object marker attached)
위한
wihan — For the sake of, intended for
판본이
panboni — An edition or version of a text
아니지만
anijiman — Is not, but; although it is not
어떤
eotteon — Any, some, a certain kind of
동양학
dongyanghak — Oriental studies; academic study of the East
학생도
haksaengdo — Even a student; student (with 'even' nuance)
이것
igeot — This thing, this item
없이는
eopsieneun — Without this; in the absence of
an — Not; negation particle before verb
doel — Will become; future modifier form of 되다
정도이다
jeongdoida — It is to the extent/degree that
그러나
geureona — However, but, nevertheless
i — This (demonstrative determiner)
좁은
jobeun — Narrow, limited, small in scope
범위를
beomwireul — Scope, range, extent (object marker attached)
넘어
neomeo — Beyond, over, surpassing
책은
chaegeun — The book (topic marker attached)
세계의
segyeui — Of the world, world's (possessive)
유명한
yumyeonghan — Famous, well-known, renowned
책들을
chaekdeureul — Books (plural, object marker attached)
가장
gajang — Most, the most (superlative adverb)
완벽하고
wanbyeokhago — Perfect and; being complete and flawless
충실한
chungsilhan — Faithful, thorough, solid, faithful to original
형태로
hyeongtaero — In the form of, in a shape of
알고자
algoja — Wishing to know, intending to learn
하는
haneun — Doing; present tense modifier of 하다
폭넓은
pongneolbeun — Wide-ranging, broad, having wide breadth
독자층에게
dokjacheuenege — To the readership, to layers of readers
항상
hangsang — Always, at all times, constantly
호소력을
hosolyeogeul — Appeal, persuasive power (object marker attached)
발휘해
balhwihae — Exerts, demonstrates, displays (a quality)
왔다
watda — Has been (ongoing up to now); came
현재의
hyeonjaeui — Of the present, current (possessive)
시점은
sijeomeun — The point in time, the moment (topic marker)
작품이
jakpumi — The work (of art/literature), subject marker
다시
dasi — Again, once more, anew
등장하기에
deungjanghagie — For appearing, for making an entrance
적절한
jeokjeolhan — Appropriate, suitable, fitting, proper
때이다
ttaeida — It is the time, it is the moment
지금
jigeum — Now, at this moment, currently
눈에서
nuneseo — In the eyes of, from the perspective of
중요한
jungyohan — Important, significant, crucial
위치를
wichireul — Position, location (object marker attached)
차지하고
chajihago — Occupying and; to take up a position
있으며
isseuumyeo — Exists and; while occupying (connective)
많이
mani — A lot, much, many, in great quantity
이야기하는
iyagihaneun — Talking about, narrating (modifier form)
것은
geoseun — The thing that; nominalized clause topic
바로
baro — Precisely, exactly, right, directly
관한
gwanhan — Related to, about, concerning
것이다
geosida — It is (the case that); nominalizing predicate
많은
maneun — Many, numerous, a lot of
이야기들이
iyagideuri — Stories, tales (subject marker attached)
geu — That, its; third-person determiner
기원에
giwone — In origin, in roots (locative attached)
있어서
isseoseo — Being in; with regard to, as for
인도적이거나
indojeokigeona — Indian in nature or; either Indian or
배경은
baegyeongeun — The background, setting (topic marker attached)
거의
geoui — Almost, nearly, mostly
순전히
sunjeonhi — Purely, entirely, wholly, exclusively
그리고
geurigo — And, and then, furthermore
장소가
jangsoga — The place, the location (subject marker)
명목상
myeongmoksang — Nominally, in name only, formally
인도
indo — India; also means 'guidance' in other contexts
심지어
simjie — Even, going so far as to
meon — Far, distant, remote
중국일지라도
junggugiljirago — Even if it is China; even though China
무대가
mudaega — The stage, the setting (subject marker)
실제로
siljaero — In reality, actually, in practice
펼쳐지는
pyeolchyeojineun — Unfolding, spreading out (modifier form)
곳은
goseun — The place (topic marker attached)
시대의
sidaeui — Of the era, of the age (possessive)
중세
jungse — The Middle Ages, medieval period
묘사된
myosadoen — Depicted, described, portrayed (modifier form)
사람들은
saramdeureun — The people (topic marker attached)
중국인이
jungguginyi — Chinese people (subject marker attached)
아니라
anira — Not; rather than, it is not
15세기에
sibosegieе — In the 15th century (locative attached)
살고
salgo — Living and; to live (connective form)
움직였던
umjigyeotdeon — Who had moved/acted (past modifier form)
시절에는
sijeoreneun — In those days, during that time period
지금도
jigeumdo — Even now, still to this day
예술가들의
yesulkadeeurui — Of artists, artists' (possessive)
기쁨으로
gippeumeuro — As a joy, as a delight (instrumental)
만드는
mandeuneun — Making, creating (present modifier form)
아름다운
areumdaun — Beautiful, lovely, gorgeous
무덤들이
mudeomdeuri — Tombs, graves (subject marker attached)
건설되고
geonseoldoego — Being built and; under construction
있었고
isseotgo — Were existing and; there were (connective)
파괴적인
pagoejeogyin — Destructive, ruinous, devastating
손길이
songiri — Touch of the hand, influence (subject marker)
아직
ajik — Yet, still, not yet
땅에
ttange — To the land, on the earth (locative)
뻗치지
ppeotchiji — Extending, reaching out (negated form)
않았던
anassdeon — Had not (done); past negative modifier
때였다
ttaeyeotda — It was the time when, it was an era
사회의
sahoeeui — Of society, society's (possessive)
세밀한
semilhan — Detailed, minute, meticulous, fine-grained
묘사에
myosaе — In the depiction, in the description
필적할
piljeokhal — Comparable to, matching, rivaling (modifier)
작품은
jakpumeun — The work of literature/art (topic marker)
없으며
eopseumyeo — There is none and; does not exist (connective)
그것은
geugeosteun — That thing, it (topic marker attached)
← Previous Next →

Unlock audio playback, vocabulary games, and reading progress tracking.

Create free account →